Winner of the 2006 Barnard Hewitt Award for Excellence in Theatre History Between 1904 and the Great Depression, Circuit Chautauquas toured the rural United States, reflecting and reinforcing its citizens’ ideas, attitudes, and politics every summer through music (the Jubilee Singers, an African American group, were not always welcome in a time when millions of Americans belonged to the KKK), lectures (“Civic Revivalist” Charles Zueblin speaking on “Militancy and Morals”), elocutionary readers (Lucille Adams reading from Little Lord Fauntleroy), dramas (the Ben Greet Players’ cleaned-up version of She Stoops to Conquer), orations (William Jennings Bryan speaking about the dangers of greed), and special programs for children (parades and mock weddings). Theatre historians have largely ignored Circuit Chautauquas since they did not meet the conventional conditions of theatrical performance: they were not urban; they produced no innovative performance techniques, stage material, design effects, or dramatic literature. In this beautifully written and illustrated book, Charlotte Canning establishes an analytical framework to reveal the Circuit Chautauquas as unique performances that both created and unified small-town America. One of the last strongholds of the American traditions of rhetoric and oratory, the Circuits created complex intersections of community, American democracy, and performance. Canning does not celebrate the Circuit Chautauquas wholeheartedly, nor does she describe them with the same cynicism offered by Sinclair Lewis. She acknowledges their goals of community support, informed public thinking, and popular education but also focuses on the reactionary and regressive ideals they sometimes embraced. In the true interdisciplinary spirit of Circuit Chautauquas, she reveals the Circuit platforms as places where Americans performed what it meant to be American.

In the late 19th century the chautauqua movement became a popular form of adult education and entertainment in the United States. With noted lyceum speakers (such as Teddy Roosevelt and William Jennings Bryan) and local talent, the movement spread throughout the country and was particularly popular in the rural areas of the Midwest. An overview of the lyceum and of adult education in 19th century America is followed by an examination of the rise of the circuit chautauqua. Its popularity during the 1920s is detailed as is its demise, brought on by the Great Depression and the rise of the film industry.

In The Romance of Small-Town Chautauquas, James Schultz offers a unique pictorial study of a cultural movement that started in 1904 and spread across the country. For almost thirty years, tent shows known as "chautauquas" brought popular education and entertainment to small towns in America from coast to coast. With more than one hundred photographs and other illustrations from the era, the book presents a captivating overview of the tent chautauqua movement from its inception to its demise in 1932. These traveling chautauquas--which were an outgrowth of the lyceum movement--evolved in the early part of the twentieth century. Keith Vawter, owner of the Chicago branch of the Redpath Lyceum, came up with an idea that would bring to rural America the same quality of lectures and other forms of entertainment that were available through the lyceum. His concept was a circuit of traveling tents that moved from town to town. Vawter named his traveling circuits "chautauquas," modeling them after the Chautauqua Institution in southwestern New York State, an intellectual community with summerlong programs of lectures, seminars, and workshops. Tent chautauquas offered a variety of cultural events by politicians, writers, and theologians, filling a void in the lives of rural residents who did not have access to the array of talent available to city dwellers. The Romance of Small-Town Chautauquas contains many previously unpublished photographs that reflect the styles and customs of a bygone era, as well as photos and anecdotes about many people of prominence who toured as speakers or entertainers. These included individuals such as President Warren G. Harding, Congresswoman Jeannette Rankin, ventriloquist Edgar Bergen, journalist and historian Ida Tarbell, poet Carl Sandburg, and many others. Schultz utilizes the existing literature on chautauquas, but he contributes much new information from the files of his father and uncle, both of whom were involved in the management of the Redpath Chautauquas, as well as interviews he conducted with individuals who remember attending chautauqua performances. Celebrating a fascinating chapter of America's cultural history, The Romance of Small-Town Chautauquas will appeal to students of American history and chroniclers of the entertainment industry.

Before radio and sound movies, early 20th century performers and lecturers traveled the nation providing entertainment and education to Americans thirsty for culture. These "chautauquas" brought politicians, activists, scholars, musical ensembles and theatrical productions to remote communities. A conduit for global perspectives and progressive ideas, these gatherings introduced issues like equal suffrage, prohibition and pure food laws to rural America. This book explores an overlooked yet influential movement in U.S. history, capturing the vagaries of speakers' and performers' lives on the road and their reception by audiences. Excerpts from lectures and plays portray a vibrant circuit that in a single summer drew 20 million in more than 9,000 towns.

Today the Colorado Chautauqua is one of the only remaining Chautauquas, and this is the story of that group, filled with delightful, comic, and heartwarming descriptions of life at this historic Chautauqua.

One-volume reference work on the first twenty-five years of the cinema's international emergence from the early 1890s to the mid-1910s.