Classical Constructions is a collection of ground-breaking and scholarly papers on Latin literature by a number of distinguished Classicists, produced in memory of Don Fowler, who died in 1999 at the age of 46. The authors were all inspired by the desire to commemorate a beloved colleague and friend and have produced papers of great freshness and insight. The essays, including that by Don Fowler himself, are much concerned with the reception of the classical world, extending into the realms of modern philosophy, art history, and cultural studies. There are fundamental studies of Horace's style and Ovid's exile. The volume is unusual in the informality of the style of a number of pieces, and the openness with which the contributors have reminisced about the honorand and reflected on his early death.

"Classical Greek Architecture is a definitive account of classical architecture, its influences, and its significance for the structures of today from leading scholar Alexander Tzonis. The work contains a wealth of contemporary and vintage photographs from major archives that, together with numerous line drawings of the monuments and sites of Ancient Greece, provide a breath-taking introduction to visual thinking and architectural culture".--BOOKJACKET.

A collection of ground-breaking and scholarly papers on Latin literature by a number of distinguished classicists, produced in memory of Don Fowler, who died in 1999 at the age of 46. The essays are concerned with the reception of the classical world, extending into the realms of modern philosophy, art history, and cultural studies.

Geometric constructions have been a popular part of mathematics throughout history. The first chapter here is informal and starts from scratch, introducing all the geometric constructions from high school that have been forgotten or were never learned. The second chapter formalises Plato's game, and examines problems from antiquity such as the impossibility of trisecting an arbitrary angle. After that, variations on Plato's theme are explored: using only a ruler, a compass, toothpicks, a ruler and dividers, a marked rule, or a tomahawk, ending in a chapter on geometric constructions by paperfolding. The author writes in a charming style and nicely intersperses history and philosophy within the mathematics, teaching a little geometry and a little algebra along the way. This is as much an algebra book as it is a geometry book, yet since all the algebra and geometry needed is developed within the text, very little mathematical background is required. This text has been class tested for several semesters with a master's level class for secondary teachers.

Distinguished international scholars examine the neglected issue of the body and its status in classical antiquity

Building in Words explores the relationship between text and architecture in the Roman world from the perspective of architectural process. Ancient Romans frequently encountered buildings under construction - they experienced noisy building work, disruptive transportation of materials, and sometimes spectacular engineering feats. Bettina Reitz-Joosse analyzes how Roman authors responded to the process of building and construction in their literary works. Roman authors tell stories of architectural creation to give meaning to finished monuments. Their narratives can stress technological or logistic mastery or highlight morally problematic aspects of construction, particularly in large-scale engineering projects. While offering descriptions of the process of creating architecture, Roman writers also reflect on the creation of their own works. Building in Words demonstrates the richness of the image of construction for literary composition: writers use it to comment on the aesthetics or ambition of their literary work, to articulate the power and durability, but also the fragility of literature. Reitz-Joosse here offers original readings of a range of literary authors of the early Roman empire, including Vergil, Pliny the Elder, Tacitus, and Statius, and places literary texts in dialogue with contemporary epigraphic and archaeological material. Through its focus on building as a process, Building in Words furthers our understanding of the aesthetics of both architecture and literature in ancient Rome.

Why did the Greeks of the archaic and early Classical period join in choruses that sang and danced on public and private occasions? This book offers a wide-ranging exploration of representations of chorality in the poetry, art and material remains of early Greece in order to demonstrate the centrality of the activity in the social, religious and technological practices of individuals and communities. Moving from a consideration of choral archetypes, among them cauldrons, columns, Gorgons, ships and halcyons, the discussion then turns to an investigation of how participation in choral song and dance shaped communal experience and interacted with a variety of disparate spheres that include weaving, cataloguing, temple architecture and inscribing. The study ends with a treatment of the role of choral activity in generating epiphanies and allowing viewers and participants access to realms that typically lie beyond their perception.

The smooth functioning of an ordered society depends on the possession of a means of regularising its activities over time. That means is a calendar, and its regularity is a function of how well it models the more or less regular movements of the celestial bodies - of the moon, the sun or the stars. Greek and Roman Calendars examines the ancient calendar as just such a time-piece, whose elements are readily described in astronomical and mathematical terms. The story of these calendars is one of a continuous struggle to maintain a correspondence with the regularity of the seasons and the sun, despite the fact that the calendars were usually based on the irregular moon. But on another, more human level, Greek and Roman Calendars steps beyond the merely mathematical and studies the calendar as a social instrument, which people used to organise their activities. It sets the calendars of the Greeks and Romans on a stage occupied by real people, who developed and lived with these time-pieces for a variety of purposes - agricultural, religious, political and economic.This is also a story of intersecting cultures, of Greeks with Greeks, of Greeks with Persians and Egyptians, and of Greeks with Romans, in which various calendaric traditions clashed or compromised.

Provides description and analysis of Egyptian building practices.