Grade level: 4, 5, 6, e, i, t.

Remarkable paintings grace the pages of Maria Chapdelaine, a novel written by a Frenchman yet embraced by generations of Canadian readers. Renowned Canadian artist Clarence Gagnon used a meticulous process to create fifty-four small paintings for Louis Hémon's early twentieth-century story set in the Quebec countryside. Gagnon's vivid illustrations depict the strength of body and soul necessary to survive such a harsh environment. In Clarence Gagnon: The "Maria Chapdelaine" Illustrations, art historian and curator Ian M. Thom provides insight into Gagnon's life and an appreciation of his art. All of the Gagnon Maria Chapdelaine illustrations are reproduced in this book, with excerpts from the novel. The complete set of paintings resides in the McMichael Canadian Art Collection, where it is considered a rare treasure.

Impressionist paintings are among the most prized artworks in the world, yet little has been written about Canadian impressionism. Now, with this book, we have a full account of the development of this revolutionary style in painting during the four decades after 1875, first in France, then in the United States, and finally in Canada. From the late 1860s on, as ambitious young artists from North America went to study in the academies in Paris and travel in Europe, they absorbed the influence of impressionism. By the mid-1880s, after it crossed the Atlantic to Boston and New York, Impressionism quickly became the favored style of art in the United States. As the century came to a close in Canada's two largest cities, Montreal and Toronto, Impressionism gradually gathered the support the returning Canadian painters needed from art dealers, collectors, exhibition societies, and the media. Within this context, the lives and works of fourteen fo the most significant Canadian artists, including William Blair Bruce, Maurice Cullen, J.W. Morrice, Laura Muntz Lyall, Marc-Aurèle de Foy Suzor-Coté, Helen McNicoll, and Clarence Gagnon, are examined in the second half of the volume. Briefly considered too are several other artists, such as core members of the famed Group of Seven, who for some time also employed Impressionist techniques in their art. Today, Canadian Impressionist paintings are not only among the most popular works of art at home but are attracting ever more attention and exhibition exposure in other countries too. With a Foreword by Guy Wildenstein and an Introduction by William H. Gerdts, this work has been extensively researched and lavishly illustrated with 494 plates and 159 figures. As such, it becomes the definitive volume on Canada's contribution to Impressionism - the most important development in Western art since the Renaissance.

An original overview of Canadian art history that selects 300 representative artists and removes them from their predictable associations juxtaposing them to make new connections. Each artist is featured with a large image and a short engaging text.

Identifies and summarizes thousands of books, article, exhibition catalogues, government publications, and theses published in many countries and in several languages from the early nineteenth century to 1981.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

- Approximately 125 masterworks by some 35 artists situate Canadian art within the global phenomenon of Impressionism- A detailed chronology explores the multifaceted ways in which Canadians contributed to the evolution of ImpressionismFollow these Canadian artists as they travel abroad and return home again, over a series of journeys taking place during the last decades of the nineteenth century to the turn of the twentieth. Approximately 125 masterworks by some 35 artists situate Canadian art within the global phenomenon of Impressionism and present a fresh perspective on its reception in the arts of Canada. Adopting a thematic approach, comprehensive essays demonstrate the commitment of these pioneering artists to an innovative interpretation of foreign and familiar surroundings, imbued with an Impressionist vocabulary. A detailed chronology explores the multifaceted ways in which Canadians contributed to the evolution of Impressionism and to the advent of modernity in their homeland. This book accompanies exhibitions at the Kunsthalle der Hypo-Kulturstiftung, Munich (DE), July - November 2019; Fondation de l Hermitage, Lausanne (CH), January - May 2020; Musée Fabre, Montpellier (FR), June - September 2020; and the National Gallery of Canada, Ottawa (CA), November 2020 - April 2021.

As a single mother raising five children in the sixties, Betty Lunam is no stranger to struggle. Born in rural Québec in the midst of the Depression, Betty’s first marriage, to a member of the Canadian Air Force, would take her all over the country, following her husband’s postings. But as his behaviour takes increasingly erratic and violent turns, Betty is forced to flee with her children back to Québec, to be near her family, where she starts a new chapter, buying her own house at the height of the FLQ crisis, pursuing a career in nursing, and learning to take on a man’s role as well as a woman’s in the home during a time when single motherhood still had a pretty bad rap. Betty’s extraordinary memoir take us from different towns and villages in the Province of Québec to Vancouver Island and back. This is the story of how, against all odds, a young divorcée was able to start over, time and time again—first, to raise her five children while working as a graduate nurse; later, with an empty nest, to marry the love of her life, bringing her back to the Comox Valley where her family first started and settling into a new and peaceful life as a passionate environmentalist, artist, and naturalist. Initially written for her children, Becoming Me is sure to interest readers beyond the dear friends and family who populate her memories. Candidly narrated—oftentimes with a sense of humour—the challenges Betty has faced over the course of her life will resonate with anyone who has had to start over.

Originating in England in the mid 1950s, Pop Art developed its full potential in the USA in the 1960s. It substitutes the everyday for the splendid; mass-produced articles are assigned the same importance as one-offs; the difference between high culture and popular culture is swept away. Media and advertising are among the preferred contents of Pop Art, which celebrates the consumer society in its own witty fashion. The enthusiasm generated by Pop Art since the first works were exhibited has never died down -- it is greater today than ever before. Book jacket.