A fascinating exploration and insight into the fringes of Europe. This book proudly celebrates the richness and cultural history of these countries, taking us through Moslem Spain, Byzantine Turkey and Viking Norway, for example, yet it also offers an intriguing insight into the travails and high points of travelling itself. Peppered with slightly eccentric anecdotes and poems, the book wakes up the people and places of Europe's fringes and gives them a gentle shake.

The beloved author of A Wrinkle in Time takes an introspective look at her life and muses on creativity in this memoir, the first of her Crosswicks Journals. Every so often I need OUT. . . . My special place is a small brook in a green glade, a circle of quiet from which there is no visible sign of human beings. . . . I sit there, dangling my legs and looking through the foliage at the sky reflected in the water, and things slowly come back into perspective. Set against the lush backdrop of Crosswicks, her family’s farmhouse in rural Connecticut, this deeply personal memoir details Madeleine L’Engle’s journey to find balance between her career as a Newbery Medal–winning author and her responsibilities as a wife, mother, teacher, and Christian. As she considers the roles that creativity, family, citizenship, and faith play in her life, L’Engle reveals the complexities behind the author whose works—honored with the National Book Award, the Lewis Carroll Shelf Award, and countless other prizes—have long been cherished by children and adults alike. Written in simple, profound, and often humorous prose, A Circle of Quiet is an insightful woman’s elegant search for the meaning and purpose of her life. This ebook features an illustrated biography of Madeleine L’Engle including rare images from the author’s estate.

In Times of Terror, Wage Beauty, is a meticulously crafted series of ideas in tweet sized digestible prose. It serves as a personal guide to social change makers in the 21st century navigating complex social systems by highlighting advanced approaches to healing and global wellness.

Though many hold him to be one of the greatest American poets of this century, Lax has maintained a low profile, living and writing in seclusion on the Greek island of Patmos. In Circus Days & Nights, Lax's three great long poems on the circus—“Circus of the Sun,†? “Mogador's Book,†? and “Sunset City†?—are collected together for the first time, placing this early masterwork in the position within American literature that it so richly deserves. Each of the three poems in this collection expresses a reverence for the acts of daring, beauty, and grace that make the circus the singular event it is. What also emerges is the drawing of a link between this world of the circus—wherein a tent is erected, acts are performed, and then the tent is disassembled only to be re-erected the next day—and Lax's faith. As Denise Levertov has said, “the radiant security of Lax’s faith appears in his work as a serenity of tone.†?

Leaving the Hall Light On charts the near-destruction of one middle-class family whose son committed suicide after a seven-year struggle with bipolar disorder. & ;& ;Madeline Sharples, author, poet and web journalist, goes deep into her own well of grief to describe her anger, frustration and guilt. She describes many attempts - some successful, some not - to have her son committed to hospital and to keep him on his medication. The book also charts her and her family's redemption, how she considered suicide herself, and ultimately, her decision live and take care of herself as a woman, wife, mother and writer.& ;& ;Highly recommended if your life has been touched by bipolar disorder or suicide, this book will also inspire you to survive other tragedies.& ;& ;"A moving read of tragedy, trying to prevent it, and coping with life after." - Midwest Book Review & ;& ;"Moving, intimate and very inspiring." - Mark Shelmerdine, CEO, Jeffers Press & ;& ;"Poetically visceral, emotionally honest. I will be a better, more empathic psychiatrist, and a better person and friend after reading this extraordinary memoir." - Irvin D. Godofsky, M.D.

Poetry. "If capitalism is the infection that normalizes and perpetuates all the greed and violence endemic to human creatures (and, of course, it is), in his new book Norman Fischer provides us with a gorgeous inoculation. In a capacious voice that is part every person, part guide and caregiver, part trickster, Fischer leads us through an exhibit of the American psyche at its most beautifully/terribly/complicatedly human. Blake asks us to see a world in a grain of sand; Fischer, in language as precise and relentless as his courage, asks us to expand each nanosecond into an infinity. With tenderness and care, irony and sincerity, Fischer leads us from surprise to surprise through a vastness of recursion, digression, re-vision, doubt, and wisdom. This is an exquisite book from one of the great and lasting gifts of contemporary poetry."--Donna de la Perriere

"Among America's greatest poets, a true minimalist who can weave awesome poems from remarkably few words." -Richard Kostelanetz, New York Times Book Review Every generation of poets seems to harbor its own hidden genius, one whose stature and brilliance come to light after his talent has already been achieved and exercised. The same drama of obscurity and nuance that attended the discovery of Emily Dickinson and Wallace Stevens is suggested by the career of Robert Lax. An expatriate American whose work to date — more than forty books — has been published mostly in Europe, this 85-year-old poet built a following in the U.S. among figures as widespread as Mark Van Doren, e. e. cummings, Jack Kerouac, and Sun Ra. The works in Love Had a Compass represent every stage of Lax's development as a poet, from his early years in the 1940s as a staff writer for The New Yorker to his present life on the Greek Island of Patmos. An inveterate wanderer, Lax's own sense of himself as both exile and pilgrim is carefully evoked in his prose journals and informs the pages of the Marseille Diaries, published here for the first time. Together with the poems, they provide the best portrait available to date of one of the most striking and original poets of our age.

"I come from Des Moines. Somebody had to." And, as soon as Bill Bryson was old enough, he left. Des Moines couldn't hold him, but it did lure him back. After ten years in England he returned to the land of his youth, and drove almost 14,000 miles in search of a mythical small town called Amalgam, the kind of smiling village where the movies from his youth were set. Instead he drove through a series of horrific burgs, which he renamed Smellville, Fartville, Coleslaw, Coma, and Doldrum. At best his search led him to Anywhere, USA, a lookalike strip of gas stations, motels and hamburger outlets populated by obese and slow-witted hicks with a partiality for synthetic fibres. He discovered a continent that was doubly lost: lost to itself because he found it blighted by greed, pollution, mobile homes and television; lost to him because he had become a foreigner in his own country.