This stunning eBook is a concise illustrated guide, evaluating the masterpieces that have changed the course of art as we know it. Whether an art novice or a cultivated connoisseur, this eBook offers you an intriguing overview of the world’s most famous and iconic artworks. Illustrated with over 500 full colour images, it builds upon Delphi’s groundbreaking Masters of Art Series — the world’s first digital e-Art books. Through the analysis of 50 famous and innovative paintings, the eBook charts the shifting movements and styles of Western art, from the early beginnings of the Italian Renaissance to the daring wonders of the twentieth century. (Version 1) * Includes reproductions of art’s most monumental paintings * Concise introductions to the masterpieces, giving valuable contextual information on each artist and artwork * Enlarged ‘Detail’ images, allowing you to explore the celebrated works in detail, as featured in traditional print art books * Hundreds of images in colour – highly recommended for viewing on tablets and smart phones or as a valuable reference tool on more conventional eReaders * Easily locate the paintings you wish to view with a linked contents table * Chart the history of art in chronological order Please note: due to existing copyrights, Picasso and Matisse are unable to appear in the eBook. CONTENTS: SCENES FROM THE LIFE OF JOACHIM by Giotto THE EXPULSION FROM THE GARDEN OF EDEN by Masaccio THE ARNOLFINI PORTRAIT by Jan van Eyck THE BAPTISM OF CHRIST by Piero della Francesca PRIMAVERA by Sandro Botticelli THE LAST SUPPER by Leonardo da Vinci SELF PORTRAIT, 1498 by Albrecht Dürer PORTRAIT OF DOGE LEONARDO LOREDAN by Giovanni Bellini MONA LISA by Leonardo da Vinci THE LAST JUDGMENT by Michelangelo THE SCHOOL OF ATHENS by Raphael SLEEPING VENUS by Giorgione ASSUMPTION OF THE VIRGIN by Titian THE PEASANT WEDDING by Pieter Bruegel the Elder THE LAST SUPPER by Tintoretto CALLING OF SAINT MATTHEW by Caravaggio JUDITH SLAYING HOLOFERNES by Artemisia Gentileschi ET IN ARCADIA EGO by Nicolas Poussin THE EMBARKATION OF THE QUEEN OF SHEBA by Claude Lorrain LAS MENINAS by Diego Velázquez PEACE AND WAR by Sir Peter Paul Rubens THE GIRL WITH THE PEARL EARRING by Johannes Vermeer SELF PORTRAIT WITH PALETTE AND BRUSHES by Rembrandt van Rijn THE ENTRANCE TO THE GRAND CANAL, VENICE by Canaletto THE MARRIAGE SETTLEMENT by William Hogarth THE SWING by Jean-Honoré Fragonard THE BLUE BOY by Thomas Gainsborough OATH OF THE HORATII by Jacques-Louis David THE NUDE MAJA by Francisco de Goya THE HAY WAIN by John Constable WANDERER ABOVE THE SEA OF FOG by Caspar David Friedrich LIBERTY LEADING THE PEOPLE by Eugène Delacroix THE FIGHTING TEMERAIRE by J. M. W. Turner OLYMPIA by Édouard Manet IMPRESSION, SUNRISE by Claude Monet PROSERPINE by Dante Gabriel Rossetti THE DANCING CLASS by Edgar Degas NOCTURNE IN BLACK AND GOLD: THE FALLING ROCKET by James Abbott McNeill Whistler AT THE MOULIN DE LA GALETTE by Pierre-Auguste Renoir MADAME X by John Singer Sargent STILL LIFE: VASE WITH TWELVE SUNFLOWERS by Vincent van Gogh THE SCREAM by Edvard Munch WHERE DO WE COME FROM? WHAT ARE WE? WHERE ARE WE GOING? by Paul Gauguin THE LARGE BATHERS by Paul Cézanne THE KISS by Gustav Klimt PORTRAIT OF WALLY by Egon Schiele SMALL PLEASURES by Wassily Kandinsky SEATED NUDE by Amedeo Modigliani RED BALLOON by Paul Klee TABLEAU I by Piet Mondrian Please visit www.delphiclassics.com to browse through our range of exciting titles or to buy the whole Art series as a Super Set

How should we live? That question was no less urgent for English men and women who lived between the early sixteenth and late eighteenth centuries than for this book's readers. Keith Thomas's masterly exploration of the ways in which people sought to lead fulfilling lives in those centuries between the beginning of the Reformation and the heyday of the Enlightenment illuminates the central values of the period, while casting incidental light on some of the perennial problems of human existence. Consideration of the origins of the modern ideal of human fulfilment and of obstacles to its realization in the early modern period frames an investigation that ranges from work, wealth, and possessions to the pleasures of friendship, family, and sociability. The cult of military prowess, the pursuit of honour and reputation, the nature of religious belief and scepticism, and the desire to be posthumously remembered are all drawn into the discussion, and the views and practices of ordinary people are measured against the opinions of the leading philosophers and theologians of the time. The Ends of Life offers a fresh approach to the history of early modern England, by one of the foremost historians of our time. It also provides modern readers with much food for thought on the problem of how we should live and what goals in life we should pursue.

