"City of Pearls is one continuous gift-giver. Sham-e-Ali Nayeem lusciously, unselfishly and most certainly, unapologetically shares with us the magic and glory of story. Stories made from lived lives...full with words and images that speak of...place, purpose, father, family, fragility, strength, beauty, suffering, celebration. Stories to hold us tight...and inspire us to continue dreaming through it all." --Ursula Rucker, author of Supa Sista "I was brought back to the landscapes of my childhood by these sensitive poems. So quietly but firmly do they evoke not only the shattered rocks of Hyderabad but also the ways in which some of us live perpetually between, belong neither to one place nor the other, always in transit, always hoping for news from 'home.'" --Kazim Ali, author of Inquisition "This book is a hamlet, a jewel box, a compass. Sham-e-Ali Nayeem strings the tender odds and ends of memory into a dazzling odyssey across the continents of daughterhood and motherhood. We are born from places as much as people, these poems remind us. City of Pearls soars with the dignity mined from a life lit with leavings." --Yolanda Wisher, author of Monk Eats an Afro "There is nothing more important to love than memory, and Sham-e-Ali's stunning debut collection is full of love. Awash in the fragrance of mourning and yearning, these poems stretch out, split into tributaries, condense into coral clouds - above all, they nourish. Both affectionate and merciless, this book is a "place where it all worked out." It is a gift to breathe with it."--Bao Phi, author of Thousand Star Hotel

Three separate alien societies have claimson Cavanagh's Star. But the new arrivals -- the gethes from Earth -- now threaten thetenuous balance of a coveted world. Environmental Hazard Enforcement officer Shan Frankland agreed to lead a mission to Cavanagh's Star, knowing that 150 years would elapse before she could finally return home. But her landing, with a small group of scientists and Marines, has not gone unnoticed by Aras, the planet's designated guardian. An eternally evolving world himself, this sad, powerful being has already obliterated millions of alien interlopers and their great cities to protect the fragile native population. Now Shan and her party -- plus the small colony of fundamentalist humans who preceded them -- could face a similar annihilation . . . or a fate far worse. Because Aras possesses a secret of the blood that would be disastrous if it fell into human hands -- if the gethes survive the impending war their coming has inadvertently hastened.

Since Antiquity the natural pearls of the Gulf have been famed as the finest, most lustrous and most plentiful that the world can offer. From the beginnings of trade until the 1930s, these pearls were a major product of the Gulf's coastal peoples. Latterly, from the 17th to the early 20th centuries, rising international demand turned pearling into their economic mainstay. By this time pearls were fished in their millions, and pearling became the pillar of the regional economy, dominating the lives, health and expectations of entire shaikhdoms. The influx of people and wealth to the coast permanently transformed the Gulf, providing the manpower and capital to germinate and nurture the city-states - notably Kuwait, Bahrain, Qatar, Abu Dhabi, Dubai, Sharjah and Ras al-Khaimah - which endure there today. Despite its formative role, there has until now been no book taking the entire history of pearling as its subject. Dr Carter's ground-breaking work traces its evolution on both the Arabian and the Persian sides of the Gulf, and explores the role it played in shaping the political, social and urban configuration that we see in the region today. It shows the extent to which the Gulf economy became dependent on a single commodity, and how, in that respect, pearling resembled the oil industry that would replace it. Lavishly illustrated, this book covers in unprecedented detail the history, development, conduct, florescence and catastrophic collapse of the industry in the early 20th century. It will fascinate not only those wishing to understand the growth and conduct of the pearl fishery, but also those interested in the history of the region and the origins of the Gulf states, and in the colourful story of the global taste for one of mankind's most highly prized precious stones.

This book studies 18th-century Yangchow paintings as artistic products shaped by collective social and cultural experiences, and by constant exchanges between the artists and their audience.

From their creation in the maw of mollusks to lustrous objects of infatuation and conflict, a revealing look at pearls’ dark history. This book is a beautifully illustrated account of pearls through millennia, from fossils to contemporary jewelry. Pearls are the most human of gems, both miraculous and familiar. Uniquely organic in origin, they are as intimate as our bodies, created through the same process as we grow bones and teeth. They have long been described as an animal’s sacrifice, but until recently their retrieval often entailed the sacrifices of enslaved and indentured divers and laborers. While the shimmer of the pearl has enticed Roman noblewomen, Mughal princes, Hollywood royalty, mavericks, and renegades, encoded in its surface is a history of human endeavor, abuse, and aspiration—pain locked in the layers of a gleaming gem.

Shajar al-Durr--known as "Tree of Pearls"--began her remarkable career as a child slave, given as property to the Ayyubid Sultan Salih of Egypt. She became his favorite concubine, was manumitted, became the sultan's wife, served as governing regent, and ultimately rose to become the legitimately appointed sultan of Egypt in 1250 after her husband's death. Shajar al-Durr used her wealth and power to add a tomb to his urban madrasa; with this innovation, madrasas and many other charitably endowed architectural complexes became commemorative monuments, a practice that remains widespread today. A highly unusual case of a Muslim woman authorized to rule in her own name, her reign ended after only three months when she was forced to share her governance with an army general from the ranks of the Mamluks (elite slave soldiers) and for political expediency to marry him. Despite the fact that Shajar al-Durr's story ends tragically with her assassination and hasty burial, her deeds in her lifetime offer a stark alternative to the continued belief that women in the medieval period were unseen, anonymous, and inconsequential in a world that belonged to men. This biography--the first ever in English--will place the rise and fall of the sultan-queen in the wider context of the cultural and architectural development of Cairo, the city that still holds one of the largest and most important collections of Islamic monuments in the world. D. Fairchild Ruggles also situates the queen's extraordinary architectural patronage in relation to other women of her own time, such as Aleppo's Ayyubid regent. Tree of Pearls concludes with a lively discussion of what we can know about the material impact of women of both high and lesser social rank in this period, and why their impact matters in the writing of history.