While many scholars agree that Clausewitz's On War is frequently misunderstood, almost none have explored his methodology to see whether it might enhance our understanding of his concepts. This book lays out Clausewitz's methodology in a brisk and straightforward style. It then uses that as a basis for understanding his contributions to the ever growing body of knowledge of war. The specific contributions this study addresses are Clausewitz's theories concerning the nature of war, the relationship between war and politics, and several of the major principles of strategy he examined. These theories and principles lie at the heart of the current debates over the nature of contemporary conflict. They also underpin much of the instruction that prepares military and civilian leaders for their roles in the development and execution of military strategy. Thus, they are important even in circles where Clausewitz is only briefly studied. While understanding On War is no more a prerequisite for winning wars than knowledge is a requirement for exercising power, Clausewitz's opus has become something of an authoritative reference for those desiring to expand their knowledge of war. By linking method and concept, this book contributes significantly to that end.

An engaging new interpretation of Clausewitz's classic On War and its relevance to contemporary world conflicts.

This is a philosophical treatise on war written by an Oxford grad who served in Afghanistan.

This book examines the importance of "military ethics" in the formulation and conduct of contemporary military strategy. Clausewitz’s original analysis of war relegated ethics to the side-lines in favor of political realism, interpreting the proper use of military power solely to further the political goals of the state, whatever those may be. This book demonstrates how such single-minded focus no longer suffices to secure the interest of states, for whom the nature of warfare has evolved to favor strategies that hold combatants themselves to the highest moral and professional standards in their conduct of hostilities. Waging war has thus been transformed in a manner that moves beyond Clausewitz’s original conception, rendering political success wholly dependent upon the cultivation and exercise of discerning moral judgment by strategists and combatants in the field. This book utilizes a number of perspectives and case studies to demonstrate how ethics now plays a central role in strategy in modern armed conflict. This book will be of much interest to students of just war, ethics, military strategy, and international relations.

Blending detailed contextual analysis with issues in modern-day international relations this book provides a major new analysis of the theory of Clausewitz and its relevance to contemporary society. This book argues that Clausewitz developed a wide-ranging political theory of war by reflecting on the success, the limitations, and the failure of Napoleon's method of waging war, a theory, which is still relevant in light of contemporary conflict. This new interpretation is the result of reflecting on Clausewitz's theory in light of the new developments and lays down the foundation of a general theory of war by concentrating on Clausewitz's historical analyses of war campaigns. For the first time analysis of three paradigmatic military campaigns is placed at the centre of understanding surrounding Clausewitz's 'On War': The author argues that the limitations of Napoleon's strategy, as revealed in Russia and in his final defeat, enabled Clausewitz to develop a general theory of war. This book is a project of the Oxford Leverhulme Programme on the Changing Character of War.

Today, the ideas of Carl von Clausewitz (1780-1831) are employed almost ubiquitously in strategic studies, military history and defence literatures, but often in a manner which distorts their true meaning. In this book, Waldman explores Clausewitz’s central theoretical device for understanding war - the ‘remarkable trinity’ of politics, chance and passion. By situating the great Prussian in historical context, he presents a conception truer to Clausewitz’s intention. Seeking to achieve this through an in-depth reinterpretation of On War and Clausewitz’s other writings, conducted through the prism of the trinity, this book draws on existing studies but argues that there is room for clarification. It presents fresh perspectives into aspects of Clausewitz's thought and emphasises elements of his theory that have often been neglected. Furthermore, it provides a solid basis from which debate on the nature of modern war can move forward.

"But Echevarria disputes this traditional view and convincingly shows that these theorists - Boguslawski, Goltz, Schlieffen, Hoening, and their American and European counterparts - were not the architects of outmoded theories. In fact, they duly appreciated the implications of the vast advances in modern weaponry (as well as in transportation and communications) and set about finding solutions that would restore offensive maneuver to the battlefield."--BOOK JACKET.

The volume considers Clausewitz's timeless On War against the background of actual armed conflict. With scholars from a range of disciplines and countries, it throws new light on a classic text and contemporary issues.

Two classic works of military strategy that shaped the way we think about warfare: The Art of War by Sun Tzu and On War by Karl von Clausewitz, together in one volume “Civilization might have been spared much of the damage suffered in the world wars . . . if the influence of Clausewitz’s On War had been blended with and balanced by a knowledge of Sun Tzu’s The Art of War.”—B. H. Liddel Hart For two thousand years, Sun Tzu’s The Art of War has been the indispensable volume of warcraft. Although his work is the first known analysis of war and warfare, Sun Tzu struck upon a thoroughly modern concept: “The supreme art of war is to subdue the enemy without fighting.” Karl von Clausewitz, the canny military theorist who famously declared that war is a continuation of politics by other means, also claims paternity of the notion “total war.” On War is the magnum opus of the era of the French Revolution and the Napoleonic wars. Now these two great minds come together in a single volume that also features an introduction by esteemed military writer Ralph Peters and the Modern Library War Series introduction by Caleb Carr, New York Times bestselling author of The Alienist. (The cover and text refer to The Art of War as The Art of Warfare, an alternate translation of the title.)