Immerse yourself in the vivacious spirit of Johann Strauss II's 'Unter Donner und Blitz' (Thunder and Lightning Polka, Op. 324) through this captivating transcription for Clarinet Quartet by Francesco Leone. This edition offers both the score and parts (6), meticulously arranged for 1-3 Bb Clarinets and Bass Clarinet, making it an ideal selection for intermediate-level musicians seeking to explore the rich textures and exhilarating pace of Strauss's iconic polka. In a nod to ensemble versatility and to accommodate diverse clarinet voices, included are optional parts for Eb Piccolo Clarinet (as a substitute for Clarinet 1) and Eb Alto Clarinet (replacing Clarinet 3). These additions allow ensembles to tailor the texture and timbre of the performance, providing opportunities for a broader range of clarinetists to engage with this lively piece. Elevate your preparation and performance with an audio demo available at www.glissato.it, offering a sonic preview that showcases the arrangement’s potential and aids in interpreting the music with authenticity and flair. The eBook enriches the musical experience with informative prefaces in multiple languages, including English, French, German, Spanish, Italian, and Portuguese. These insightful introductions provide valuable context about the piece's historical significance, Strauss's compositional style, and performance tips, making this edition not only a tool for music-making but also a resource for cultural and educational enrichment. Dive into the joyous whirlwind of 'Unter Donner und Blitz' with this clarinet quartet arrangement, where the legacy of Johann Strauss II's work is vividly brought to life, connecting musicians globally through the universal language of music.

Delight in the spirited charm of Johann Strauss II's 'Unter Donner und Blitz' (Thunder and Lightning Polka, Op. 324), artfully transcribed for Woodwind Quintet by Francesco Leone. This intermediate-level edition is meticulously crafted to cater to the unique blend of a woodwind ensemble, comprising Score and Parts (7) for Flute, Oboe, Bb Clarinet, French Horn in F, and Bassoon. Embracing versatility, this arrangement also includes alternative parts for Eb Horn and Bb Bass Clarinet, offering substitutions for the French Horn and Bassoon to accommodate diverse ensemble configurations and individual player strengths. This arrangement captures the vivacious energy and melodic brilliance of Strauss’s work, inviting musicians to explore the piece’s dynamic contrasts and intricate textures through the rich palette of woodwind timbres. Each part is thoughtfully arranged to highlight the instrument's unique qualities while contributing to a cohesive and engaging ensemble sound. Enhance your rehearsal and performance experience with an audio demo, available on www.glissato.it. This valuable resource provides a clear sonic reference that can help guide interpretation, tempo, and dynamics, ensuring a lively and authentic rendition of this classic polka. The edition is further enriched with informative prefaces in multiple languages, including English, French, German, Spanish, Italian, and Portuguese. These prefaces offer insights into the historical significance, compositional details, and performance practices of 'Unter Donner und Blitz,' making this eBook not just a piece of sheet music but a comprehensive educational tool. This multilingual support ensures that musicians and enthusiasts from around the globe can delve into Strauss’s masterpiece with a deeper understanding and appreciation. Embark on a musical journey with this enchanting arrangement of 'Unter Donner und Blitz' for Woodwind Quintet, where the legacy of Strauss’s exhilarating polka is reimagined for the expressive and diverse voices of woodwind instruments.

Arrangement for Woodwind Quartet (intermediate) by Francesco Leone. Set of parts (5): Flute, Oboe, Bb Clarinet and Bassoon, included Bb Bass Clarinet instead Bassoon (score available separately). Johann Baptist Strauss (25 October 1825 – 3 June 1899), also known as Johann Strauss II or Johann Strauss Jr., the Younger, the Son, was an Austrian composer of light music, particularly dance music and operettas. He composed over 500 waltzes, polkas, quadrilles, and other types of dance music, as well as several operettas and a ballet. In his lifetime, he was known as "The Waltz King", and was largely responsible for the popularity of the waltz in Vienna during the 19th century.

The story of the music that accompanies the cinematic adventures of Ian Fleming's intrepid Agent 007 is one of surprising real-life drama. In The Music of James Bond, author Jon Burlingame throws open studio and courtroom doors alike to reveal the full and extraordinary history of the sounds of James Bond, spicing the story with a wealth of fascinating and previously undisclosed tales. Burlingame devotes a chapter to each Bond film, providing the backstory for the music (including a reader-friendly analysis of each score) from the last-minute creation of the now-famous "James Bond Theme" in Dr. No to John Barry's trend-setting early scores for such films as Goldfinger and Thunderball. We learn how synthesizers, disco and modern electronica techniques played a role in subsequent scores, and how composer David Arnold reinvented the Bond sound for the 1990s and beyond. The book brims with behind-the-scenes anecdotes. Burlingame examines the decades-long controversy over authorship of the Bond theme; how Frank Sinatra almost sang the title song for Moonraker; and how top artists like Shirley Bassey, Tom Jones, Paul McCartney, Carly Simon, Duran Duran, Gladys Knight, Tina Turner, and Madonna turned Bond songs into chart-topping hits. The author shares the untold stories of how Eric Clapton played guitar for Licence to Kill but saw his work shelved, and how Amy Winehouse very nearly co-wrote and sang the theme for Quantum of Solace. New interviews with many Bond songwriters and composers, coupled with extensive research as well as fascinating and previously undiscovered details--temperamental artists, unexpected hits, and the convergence of great music and unforgettable imagery--make The Music of James Bond a must read for 007 buffs and all popular music fans. This paperback edition is brought up-to-date with a new chapter on Skyfall.

In the first book-length consideration of the topic for sixty years, Kevin Donnelly examines the importance of music in British film, concentrating both on musical scores, such as William Walton's score for Henry V (1944) and Malcolm Arnold's music for The Bridge on the River Kwai (1957), and on the phenomenon of the British film musical.

For more than a century, original music has been composed for the cinema. From the early days when live music accompanied silent films to the present in which a composer can draw upon a full orchestra or a lone synthesizer to embody a composition, music has been an integral element of most films. By the late 1930s, movie studios had established music departments, and some of the greatest names in film music emerged during Hollywood’s Golden Age, including Alfred Newman, Max Steiner, Dimitri Tiomkin, and Bernard Herrmann. Over the decades, other creators of screen music offered additional memorable scores, and some composers—such as Henry Mancini, Randy Newman, and John Williams—have become household names. The Encyclopedia of Film Composers features entries on more than 250 movie composers from around the world. It not only provides facts about these artists but also explains what makes each composer notable and discusses his or her music in detail. Each entry includes Biographical material Important dates Career highlights Analysis of the composer’s musical style Complete list of movie credits This book brings recognition to the many men and women who have written music for movies over the past one hundred years. In addition to composers from the United States and Great Britain, artists from dozens of other countries are also represented. A rich resource of movie music history, The Encyclopedia of Film Composers will be of interest to fans of cinema in general as well as those who want to learn more about the many talented individuals who have created memorable scores.