One of our most important contemporary critics, Marjorie Perloff has been a widely published and influential reviewer, especially of poetry and poetics, for over fifty years. Circling the Canon, Volume I covers roughly the first half of Perloff's career, beginning with her first ever review, on Anthony Hecht's The Hard Hours. The reviews in this volume, culled from a wide range of scholarly journals, literary reviews, and national magazines, trace the evolution of poetry in the mid- to late twentieth century as well as the evolution of Perloff as a critic. Many of the authors whose works are reviewed in this volume are major figures, such as W. B. Yeats, Ezra Pound, Sylvia Plath, and Frank O'Hara. Others, including Mona Van Duyn and Richard Hugo, were widely praised in their day but are now all but forgotten. Still others--David Antin, Edward Dorn, or the Language poets--exemplify an avant-garde that was to come into its own. --

An Exploration of the Traditional Witchcraft Coven, its Organization and Rituals, including Initiations, Rites of Passage, Magical and Social practices. The truth is, “Old” Gerald B. Gardner had little interest in how the Traditional Witchcraft Coven had been organized and structured. So apart from an example of how it should not be done, he passed on little information about how it was meant to be organized. That knowledge of how best to organize and structure a modern Coven has had to be reclaimed from the old records and by trial and error. So too the social Rites of Passage; those of birth, marriage and death that were all long since appropriated by the religious authorities have likewise needed to be restored. As too the traditional forms of Coven Magic and Healings, whilst still keeping Witchcraft ever the religion of Dance, Fun and Mirth. After all, who said that religion is not to be enjoyed? A Witches’ Canon, Part 1, provides a fact-based referenced guide for those wishing to further explore the Religion and Celebratory Rituals of Traditional Wicca. A Witches’ Canon, Part 2, has been written to provide a practical, referenced guide to the social aspects of Traditional Wicca; of Coven Organization, Initiations, Rites and Rituals. A Witches’ Canon, Part 3, is a fact-based referenced guide to the practice of Magical Witchcraft, both nice and naughty. If it isn’t fun, then it ain’t worth doing.

Horace speaks of poetry delighting and instructing. While Evaluations of US Poetry since 1950, Volume 1 explores the pleasures of poetry--its language, forms, and musicality--volume 2 focuses on the public dimensions. In this volume, von Hallberg and Faggen have gathered a diverse selection of poets to explore questions such as: How does poetry instruct a society with a highly evolved knowledge industry? Do poems bear a relation to the disciplined idioms of learning? What do poets think of as intellectual work? What is the importance of recognizable subject matter? What can honestly be said by poets concerning this nation so hungry for learning and so fixated on its own power? To these questions, the literary critics collected here find some answers in the poetry of Robert Pinsky, Susan Howe, Robert Hass, Anthony Hecht, Adrienne Rich, Sharon Olds, Ed Dorn, and August Kleinzahler.

The Canon is the numerical interpretation of the Cosmic law and, since man is a microcosm of the universe, it is also the law of human nature. The history of all civilizations is the history of their interpretation of the Canon. Codified by ancient philosophers and guarded by priests in the temples, the Canon sanctified the society that possessed it, regulating its institutions in accordance with the laws of nature. Plato, writing in "The Laws of the Egyptian Canon, " claimed that by its use the high civilization of ancient Egypt had been preserved from deterioration for 10,000 years. The Canon was instituted by the ancient theocracies as a standard in music, architecture and all other arts. Even after the decline of the old world order and of the canonical standard, knowledge of the Canon was preserved in the mystery schools of Greece and Alexandria, and in the tradition of masonic and other craft guilds. One of the most revolutionary books of the late 19th century, The Canon owes its high reputation to the august literary style of its author, as well as to its remarkable contents. Its strong influence on modern mysticism was acknowledged by Aleister Crowley and F. Bligh Bond among others, and has long been a prized item in the library of the discerning mystic.

One of our most important contemporary critics, Marjorie Perloff has been a widely published and influential reviewer, especially of poetry and poetics, for over fifty years. Circling the Canon, Volume I covers roughly the first half of Perloff’s career, beginning with her first ever review, on Anthony Hecht’s The Hard Hours. The reviews in this volume, culled from a wide range of scholarly journals, literary reviews, and national magazines, trace the evolution of poetry in the mid- to late twentieth century as well as the evolution of Perloff as a critic. Many of the authors whose works are reviewed in this volume are major figures, such as W. B. Yeats, Ezra Pound, Sylvia Plath, and Frank O’Hara. Others, including Mona Van Duyn and Richard Hugo, were widely praised in their day but are now all but forgotten. Still others—David Antin, Edward Dorn, or the Language poets—exemplify an avant-garde that was to come into its own.

This is the tenth and final volume in a ten-volume series of the critical old-spelling texts of the plays in the Beaumont and Fletcher canon, in which the texts are established on modern bibliographical principles. This volume contains the texts of six plays written by Fletcher and his collaborators, Nathan Field, Philip Massinger, Ben Jonson, George Chapman, John Ford and John Webster. Each play is introduced by a discussion of the text and authorship, has variant readings in footnotes, and is followed by full textual notes and lists of press-variants, emendations of accidentals and historical collations. At the back of this concluding volume there is a useful index showing how the plays are distributed between the volumes, and a table giving the authorship of the plays.

Other Canon Economics: Essays in the Theory and History of Uneven Economic Development brings together key essays on development economics from one of the most prolific and important development economists and historians of economic policy today. Erik S. Reinert argues through essays ranging from 1994 to 2020 that neo-classical economics damages developing countries, mostly via adherence to the theory of comparative advantage. Based on a long intellectual tradition, started by the Italian economists Giovanni Botero (1589) and Antonio Serra (1613), Reinert shows that the country which trades increasing returns goods – e.g. high-end manufacture – has advantages over the country which trades diminishing returns goods – e.g. commodities. This has important implications for today’s development strategies that, Reinert argues, should be seen as industrial strategies.

Traditional Witchcraft and an Exploration of Its Magical Techniques, Rites and Symbols. The truth is, Witchcraft never altogether went away. The old Witchcraft was driven deep into the shadows only to emerge again as a vibrant, nature-based spiritual practice, well attuned to our modern times. It is a cooperative religion, born in the Stone-Age yet ideally suited for this present Age of Science and Technology. A religion and magical practice of Dance, Fun and Mirth. After all, who said that religion is not to be enjoyed? A Witches’ Canon, Part 1, was written to provide a fact-based referenced guide for those wishing to further explore the Religion and Celebratory Rituals of Traditional Wicca. A Witches’ Canon, Part 2, provides a practical, referenced guide to the social aspects of Traditional Wicca; of Coven Organization, Initiations, Rites and Rituals. A Witches’ Canon, Part 3, is a fact-based referenced guide to the practice of Magical Witchcraft, both nice and naughty. If it isn’t fun, then it ain’t worth doing.