In this spell-binding tale, a Pakistani storyteller captivates a group of wide-eyed tourists with a nesting doll of interlocked stories about a trickster and a hidden city ruled by the Queen of Red Midnight. At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.

From Ellen Datlow (“the venerable queen of horror anthologies” (New York Times) comes a new entry in the series that has brought you stories from Stephen King and Neil Gaiman comes thrilling stories, the best horror stories available. For more than four decades, Ellen Datlow has been at the center of horror. Bringing you the most frightening and terrifying stories, Datlow always has her finger on the pulse of what horror readers crave. Now, with the thirteenth volume of the series, Datlow is back again to bring you the stories that will keep you up at night. Encompassed in the pages of The Best Horror of the Year have been such illustrious writers as: Neil Gaiman, Stephen King, Stephen Graham Jones, Joyce Carol Oates, Laird Barron, Mira Grant, and many others. With each passing year, science, technology, and the march of time shine light into the craggy corners of the universe, making the fears of an earlier generation seem quaint. But this light creates its own shadows. The Best Horror of the Year chronicles these shifting shadows. It is a catalog of terror, fear, and unpleasantness as articulated by today’s most challenging and exciting writers.

British Fantasy Award-winner: Best Novella "The Pauper Prince and the Eucalyptus Jinn" by Usman T. Malik is a fantasy novella about a disenchanted young Pakistani professor who grew up and lives in the United States, but is haunted by the magical, mystical tales his grandfather told him of a princess and a Jinn who lived in Lahore when the grandfather was a boy. "Fascinating and poetic."--Locus At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.

Birds and eerie visions haunt an orphanage for girls in Lahore. Two lovers find themselves pulled into rising floodwaters by an invisible force. A chaperone faces ancient horrors as her wards begin to disappear on a routine school trip. An opium addict narrates to a sub-inspector the story of an otherworldly woman rising from a gravestone. In seven stories that skilfully weave the mundane with the fantastic, Usman T. Malik explores the volatility of the supernatural to stunning effect. Twisted and delightfully grotesque, at once strange and familiar, these works of superlative imagination reveal the depth of timeless emotions: love and friendship that transcend all difference, greed and bigotry that lurk in every corner, and injustice and uncertainty that colour individual worlds. An acclaimed new voice in fantasy writing, Malik employs his extraordinary craft and prowess to present a collection that will thrill, enchant and terrify the reader in equal measure. WINNER OF THE 2021 CRAWFORD AWARD FROM THE IAFA (International Association for the Fantastic in the Arts)

A series of interviews between a young, clean-cut journalist and an alternative, independent pichal pairi turns into an unexpected romance. But their relationship is tested when the entire world around them shuts down. At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.

In this provocative and wide-ranging history, Joel Beinin examines fundamental questions of ethnic identity by focusing on the Egyptian Jewish community since 1948. A complex and heterogeneous people, Egyptian Jews have become even more diverse as their diaspora continues to the present day. Central to Beinin's study is the question of how people handle multiple identities and loyalties that are dislocated and reformed by turbulent political and cultural processes. It is a question he grapples with himself, and his reflections on his experiences as an American Jew in Israel and Egypt offer a candid, personal perspective on the hazards of marginal identities.

A collection of some of the best original science fiction and fantasy short fiction published on Tor.com in 2021. Includes stories by: 'Pemi Aguda G. V. Anderson Elizabeth Bear Kate Elliott Aliza Greenblatt Glen Hirshberg Elsie Kathleen Jennings Cheri Kamei Jasmin Kirkbride Matthew Kressel Usman T. Malik Sam J. Miller Annalee Newitz noc Sarah Pinsker Daniel Polansky Peng Shepherd Cooper Shrivastava Lavie Tidhar Catherynne M. Valente Carrie Vaughn E. Lily Yu At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.

Now firmly established as the benchmark anthology series of international speculative fiction, volume 4 of The Apex Book of World SF sees debut editor Mahvesh Murad bring fresh new eyes to her selection of stories. From Spanish steampunk and Italian horror to Nigerian science fiction and subverted Japanese folktales, from love in the time of drones to teenagers at the end of the world, the stories in this volume showcase the best of contemporary speculative fiction, wherever it’s written. Cover art and design by Sarah Anne Langton. "Important to the future of not only international authors, but the entire SF community." —Strange Horizons Featuring: Vajra Chandrasekera (Sri Lanka) — "Pockets Full of Stones" Yukimi Ogawa (Japan) — "In Her Head, In Her Eyes" Zen Cho (Malaysia) — "The Four Generations of Chang E" Shimon Adaf (Israel) — "Like a Coin Entrusted in Faith" (Translated by the author) Celeste Rita Baker (Virgin Islands) — "Single Entry" Nene Ormes (Sweden) — "The Good Matter" (Translated Lisa J Isaksson and Nene Ormes) JY Yang (Singapore) — "Tiger Baby" Isabel Yap (Philippines) — "A Cup of Salt Tears" Usman T Malik (Pakistan) — "The Vaporization Enthalpy of a Peculiar Pakistani Family" Kuzhali Manickavel (India) — "Six Things We Found During the Autopsy" Elana Gomel (Israel) — "The Farm" Haralambi Markov (Bulgaria) — "The Language of Knives" Sabrina Huang (Taiwan) — "Setting Up Home" (Translated by Jeremy Tiang) Sathya Stone (Sri Lanka) — "Jinki and the Paradox" Johann Thorsson (Iceland) — "First, Bite a Finger" Dilman Dila (Uganda) — "How My Father Became a God" Swabir Silayi (Kenya) — "Colour Me Grey" Deepak Unnikrishnan (The Emirates) — "Sarama" Chinelo Onwualu (Nigeria) — "The Gift of Touch" Saad Z. Hossain (Bangaldesh) — "Djinns Live by the Sea" Bernardo Fernández (Mexico) — "The Last Hours of the Final Days" (Translated by the author) Natalia Theodoridou (Greece) — "The Eleven Holy Numbers of the Mechanical Soul" Samuel Marolla (Italy) — "Black Tea" (Translated by Andrew Tanzi) Julie Novakova (Czech Republic) — "The Symphony of Ice and Dust" Thomas Olde Heuvelt (Netherlands) — "The Boy Who Cast No Shadow" (Translated by Laura Vroomen) Sese Yane (Kenya) — "The Corpse" Tang Fei — "Pepe" (Translated by John Chu) Rocío Rincón (Spain) — "The Lady of the Soler Colony" (Translated by James and Marian Womack)

Combining insider and outsider perspectives, Women in Lebanon looks at Christian and Muslim women living together in a multicultural society and facing modernity. While the Arab Spring has begun to draw attention to issues of change, modernity, and women's subjectivity, this manuscript takes a unique approach to examining and describing the Lebanese "alternative modernities" thesis and how it has shaped thinking about the meaning of terms like evolution, progress, development, history, and politics in contemporary Arab thought. The author draws on extensive ethnographic research, as well as her own personal experience.