“You lose your loved ones, and still you want to live.” On 21 July 1942, the Nazis reached the small Polish town of Zolkiew. Life for fifteen-year-old Clara Kramer would never be the same. While those around her were either slaughtered or transported, three families found perilous refuge in a hand-dug cellar. Hers was one of them. Living above and protecting them were the Becks. Mrs. Beck had been the families’ maid. Mr. Beck was alcoholic and a self-professed anti-Semite, yet he risked his life to keep his charges safe. But survival under his protection proved to be anything but predictable. Whether it was his nightly drinking sessions with officers of the SS in the room just above or his torrid affair with one of the hiding women, it seemed that Clara and the others often had as much to fear from Beck as they did from the war. Clara’s mother told her to keep a diary while they lived in the bunker in order to fill her time and “so the world would know what happened to us.” Over sixty years later, Clara Kramer has finally turned those diaries into a compelling and heartbreaking memoir — a story of love and memory and survival.

A stunning biography of Clara Barton—a woman who determined to serve her country during the Civil War—from acclaimed author Stephen B. Oates. When the Civil War broke out, Clara Barton wanted more than anything to be a Union soldier, an impossible dream for a thirty-nine-year-old woman, who stood a slender five feet tall. Determined to serve, she became a veritable soldier, a nurse, and a one-woman relief agency operating in the heart of the conflict. Now, award-winning author Stephen B. Oates, drawing on archival materials not used by her previous biographers, has written the first complete account of Clara Barton’s active engagement in the Civil War. By the summer of 1862, with no institutional affiliation or official government appointment, but impelled by a sense of duty and a need to heal, she made her way to the front lines and the heat of battle. Oates tells the dramatic story of this woman who gave the world a new definition of courage, supplying medical relief to the wounded at some of the most famous battles of the war—including Second Bull Run, Antietam, Fredericksburg, Battery Wagner, the Wilderness, Spotsylvania, and Petersburg. Under fire with only her will as a shield, she worked while ankle deep in gore, in hellish makeshift battlefield hospitals—a bullet-riddled farmhouse, a crumbling mansion, a windblown tent. Committed to healing soldiers’ spirits as well as their bodies, she served not only as nurse and relief worker, but as surrogate mother, sister, wife, or sweetheart to thousands of sick, wounded, and dying men. Her contribution to the Union was incalculable and unique. It also became the defining event in Barton’s life, giving her the opportunity as a woman to reach out for a new role and to define a new profession. Nursing, regarded as a menial service before the war, became a trained, paid occupation after the conflict. Although Barton went on to become the founder and first president of the Red Cross, the accomplishment for which she is best known, A Woman of Valor convinces us that her experience on the killing fields of the Civil War was her most extraordinary achievement.

The author describes her own and her family's experiences during the two and one-half years they spent in hiding in Antwerp, Belgium, during World War II.

An utterly original and illuminating work that meets at the crossroads of autobiography and ethnography to re-examine violence and memory through the eyes of a child. Seeing Like a Child is a deeply moving narrative that showcases an unexpected voice from an established researcher. Through an unwavering commitment to a child’s perspective, Clara Han explores how the catastrophic event of the Korean War is dispersed into domestic life. Han writes from inside her childhood memories as the daughter of parents who were displaced by war, who fled from the North to the South of Korea, and whose displacement in Korea and subsequent migration to the United States implicated the fraying and suppression of kinship relations and the Korean language. At the same time, Han writes as an anthropologist whose fieldwork has taken her to the devastated worlds of her parents—to Korea and to the Korean language—allowing her, as she explains, to find and found kinship relationships that had been suppressed or broken in war and illness. A fascinating counterpoint to the project of testimony that seeks to transmit a narrative of the event to future generations, Seeing Like a Child sees the inheritance of familial memories of violence as embedded in how the child inhabits her everyday life. Seeing Like a Child offers readers a unique experience—an intimate engagement with the emotional reality of migration and the inheritance of mass displacement and death—inviting us to explore categories such as “catastrophe,” “war,” “violence,” and “kinship” in a brand-new light.