A Portrait of the Artist as a Young Man is semi-autobiographical, following Joyce's fictional alter-ego through his artistic awakening. The young artist Steven Dedelus begins to rebel against the Irish Catholic dogma of his childhood and discover the great philosophers and artists. He follows his artistic calling to the continent.

Offering a fresh perspective on the influence of the American southwest--and particularly West Texas--on the New York art world of the 1950s, Three Women Artists: Expanding Abstract Expressionism in the American West aims to establish the significance of itinerant teaching and western travel as a strategic choice for women artists associated with traditional centers of artistic authority and population in the eastern United States. The book is focused on three artists: Elaine de Kooning, Jeanne Reynal, and Louise Nevelson. In their travels to and work in the High Plains, they were inspired to innovate their abstract styles and introduce new critical dialogues through their work. These women traveled west for the same reason artists often travel to new places: they found paid work, markets, patrons, and friends. This Middle American context offers us a "decentered" modernism--demanding that we look beyond our received truths about Abstract Expressionism. Authors Amy Von Lintel and Bonnie Roos demonstrate that these women's New York avant-garde, abstract styles were attractive to Panhandle-area ranchers, bankers, and aspiring art students. Perhaps as importantly, they show that these artists' aesthetics evolved in light of their regional experiences. Offering their work as a supplement and corrective to the frameworks of patriarchal, East Coast ethnocentrism, Von Lintel and Roos make the case for Texas as influential in the national art scene of the latter half of the twentieth century.

This monumental new book is the first to celebrate the greatest and most iconic paintings from the encyclopedic collections of The Metropolitan Museum of Art, New York, one of the largest, most important, and most beloved museums in the world. This impressive volume's broad sweep of material, all from a single museum, makes it at once a universal history of painting and the ideal introduction to the iconic masterworks of this world-renowned institution. More than 1,000 lavish color illustrations and details of 500 masterpiece paintings, created over 5,000 years in cultures across the globe, are presented chronologically from the dawn of civilization to the present. These works represent a grand tour of painting from ancient Egypt and classical antiquity and prized Byzantine and medieval altarpieces, to paintings from Asia, India, Africa and the Americas, and and the greatest European and North American masters. The Metropolitan Museum of Art includes and introduction and illuminating texts about each artwork written specially for this volume by Kathryn Calley Galitz, whose experience as both curator and educator at the Met makes her uniquely qualified. European and American artists include Duccio, El Greco, Raphael, Titian, Botticelli, Bronzino, Caravaggio, Turner, Velázquez, Goya, Rubens, Rembrandt, Brueghel, Vermeer, David, Renior, Monet, Van Gogh, Gauguin, Cézanne, Degas, Sargent, Homer, Matisse, Picasso, Pollock, Jasper Johns, and Warhol. The artworks are arranged in rough chronological order, without regard to geography or culture, offering a visual timeline of the history of painting, from the earliest examples on pottery jars made over five thousand years ago to canvases on which the paint has barely dried. Freed from the constraints imposed by the physical layout of the Museum, the paintings resonate anew; and this chronological framework reveals unexpected visual affinities among the works. For those wishing to experience the unparalleled breadth and depth of the Met's collection, or study masterpieces of painting from throughout history, this important volume is sure to become a classic cherished by art lovers around the world.

In this book, Catherine M. Keesling lends new insight into the origins of civic honorific portraits that emerged at the end of the fifth century BC in ancient Greece. Surveying the subjects, motives and display contexts of Archaic and Classical portrait sculpture, she demonstrates that the phenomenon of portrait representation in Greek culture is complex and without a single, unifying history. Bringing a multi-disciplinary approach to the topic, Keesling grounds her study in contemporary texts such as Herodotus' Histories and situates portrait representation within the context of contemporary debates about the nature of arete (excellence), the value of historical commemoration and the relationship between the human individual and the gods and heroes. She argues that often the goal of Classical portraiture was to link the individual to divine or heroic models. Offering an overview of the role of portraits in Archaic and Classical Greece, her study includes local histories of the development of Greek portraiture in sanctuaries such as Olympia, Delphi and the Athenian Acropolis.