Restoring a gifted art photographer to his place in the American canon and, in the process, reshaping and expanding our understanding of early 20th-century American photography Clarence H. White (1871–1925) was one of the most influential art photographers and teachers of the early 20th century and a founding member of the Photo-Secession. This beautiful publication offers a new appraisal of White’s contributions, including his groundbreaking aesthetic experiments, his commitment to the ideals of American socialism, and his embrace of the expanding fields of photographic book and fashion illustration, celebrity portraiture, and advertising. Based on extensive archival research, the book challenges the idea of an abrupt rupture between prewar, soft-focus idealizing photography and postwar “modernism” to paint a more nuanced picture of American culture in the Progressive era. Clarence H. White and His World begins with the artist’s early work in Ohio, which shares with the nascent Arts and Crafts movement the advocacy of hand production, closeness to nature, and the simple life. White’s involvement with the Photo-Secession and his move to New York in 1906 mark a shift in his production, as it grew to encompass commercial portraiture and an increasing commitment to teaching, which ultimately led him to establish the first institutions in America to combine instruction in both technical and aesthetic aspects of photography. The book also incorporates new formal and scientific analysis of White’s work and techniques, a complete exhibition record, and many unpublished illustrations of the moody outdoor scenes and quiet images of domestic life for which he was revered.

This book presents the first comprehensive examination of the photographic work and teaching of Clarence H. White and his students, who were New York's vanguard art photographers in the first half of this century. The incisive texts, written by two White scholars, examine the social context of White's ideologies, and arts and crafts principles. These beautifully reproduced images reveal the photographic work of White and his students, which is based on the aesthetic principles that formed the foundations of modernism.

Called "Edgar Allan Poe with a camera", Clarence John Laughlin (1905-1984) reveals New Orleans at its most brooding and mysterious in 69 never-before-published images. Compiled by the Historic New Orleans Collection, this volume brings together an eerie gallery of French Quarter facades, funerary sculpture, and other details that summon up the Acadian gothic described by six distinguished writers. 69 illustrations.

The beautiful and seductive images of an overlooked movement, reproduced in their full tonal range. Much has been written about Alfred Stieglitz and his role in establishing photography as an art. Little attention, however, has been paid to the pictorial photographers who followed Stieglitz, among them Imo Jean Cunningham, Edward Weston, Clarence H. White, and a host of others -- those who, in a widespread movement, approached photography in a painterly fashion, creating beautiful images through the use of careful lighting, manipulated tones, soft focus effects, and artistic compositions. In this important volume, Christian A. Peterson finally gives the pictorialists of the first half of the twentieth century their due. He describes the backgrounds of the movement, their methods, the photo clubs they belonged to, and their work, illustrated here with ninety-three stunning reproductions. The movement seemed to die out, Peterson suggests, with the rising popularity of 35mm photography in mid-century, when the care and slow working procedures required by large-format cameras became unpopular. 93 full-color photographs

The White-Inyo Range--rising sharply from the eastern edge of Owens Valley--is one of the most extraordinary landscapes in the world. High, dry, and amazingly diverse, it boasts an expansive alpine tundra and features the oldest living species on earth--the 4,000-year-old Bristlecone Pines. This colorful and authoritative volume assembles a wealth of information of deep interest to the hikers and scientists attracted to White-Inyo's altitude and isolation. The nearly two dozen contributors to the volume are leading experts on the flora and fauna, the geology, geomorphology, meteorology, anthropology, and archaeology of the area. The book offers descriptions of more than 650 kinds of living organisms, from the handful of fish to the abundance of reptile, amphibian, bird and plant species. (It provides descriptions of hundreds of flowering plants.) It contains an 8-color geologic map and a roadside guide that enables the visitor to make sense of the area's complex geological history. Readers will also learn about air currents that make the range a delight for sailplane pilots and create strange cloud formations. And a special chapter tells what is known of the Native Americans who moved up and down the mountain slopes in response to seasonal changes. For anyone who wishes to visit this astonishing area or to do research there, this volume will be a unique, comprehensive resource. The White-Inyo Range--rising sharply from the eastern edge of Owens Valley--is one of the most extraordinary landscapes in the world. High, dry, and amazingly diverse, it boasts an expansive alpine tundra and features the oldest living species on earth--the 4,000-year-old Bristlecone Pines. This colorful and authoritative volume assembles a wealth of information of deep interest to the hikers and scientists attracted to White-Inyo's altitude and isolation. The nearly two dozen contributors to the volume are leading experts on the flora and fauna, the geology, geomorphology, meteorology, anthropology, and archaeology of the area. The book offers descriptions of more than 650 kinds of living organisms, from the handful of fish to the abundance of reptile, amphibian, bird and plant species. (It provides descriptions of hundreds of flowering plants.) It contains an 8-color geologic map and a roadside guide that enables the visitor to make sense of the area's complex geological history. Readers will also learn about air currents that make the range a delight for sailplane pilots and create strange cloud formations. And a special chapter tells what is known of the Native Americans who moved up and down the mountain slopes in response to seasonal changes. For anyone who wishes to visit this astonishing area or to do research there, this volume will be a unique, comprehensive resource.

The life and work of an essential photographer whose feminism and pictorialist images distanced her from the mainstream In the first book devoted to Anne Brigman (1869–1950), Kathleen Pyne traces the groundbreaking photographer’s life from Hawai‘i to the Sierra and elsewhere in California, revealing how her photographs emerged from her experience of local place and cultural politics. Brigman’s work caught the eye of the well-known photographer Alfred Stieglitz, who welcomed her as one of the original members of his Photo-Secession group. He promoted her work as exemplary of his modernism and praised her Sierra landscapes with female nudes—work that at the time separated Brigman from the spiritualized upper-class femininity of other women photographers. Stieglitz later drew on Brigman’s images of the expressive female body in shaping the public persona of Georgia O’Keeffe into his ideal woman artist. This nuanced account reasserts Brigman’s place among photography’s most important early advocates and provides new insight into the gender and racialist dynamics of the early twentieth-century art world, especially on the West Coast of the United States.

In the pages of this book are reproduced all of the 503 images that Steichen described as "photographs, made in all parts of the world, of the gamut of life from birth to death with emphasis on daily relationship..."-- Back cover.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Containing photographs taken between 1948 and 1952, Black White and Things was in its original form a book hand-crafted by Robert Frank in 1952. Frank made three identical copies designed by Werner Zryd, each with spiral binding and original photographs. Printed for an exhibition at the National Gallery in Washington in 1994, Frank has now redesigned the book. Separated into three categories "black", "white", and "things", which are shaped more by mood than subject matter, the book traces Frank's travels to cities such as Paris, New York, Valencia and St. Louis. In the white section for instance, he brings photographs of vastly different motifs under a single aesthetic umbrella - his first wife reclining with their new-born baby, peasants squatting against a flaking wall in Peru, and a business man strolling past a snowdecked tree in London.