Urbane, irreverent satire—four of Aubrey Menen’s best novels The novels in this omnibus edition are classic Aubrey Menen—brilliant and inventive, displaying his characteristic wit while laying bare people’s idiosyncrasies. Menen attacks affectation and hypocrisy with his crisp prose and true-to-life characters. Classic Aubrey Menen is an abiding testimony to a master craftsman. The Prevalence of Witches, A Conspiracy of Women, A Fig Tree, The Abode of Love

Urbane, irreverent satire—four of Aubrey Menen’s best novels The novels in this omnibus edition are classic Aubrey Menen—brilliant and inventive, displaying his characteristic wit while laying bare people’s idiosyncrasies. Menen attacks affectation and hypocrisy with his crisp prose and true-to-life characters. Classic Aubrey Menen is an abiding testimony to a master craftsman. The Prevalence of Witches, A Conspiracy of Women, A Fig Tree, The Abode of Love.

In September 1943, Naples lay devastated by incessant bombardment from Allied planes. The city, under an iron occupation by the Germans, was without food. During the bombardment, the famed scugnizzi, the street boys, of Naples grew increasingly exasperated by the passiveness of their elders. Known for their daring, verve, and enterprise, the boys staged an incredible revolt against the Germans on September 28, 1943. Dragging furniture into the roadways, they built barricades and shot at the enemy with stolen guns, inspiring many adults and Italian army deserters to join their ranks. Three days and hundreds of deaths later, the Germans left the city for good. The author, who heard the story of those historic four days from the scugnizzi themselves in 1948, recounts the battle.

In recent years American readers have been thrilling to the work of such Indian writers as Salman Rushdie and Vikram Seth. Now this extravagant and wonderfully discerning anthology unfurls the full diversity of Indian literature from the 1850s to the present, presenting today’s brightest talents in the company of their distinguished forbearers and likely heirs. The thirty-eight authors collected by novelist Amit Chaudhuri write not only in English but also in Hindi, Bengali, and Urdu. They include Rabindranath Tagore, arguably the first international literary celebrity, chronicling the wistful relationship between a village postal inspector and a servant girl, and Bibhuti Bhushan Banerjee, represented by an excerpt from his classic novel about an impoverished Bengali childhood, Pather Panchali. Here, too, are selections from Nirad C. Chaudhuri’s Autobiography of an Unknown Indian, R. K. Narayan’s The English Teacher, and Salman Rushdie’s Midnight’s Children alongside a high-spirited nonsense tale, a drily funny account of a pre-Partition Muslim girlhood, and a Bombay policier as gripping as anything by Ed McBain. Never before has so much of the subcontinent’s writing been made available in a single volume.

Translations from Hindi, Bengali, Urdu, Tamil and the South sit alongside writing in English, bringing to light the greatest and most engaging writers from India's recent history. With introductions to the writers and their work, this is an electic and enlightening anthology of Indian writing.

Amit Ray left his upperclass home in India with nine books and seventy rupees in his pocket to begin his life's journey. This book talks about his journey.