This collection presents appropriate teaching literature by 13 composers who wrote exceptionally well for the intermediate student. The wide selection of repertoire included can help students pace their musical and technical development evenly and with ease. In addition, they will receive a solid foundation in the best literature available at their level, and will be prepared to proceed to more advanced music.

Classics Alive Book 1 offers teachers and students a wide selection of literature to help pace musical and technical development evenly and with ease. The book presents 72 pieces of standard teaching literature by 12 composers----familiar and not so familiar---who wrote exceptionally well for the late-elementary/early-intermediate student. Studying these works will give students a solid foundation in the best literature available at their level, and will prepare them to proceed to more advanced music. The pieces are easy to learn, rewarding to play and sound great!

The Latin Alive! Book One: Teacher's Edition includes a complete copy of the student text, as well as answer keys, extra teacher's notes and explanations, unit tests, and bonus projects and activities.

This book offers teachers and students a wide selection of literature to help pace musical and technical development evenly and with ease. The book presents appropriate teaching literature by 14 composers who wrote inspirationally for the intermediate student. The pieces in this book are primarily from Levels 7 and 8, according to Jane Magrath’s The Pianist’s Guide to Standard Teaching and Performance Literature. Titles include: Prelude in D Minor, BWV 926 (J. S. Bach) *Prelude in D Minor, BWV 940 (J. S. Bach) *Sonata in F Major, K. 78 (Scarlatti) *Sonata in G Major, K. 391 (Scarlatti) *Sonata in C Major, K. 309 (Scarlatti) *Sonata in A Minor, K. 149 (Scarlatti) *Viennese Sonatina No. 1 in C Major (1st movement) (Mozart) *Viennese Sonatina No. 2 in A Major (1st movement) (Mozart) *Viennese Sonatina No. 6 in C Major (1st and 3rd movements) (Mozart) * Sonatina in G Major, Hob. XVI: 8 (1st movement) (Haydn) *Sonatina in F Major, Hob. XVI: 9 (1st movement) (Haydn) *Sonatina in C Major, Hob. XVI: 10 (1st movement) (Haydn) *Bagatelle in G Minor, Op. 119, No. 1 (Beethoven) *Bagatelle in D Major, Op. 119, No. 3 (Beethoven) * Bagatelle in A Minor, Op. 119, No. 9 (Beethoven) *German Dance in D Major, D. 783, No. 2 (Schubert) *Waltz in B Minor, D. 145, No. 6 (Schubert) *Waltz in A-flat Major, D. 365, No. 2 (Schubert) *Two Ecossaises, D. 421, Nos. 1 and 2 (Schubert) *Album leaf in F-sharp Minor, Op. 99, No. 4 (Schumann) *From Foreign Lands and Places, Op. 15, No. 1 (Schumann) *Mignon, Op. 68, No. 35 (Schumann) *Important Event, Op. 15, No. 6 (Schumann) *Prelude in A Major, Op. 28, No. 7 (Chopin) *Mazurka in F Major, Op. 68, No. 3 (Chopin) *Mazurka in G Minor, Op. 67, No. 2 (Chopin) *Mazurka in G Major, Op. Post (Chopin) *Mazurka in B-flat Major, Op. Post (Chopin) *Song of the Cowherd, Op. 17, No. 22 (Grieg) *Waltz, Op. 38, No. 7 (Grieg) *Norwegian Melody, Op. 12, No. 6 (Grieg) *The Little Shepherd (Debussy) *Album Leaf (Debussy) *Braul (Bartok) *Buciumeana (Bartok) *The Farewell, Op. 21, No. 3 (Borkiewicz) *Venice, Op. 21, No. 7 (Borkiewicz) *Pierrot's Serenade (Martinu) *Columbine Remembers (Martinu) *Prelude (Fragment) (Gershwin) *Merry Andrew (Gershwin) *Promenade (Walking the Dog) (Gershwin).

Stella Cross's heart is poisoned. After years on the transplant waiting list, she's running out of hope that she'll ever see her eighteenth birthday. Then, miraculously, Stella receives the transplant she needs to survive. Determined to embrace everything she came so close to losing, Stella throws herself into her new life. But her recovery is marred with strange side effects: Nightmares. Hallucinations. A recurring pain that flares every day at the exact same moment. Then Stella meets Levi Zin, the new boy on everyone's radar at her Seattle prep school. Stella has never felt more drawn to anyone in her life, and soon she and Levi can barely stand to be apart. Stella is convinced that Levi is her soul mate. Why else would she literally ache for him when they are apart? After all, the heart never lies . . . does it?

The intrepid Texas jungle adventurer Frank Buck spent his life capturing alive every kind of animal, and enthralled generations of readers with the stories of danger and daring collected here.

Staying Alive: A Survival Manual for the Liberal Arts fiercely defends the liberal arts in and from an age of neoliberal capital and techno-corporatization run amok, arguing that the public university’s purpose is not vocational training, but rather the cultivation of what Fradenburg calls “artfulness,” including the art of making knowledge. In addition to sustained critical and creative thinking, the humanities develop the mind’s capacities for real-time improvisational communication and interpretation, without which we can neither thrive nor survive. Humanist pedagogy and research use play, experimentation and intersubjective exchange to foster forms of artfulness critical to the future of our species. From perception to reality-testing to concept-formation and logic, the arts and humanities teach us to see, hear and respond more keenly, and to imagine, or “model,” new futures and possibilities. Innovation of all kinds, technological or artistic, depends on the enhancement of the skills proper to staying alive

The ultimate guide to surviving disasters, kidnappings, animal attacks, and other nasty perils of modern travel.

Waking up in a mysterious enclosed space with no memory of their identities, a group of teens uncovers evidence of a long-past war and the horrifying realities of their confinement.

Run. Don't cry. Just get away. All Azalea remembers from before on that deserted London road are the pouring rain and the agonizing pain inflicted by a single bite. Forced to learn of her traumatic past through vivid nightmares, this new vampire tries to piece together the truth as she navigates a world no mortal knows exists. When romance and hope start to blossom, several barriers are cast towards her, including the wrath of one who is not prepared to share her. As circumstances turn violent, any chance at a normal life is vanquished. Enlisting the aid of creatures she once believed to be a myth, Azalea begins to fight, but how can she thrive in a world where her own darkness surrounds her and she finds herself constantly haunted by the colour RED? Follow Azalea through book one of the trilogy, where fantasy mixes with mystery, a forbidden romance, and darkness. Just get away. Don't cry. Run. Title: I'm Still Alive Author: Jade Austin Genre: Dark Fantasy Romance Target Audience: New Adult + Triggers: Sexual Assault, Abuse, Gore, Domestic Violence, Brief thoughts of suicide Other themes: Romance, Mystery, Adventure, Action, Vampires, Witchcraft, Magical Creatures, Historical Fiction, Childhood trauma, PTSD, anxiety, depression, BIPOC