"This book examines a critical phase in the city's history. Founded by Peter the Great a mere sixty years before Catherine II ascended Russia's throne, St. Petersburg became one of the leading economic and political centers of Europe during her reign. Catherine lavished planning on St. Petersburg. Paradoxically, the city's growth, unprecedented in Europe to that date for such a short span of time, stemmed as much from natural factors as from the government's activity, for planning at times ran counter to natural growth. St. Petersburg also presented a challenge to Russia's legal estate order, inadequate for the city's dynamic social and economic nexus. Moscow was proverbially an overgrown village. St. Petersburg was undeniably a city." "Previous books on St. Petersburg have focused on its foundation and earliest years, or on the nineteenth century, when its cultural dominance within Russia was well established, or on the twentieth century, when the city was cradle to revolutions and subsequently lost its role as capital to Moscow. Catherine's reign largely has been overlooked, despite the fact that much of the city's image in Russian culture was established in that epoch. The city assumed its morphological shape primarily during Catherine's reign. Land-use patterns set in that era continue to characterize the city. A city resident of the late eighteenth century would know his or her way around the city today." "The Most Intentional City is based extensively on heretofore unused archival sources from central archives in St. Petersburg and Moscow as well as regional archives and manuscript collections. These are flavored with published accounts by Russians as well as foreign residents and visitors from a number of countries, including Great Britain, France, the Netherlands, Italy, and various German states. The rich secondary literature, especially that produced by Russian and Soviet scholars, adds to the interpretation." "It is said that the first wife of Peter the Great once placed a curse on Peter's new city: "May Petersburg be empty!" The city's detractors over the centuries have enumerated many reasons why the city never should have been established and why it should not have grown. Yet grow it did. No other city in the world situated so far north (almost on the sixtieth parallel) is more than a fifth its size. In Catherine's reign the city assumed the vitality, the social and economic strength, the identity in myth and legend, that assured that the curse pronounced against it would remain unfulfilled. The Most Intentional City reveals just how it all took place."--BOOK JACKET.

Floor plans, elevations, and details of 54 residences (villas, cottages, and farm houses) and public buildings (churches, schools, banks, etc.).

This book provides a synthesis of social, demographic and economic change in Quebec City during the British regime, a period which saw the former French capital transformed into an English city with all the problems associated with rapidly growing urban centres.

In Creole City, Nathalie Dessens opens a window onto antebellum New Orleans during a time of rapid expansion and dizzying change. The story—rooted in the Sainte-Gême Family Papers harbored at The Historic New Orleans Collection—follows the twenty-year correspondence of Jean Boze to Henri de Ste-Gême, both refugees from Saint-Domingue. Exploring parts of the city’s early nineteenth-century history that have previously been neglected, Dessens examines how New Orleans came to symbolize progress, adventure, and culture to so many. Through Boze’s letters, readers witness the convergence of new Americans and old colonial populations that sparked transformations in the economic, social, and political structures, as well as the Creolization of the city. Additionally, the letters depict transatlantic experiences at a time when New Orleans was a key hub of the Atlantic trade and so very distinct from other nineteenth-century American metropolises, such as New York and Philadelphia. Dessens’s portrayal of this seminal period is innovative and crucial to understanding of the city’s rich record and its larger role in American history.

In this abundantly illustrated volume, Bernard Herman provides a history of urban dwellings and the people who built and lived in them in early America. In the eighteenth century, cities were constant objects of idealization, often viewed as the outward manifestations of an organized, civil society. As the physical objects that composed the largest portion of urban settings, town houses contained and signified different aspects of city life, argues Herman. Taking a material culture approach, Herman examines urban domestic buildings from Charleston, South Carolina, to Portsmouth, New Hampshire, as well as those in English cities and towns, to better understand why people built the houses they did and how their homes informed everyday city life. Working with buildings and documentary sources as diverse as court cases and recipes, Herman interprets town houses as lived experience. Chapters consider an array of domestic spaces, including the merchant family's house, the servant's quarter, and the widow's dower. Herman demonstrates that city houses served as sites of power as well as complex and often conflicted artifacts mapping the everyday negotiations of social identity and the display of sociability.

The emphasis is on urban society, with new essays on social structure, the family, ethnicity and immigration, and religion. Other sections are devoted to urban growth, the physical environment, and urban government and reform.

Pulitzer Prize Finalist | New York Times Bestseller | A Read with Jenna Today Show Book Club Pick | A New York Times Book Review Notable Book | TIME Magazine's 100 Must-Read Books of the Year Named one of the Best Books of the Year by NPR, The Washington Post; O: The Oprah Magazine, Real Simple, Good Housekeeping, Vogue, Refinery29, and Buzzfeed From Ann Patchett, the #1 New York Times bestselling author of Commonwealth, comes a powerful, richly moving story that explores the indelible bond between two siblings, the house of their childhood, and a past that will not let them go. The Dutch House is the story of a paradise lost, a tour de force that digs deeply into questions of inheritance, love and forgiveness, of how we want to see ourselves and of who we really are. At the end of the Second World War, Cyril Conroy combines luck and a single canny investment to begin an enormous real estate empire, propelling his family from poverty to enormous wealth. His first order of business is to buy the Dutch House, a lavish estate in the suburbs outside of Philadelphia. Meant as a surprise for his wife, the house sets in motion the undoing of everyone he loves. The story is told by Cyril’s son Danny, as he and his older sister, the brilliantly acerbic and self-assured Maeve, are exiled from the house where they grew up by their stepmother. The two wealthy siblings are thrown back into the poverty their parents had escaped from and find that all they have to count on is one another. It is this unshakeable bond between them that both saves their lives and thwarts their futures. Set over the course of five decades, The Dutch House is a dark fairy tale about two smart people who cannot overcome their past. Despite every outward sign of success, Danny and Maeve are only truly comfortable when they’re together. Throughout their lives they return to the well-worn story of what they’ve lost with humor and rage. But when at last they’re forced to confront the people who left them behind, the relationship between an indulged brother and his ever-protective sister is finally tested.

Wooden buildings housed the majority of Swedish urban populations during the early modern era, but many of these buildings have disappeared as the result of fire, demolition, and modernisation. This book reveals the fundamental role played by the wooden house in the formation of urban Sweden and Swedish history.