Under normal circumstances, they never would have met. Andrés is a wealthy Spaniard, Diego a poor Gypsy, Rajiv an Indian immigrant. On a dark road oustide the city of Seville, the lives of these three men come crashing together. One man's anger leads to an unthinkable act; another's grief threatens both his sanity and his safety, while the third man binds them all together, even as he struggles to find his own way. The choices they make ripple outward, throwing not only their lives, but an entire city, into turmoil and change.

The stand-along plot of this novel brings a critical new piece to the "Babylon 5" story line. Haunted by the explosive fate of Babylons 1 through 4, the inhabitants of Babylon 5 work together to make the station "our last, best hope for peace".

You’ve heard the story before: an orphaned boy, raised by a wise old man, comes to a fuller knowledge of his magic and uses it to fight the great evil threatening his world. But what if that hero were destined to become the new dark lord? The Academy of Chaenbalu has stood against magic for centuries. Hidden from the world, acting from the shadows, it trains its students to detect and retrieve magic artifacts, which it jealously guards from the misuse of others. Because magic is dangerous: something that heals can also harm, and a power that aids one person may destroy another. Of the academy’s many students, only the most skilled can become avatars—warrior thieves, capable of infiltrating the most heavily guarded vaults—and only the most determined can be trusted to resist the lure of magic. More than anything, Annev de Breth wants to become one of them. But Annev carries a secret. Unlike his classmates who were stolen as infants from the capital city, Annev was born in the village of Chaenbalu, was believed to be executed, and then unknowingly raised by his parents’ killers. Seventeen years later, he struggles with the burdens of a forbidden magic, a forgotten heritage, and a secret deformity. When Annev is subsequently caught between the warring ideologies of his priestly mentor and the Academy’s masters, he must finally decide whether to accept the truth of who he really is ... or embrace the darker truth of what he may one day become.

A radical reimagining of the minotaur myth, from an essential voice in world literature. Winner of the Jan Michalski Prize for Literature • Finalist for the PEN Literary Award for Translation and the Strega Europeo Published a decade before his International Booker Prize–winning Time Shelter, Georgi Gospodinov’s The Physics of Sorrow has become an underground cult classic. Finding strange solace in the myth of the Minotaur, a man named Georgi reconstructs the story of his life like a labyrinth, meandering through the past to find the melancholy child at the center of it all. With profound wit and empathy, he catalogues curious instances of abandonment, spanning from antiquity to the Anthropocene; recounts scenes of a turbulent boyhood in 1970s Bulgaria, spent mostly in a basement; and charts a bizarre run-in with an eccentric flaneur named Gaustine. Exquisitely translated by Angela Rodel, and exhibiting his signature audacious style, this expansive work affirms Gospodinov as “one of Europe’s most fascinating and irreplaceable novelists” (Dave Eggers).

From the bestselling author of Women Talking, a "wrenchingly honest, darkly funny novel" (Entertainment Weekly). Elf and Yoli are sisters. While on the surface Elfrieda's life is enviable (she's a world-renowned pianist, glamorous, wealthy, and happily married) and Yolandi's a mess (she's divorced and broke, with two teenagers growing up too quickly), they are fiercely close-raised in a Mennonite household and sharing the hardship of Elf's desire to end her life. After Elf's latest attempt, Yoli must quickly determine how to keep her family from falling apart while facing a profound question: what do you do for a loved one who truly wants to die? All My Puny Sorrows is a deeply personal story that is as much comedy as it is tragedy, a goodbye grin from the friend who taught you how to live.

A 2015 William C. Morris YA Debut Award Finalist Magical realism, lyrical prose, and the pain and passion of human love haunt this hypnotic generational saga. Foolish love appears to be the Roux family birthright, an ominous forecast for its most recent progeny, Ava Lavender. Ava — in all other ways a normal girl — is born with the wings of a bird. In a quest to understand her peculiar disposition and a growing desire to fit in with her peers, sixteen-year old Ava ventures into the wider world, ill-prepared for what she might discover and naive to the twisted motives of others. Others like the pious Nathaniel Sorrows, who mistakes Ava for an angel and whose obsession with her grows until the night of the summer solstice celebration. That night, the skies open up, rain and feathers fill the air, and Ava’s quest and her family’s saga build to a devastating crescendo. First-time author Leslye Walton has constructed a layered and unforgettable mythology of what it means to be born with hearts that are tragically, exquisitely human.

Karl von Richter, a handsome young man with a dark past and a sinister future, is injured while skiing in the Italian Alps. He falls in love with Katrina Amorino, his dark-haired, blue-eyed nurse. Unaware Germany is preparing for war, Katrina naïvely moves to his home; but before she arrives, Karl joins the SS and begins implementing Hitler's deadly Final Solution, exterminating the Jews and other "deplorables." At the end of the war, SS Officer Karl heads home to find his parents dead, and Katrina and their young son missing. As he searches for Katrina, Karl's conscience reawakens, revealing dark truths. Meanwhile, Katrina, hiding in fear, agonizes over her impetuous decisions that have become a litany of sorrows that haunts her for decades to come.

The Sorrows of an American is a soaring feat of storytelling about the immigrant experience and the ghosts that haunt families from one generation to another When Erik Davidsen and his sister, Inga, find a disturbing note from an unknown woman among their dead father's papers, they believe he may be implicated in a mysterious death. Siri Hustvedt's The Sorrows of an American tells the story of the Davidsen family as brother and sister uncover its secrets and unbandage its wounds in the year following their father's funeral. Returning to New York from Minnesota, the grieving siblings continue to pursue the mystery behind the note. While Erik's fascination with his new tenants and emotional vulnerability to his psychiatric patients threaten to overwhelm him, Inga is confronted by a hostile journalist who seems to know a secret connected to her dead husband, a famous novelist. As each new mystery unfolds, Erik begins to inhabit his emotionally hidden father's history and to glimpse how his impoverished childhood, the Depression, and the war shaped his relationship with his children, while Inga must confront the reality of her husband's double life. A novel about fathers and children, listening and deafness, recognition and blindness; the pain of speaking and the pain of keeping silent, the ambiguities of memory, loneliness, illness, and recovery. Siri Hustvedt's exquisitely moving prose reveals one family's hidden sorrows through an extraordinary mosaic of secrets and stories that reflect the fragmented nature of identity itself.

Poetic elegies for lost or fallen cities are seemingly as old as cities themselves. In the Judeo-Christian tradition, this genre finds its purest expression in the book of Lamentations, which mourns the destruction of Jerusalem; in Arabic, this genre is known as the ritha al-mudun. In The City Lament, Tamar M. Boyadjian traces the trajectory of the genre across the Mediterranean world during the period commonly referred to as the early Crusades (1095–1191), focusing on elegies and other expressions of loss that address the spiritual and strategic objective of those wars: Jerusalem. Through readings of city laments in English, French, Latin, Arabic, and Armenian literary traditions, Boyadjian challenges hegemonic and entrenched approaches to the study of medieval literature and the Crusades. The City Lament exposes significant literary intersections between Latin Christendom, the Islamic caliphates of the Middle East, and the Armenian kingdom of Cilicia, arguing for shared poetic and rhetorical modes. Reframing our understanding of literary sources produced across the medieval Mediterranean from an antagonistic, orientalist model to an analogous one, Boyadjian demonstrates how lamentations about the loss of Jerusalem, whether to Muslim or Christian forces, reveal fascinating parallels and rich, cross-cultural exchanges.