The electrifying story of the turbulent year when the sixties ended and America teetered on the edge of revolution NAMED ONE OF THE BEST BOOKS OF THE YEAR BY THE ST. LOUIS POST-DISPATCH As the 1960s drew to a close, the United States was coming apart at the seams. From August 1969 to August 1970, the nation witnessed nine thousand protests and eighty-four acts of arson or bombings at schools across the country. It was the year of the My Lai massacre investigation, the Cambodia invasion, Woodstock, and the Moratorium to End the War. The American death toll in Vietnam was approaching fifty thousand, and the ascendant counterculture was challenging nearly every aspect of American society. Witness to the Revolution, Clara Bingham’s unique oral history of that tumultuous time, unveils anew that moment when America careened to the brink of a civil war at home, as it fought a long, futile war abroad. Woven together from one hundred original interviews, Witness to the Revolution provides a firsthand narrative of that period of upheaval in the words of those closest to the action—the activists, organizers, radicals, and resisters who manned the barricades of what Students for a Democratic Society leader Tom Hayden called “the Great Refusal.” We meet Bill Ayers and Bernardine Dohrn of the Weather Underground; Daniel Ellsberg, the former Defense Department employee who released the Pentagon Papers; feminist theorist Robin Morgan; actor and activist Jane Fonda; and many others whose powerful personal stories capture the essence of an era. We witness how the killing of four students at Kent State turned a straitlaced social worker into a hippie, how the civil rights movement gave birth to the women’s movement, and how opposition to the war in Vietnam turned college students into prisoners, veterans into peace marchers, and intellectuals into bombers. With lessons that can be applied to our time, Witness to the Revolution is more than just a record of the death throes of the Age of Aquarius. Today, when America is once again enmeshed in racial turmoil, extended wars overseas, and distrust of the government, the insights contained in this book are more relevant than ever. Praise for Witness to the Revolution “Especially for younger generations who didn’t live through it, Witness to the Revolution is a valuable and entertaining primer on a moment in American history the likes of which we may never see again.”—Bryan Burrough, The Wall Street Journal “A rich tapestry of a volatile period in American history.”—Time “A gripping oral history of the centrifugal social forces tearing America apart at the end of the ’60s . . . This is rousing reportage from the front lines of US history.”—O: The Oprah Magazine “The familiar voices and the unfamiliar ones are woven together with documents to make this a surprisingly powerful and moving book.”—New York Times Book Review “[An] Enthralling and brilliant chronology of the period between August 1969 and September 1970.”—Buffalo News “[Bingham] captures the essence of these fourteen months through the words of movement organizers, vets, students, draft resisters, journalists, musicians, government agents, writers, and others. . . . This oral history will enable readers to see that era in a new light and with fresh sympathy for the motivations of those involved. While Bingham’s is one of many retrospective looks at that period, it is one of the most immediate and personal.”—Booklist

Most of Clara Barton's biographers have accepted her statements at face value, but they stand on shaky ground, for Barton was a relentless self-promoter and often embellished her stories in an effort to enhance her accomplishments. Donal Pfanz revisits her claims, comparing the information in her speeches with contemporary documents, including Barton's own wartime diary and letters. In doing so, he provides the first balanced and accurate account of her wartime service--a service that in the end needed no exaggeration.

It's a dangerous time for thirteen-year-old Clara and her family. They have just been imprisoned in Terezin (Terezinstadt), a ghetto in a medieval town near Prague -- which was built to show the world how "well" the Nazis were treating Jews during the Second World War. Here Clara encounters hunger, disease and filthy living conditions. Even worse is the constant threat of being deported to concentration camps where the possibility of death awaits her. But in the midst of the horror of these conditions Clara makes strong friendships with Hanna, a girl from home, and Jacob, an older boy who helps her learn about life in the ghetto. She also participates in classes where education, music and poetry flourish. Life in the ghetto takes an unusual turn for the young people when a children's opera, Brundibar, written by an inmate, allows them moments of joy and laughter. With a real escape being planned by Jacob, a family tragedy to confront, and an inspection tour from the Red Cross at hand, Clara has some life-challenging decisions to make. Inspired by real events, particularly by performances of Brundibar, this compelling work for readers ten and up includes historical photographs of the ghetto and of the children on the opening night of the opera. A review of the performance written by a young boy in an underground ghetto newspaper adds further depth to the book.