A monograph on one of the most influential visionary architects of the twentieth century, Claude Parent, whose buildings and theoretical work directly influenced leading architects Hadid, Libeskind, Nouvel and Gehry. The influence of the idealistic French architect Claude Parent (1923-2016) extends far beyond the legacy he left in iconic commercial and residential built works such as the Villa Drusch in Versailles (1963), the church of Sainte-Bernadette du Banlay in Nevers (1966), and GEM shopping centre in Sens (1970). Movement was at the heart of Parent's vision, and is nowhere more evident than in his drawings, many of which are published in this book for the first time-- drawings which, according to Frank Gehry, are "extraordinary--beautiful fantasies, full of poetry," and which Edwin Eathcote, writing for the Financial Times, described as "breathtaking... in their ambition they not only presage Daniel Libeskind and Zaha Hadid, they arguably surpass them." Parent's work manifests the oblique function theory he developed with Paul Virilio in 1963, that dictates that buildings should feature slopes, be wall-free where possible and have a predominance of space over surface. Featuring contributions by some of today's most renowned architects, this long-overdue publication is a must-have for students of architecture and architects alike. Including initial sketches for his best known buildings and never-before-seen drawings of unbuilt works, Claude Parent: Visionary Architect reveals the genius of a man who unquestionably changed the history of architecture.

In 1963 Claude Parent and Paul Virilio formed the "Architecture Principe" group with the aim of investigating a new kind of architectural and urban order. This publication provides a record of their experimental research.

Hey! I think you should know that there is nothing your parents are more proud of... than YOU!' This simple graphic story helps children whose parents are separating to feel better. The book says why some parents have to live in different places, reminds the child how special they are to both parents, and reassures them that both parents will keep looking after them, and love them just as before. Getting to the heart of what children need to hear in what can be a confusing time, the story lets your child know that they are loved and safe, and that this will not change. Ideal for children aged 3-7.

En 1966, Paul Virilio et Claude Parent lancent le manifeste Architecture principe, nom du groupe de recherche théorique réuni trois ans plus tôt autour du thème dit de la fonction oblique. Cet ouvrage réunit, outre le fac-similé des dix numéros de la revue, plusieurs interventions de personnalités sensibles à cette approche de l'architecture.

"This is Claude. He's five years old, the youngest of five brothers. He also loves peanut butter sandwiches. He also loves wearing a dress, and dreams of being a princess.When he grows up, Claude says, he wants to be a girl. Rosie and Penn want Claude to be whoever Claude wants to be. They're just not sure they're ready to share that with the world. Soon the entire family is keeping Claude's secret. Until one day it explodes."--

Curious minds are rewarded with curious answers in a fantastical bedtime book by Mac Barnett and Isabelle Arsenault. Why is the ocean blue? What is the rain? What happened to the dinosaurs? It might be time for bed, but one child is too full of questions about the world to go to sleep just yet. Little ones and their parents will be charmed and delighted as a patient father offers up increasingly creative responses to his child’s nighttime wonderings. Any child who has ever asked “Why?” — and any parent who has attempted an explanation — will recognize themselves in this sweet storybook for dreamers who are looking for answers beyond “Just because.”

Examines the influence of twentieth-century avant-garde movements on the contemporary architectural landscape through the work of “disruptors” such as Frank Gehry, Rem Koolhaas, and Zaha Hadid. With an irregular format designed by celebrated graphic designer Abbott Miller of Pentagram. In Architecture Unbound, noted architecture critic Joseph Giovannini proposes that our current architectural landscape ultimately emerged from transgressive and progressive art movements that had roiled Europe before and after World War I. By the 1960s, social unrest and cultural disruption opened the way for investigations into an inventive, antiauthoritarian architecture. Explorations emerged in the 1970s, and built projects surfaced in the 1980s, taking digital form in the 1990s, with large-scale projects finally landing on the far side of the millennium. Architecture Unbound traces all of these developments and influences, presenting an authoritative and illuminating history not only of the sources of contemporary currents in architecture but also of the twentieth-century avant-garde and the twenty-first-century digital revolution in form-making, and profiling the most influential practitioners and their most notable projects, including Frank Gehry’s Guggenheim Bilbao and Walt Disney Concert Hall, Zaha Hadid’s Guangzhou Opera House, Daniel Libeskind’s master plan for the World Trade Center, Rem Koolhaas’s CCTV Tower, and Herzog and de Meuron’s Bird’s Nest Olympic Stadium in Beijing.

Nonwhite and white, rich and poor, born to an unwed mother or weathering divorce, over half of all children in the current generation will live in a single-parent family--and these children simply will not fare as well as their peers who live with both parents. This is the clear and urgent message of this powerful book. Based on four national surveys and drawing on more than a decade of research, Growing Up with a Single Parent sharply demonstrates the connection between family structure and a child's prospects for success. What are the chances that the child of a single parent will graduate from high school, go on to college, find and keep a job? Will she become a teenage mother? Will he be out of school and out of work? These are the questions the authors pursue across the spectrum of race, gender, and class. Children whose parents live apart, the authors find, are twice as likely to drop out of high school as those in two-parent families, one and a half times as likely to be idle in young adulthood, twice as likely to become single parents themselves. This study shows how divorce--particularly an attendant drop in income, parental involvement, and access to community resources--diminishes children's chances for well-being. The authors provide answers to other practical questions that many single parents may ask: Does the gender of the child or the custodial parent affect these outcomes? Does having a stepparent, a grandmother, or a nonmarital partner in the household help or hurt? Do children who stay in the same community after divorce fare better? Their data reveal that some of the advantages often associated with being white are really a function of family structure, and that some of the advantages associated with having educated parents evaporate when those parents separate. In a concluding chapter, McLanahan and Sandefur offer clear recommendations for rethinking our current policies. Single parents are here to stay, and their worsening situation is tearing at the fabric of our society. It is imperative, the authors show, that we shift more of the costs of raising children from mothers to fathers and from parents to society at large. Likewise, we must develop universal assistance programs that benefit low-income two-parent families as well as single mothers. Startling in its findings and trenchant in its analysis, Growing Up with a Single Parent will serve to inform both the personal decisions and governmental policies that affect our children's--and our nation's--future.

This collection of conversations on the subject of time between a legendary couturier and leaders in the worlds of art, design, and popular culture will inspire readers to take greater control over their life and develop their creativity. One of the characteristics of modern-day life seems to be that we are doing more and more at an ever-increasing rate. Uncompromising couturier Azzedine Alaïa hosted salon-style discussions between creative luminaries on this subject. The result is a collection of never-before-published conversations between some of the most famous minds of our generation about time--an increasingly valuable commodity in twenty-first-century society. Taking Time presents musings from some of the world's most respected figures in cinema, music, and design: Jonathan Ive and Marc Newson discuss time as the first ergonomic product; Julian Schnabel and Jean-Claude Carrière consider it in respect to art and film; and Robert Wilson and Isabelle Huppert speak about the importance of time in theater and acting. You will discover ways of appreciating and managing time that are helpful and will embolden you to manifest your creativity and enjoy life to the fullest...and truly to take your time.

Collectively titled Architectones after Kazimir Malevich's three-dimensional extrapolations of his Suprematist paintings, the various art and architectural projects presented in this book partake in the revolutionary idealism of a period in which it was possible to at least imagine transforming social life from the ground up by way of a new plan and model for building. Xavier Veilhan returns here to his favorite non-traditional exhibition format--installations and site-specific works in architecturally-significant spaces. The artist takes on the specters of modernism, altering the buildings through sculpture, music, light and the interaction between site and guests.