Camille Robbins is determined to stay on the partnership track at the prestigious San Francisco law firm of Walker and Jenkins—and that’s meant putting love on the back burner for the past seven years. But now Camille is back in her hometown of Washington, DC to care for her ailing father, and back at the DC branch of the law firm where she worked years ago. Returning to the office means returning to face her former boss and lover, the incomparable Mia Shannon. To complicate matters, Camille begins a wild journey with the daughter of the firm’s biggest client—the fiery redhead Hannah Richards—even though she knows that Hannah is strictly off-limits. With Mia determined to throw a wrench in the works, will the hurt feelings of a spurned lover ruin any chance they might have? Or will Hannah see beyond the chaos and lies to finally claim Camille’s heart…

In the United States, it is quite common to lay claim to the benefits of society by appealing to "taxpayer citizenship--the idea that, as taxpayers, we deserve access to certain social services like a public education. Tracing the genealogy of this concept, Camille Walsh shows how tax policy and taxpayer identity were built on the foundations of white supremacy and intertwined with ideas of whiteness. From the origins of unequal public school funding after the Civil War through school desegregation cases from Brown v. Board of Education to San Antonio v. Rodriguez in the 1970s, this study spans over a century of racial injustice, dramatic courtroom clashes, and white supremacist backlash to collective justice claims. Incorporating letters from everyday individuals as well as the private notes of Supreme Court justices as they deliberated, Walsh reveals how the idea of a "taxpayer" identity contributed to the contemporary crises of public education, racial disparity, and income inequality.

Birthday is among the very best of Aira—it will surprise readers new to his work, and will deeply satisfy his many fans Before you know it you are no longer young, and by the way, while you were thinking about other things, the world was changing—and then, just as suddenly you realize that you are fifty years old. Aira had anticipated his fiftieth—a time when he would not so much recall years past as look forward to what lies ahead—but the birthday came and went without much ado. It was only months later, while having a somewhat banal conversation with his wife about the phases of the moon, that he realized how little he really knows about his life. In Birthday Aira searches for the events that were significant to him during his first fifty years. Between anecdotes ,and memories, the author ponders the origins of his personal truths, and meditates on literature meant as much for the writer as for the reader, on ignorance, knowledge, and death. Finally, Birthday is a little sad, in a serene, crystal-clear kind of way, which makes it even more irresistible.