"Circe's Palace" is a short story that draws inspiration from Greek mythology and the myth of Circe, a powerful sorceress from Homer's "Odyssey." In the story, Hawthorne reimagines the myth in his unique style. The narrative follows a group of sailors who, like Odysseus' men, encounter the enchantress Circe on an isolated island. She invites them into her palace and offers them a mysterious and alluring drink, much like the wine she gave to Odysseus' crew, which turned them into animals. As the sailors partake in the drink, they gradually undergo a transformation, experiencing altered states of being. The story explores themes of enchantment, illusion, and the power of desire. It delves into the idea of losing one's sense of self and reality when subjected to temptation and seduction. Hawthorne's "Circe's Palace" is emblematic of his fascination with myth, allegory, and the darker aspects of the human psyche. It serves as a literary reimagining of the classical myth, adding Hawthorne's own depth and symbolism to the narrative. The story is a prime example of Hawthorne's style and his interest in exploring the complexities of human nature, often through allegorical and symbolic storytelling. In "Circe's Palace," readers are invited to ponder the consequences of succumbing to seductive and enchanting illusions, with Hawthorne's characteristic blend of romantic and dark romantic themes.

This #1 New York Times bestseller is a "bold and subversive retelling of the goddess's story" that brilliantly reimagines the life of Circe, formidable sorceress of The Odyssey (Alexandra Alter, TheNew York Times). In the house of Helios, god of the sun and mightiest of the Titans, a daughter is born. But Circe is a strange child -- not powerful, like her father, nor viciously alluring like her mother. Turning to the world of mortals for companionship, she discovers that she does possess power -- the power of witchcraft, which can transform rivals into monsters and menace the gods themselves. Threatened, Zeus banishes her to a deserted island, where she hones her occult craft, tames wild beasts and crosses paths with many of the most famous figures in all of mythology, including the Minotaur, Daedalus and his doomed son Icarus, the murderous Medea, and, of course, wily Odysseus. But there is danger, too, for a woman who stands alone, and Circe unwittingly draws the wrath of both men and gods, ultimately finding herself pitted against one of the most terrifying and vengeful of the Olympians. To protect what she loves most, Circe must summon all her strength and choose, once and for all, whether she belongs with the gods she is born from, or the mortals she has come to love. With unforgettably vivid characters, mesmerizing language, and page-turning suspense, Circe is a triumph of storytelling, an intoxicating epic of family rivalry, palace intrigue, love and loss, as well as a celebration of indomitable female strength in a man's world. #1 New York Times Bestseller -- named one of the Best Books of the Year by NPR, the Washington Post, People, Time, Amazon, Entertainment Weekly, Bustle, Newsweek, the A.V. Club, Christian Science Monitor, Refinery 29, Buzzfeed, Paste, Audible, Kirkus, Publishers Weekly, Thrillist, NYPL, Self, Real Simple, Goodreads, Boston Globe, Electric Literature, BookPage, the Guardian, Book Riot, Seattle Times, and Business Insider.

Late in his life T. S. Eliot, when asked if his poetry belonged in the tradition of American literature, replied: “I’d say that my poetry has obviously more in common with my distinguished contemporaries in America than with anything written in my generation in England. That I’m sure of. . . . In its sources, in its emotional springs, it comes from America.” In T. S. Eliot: The Making of an American Poet, James Miller offers the first sustained account of Eliot’s early years, showing that the emotional springs of his poetry did indeed come from America. Miller challenges long-held assumptions about Eliot’s poetry and his life. Eliot himself always maintained that his poems were not based on personal experience, and thus should not be read as personal poems. But Miller convincingly combines a reading of the early work with careful analysis of surviving early correspondence, accounts from Eliot’s friends and acquaintances, and new scholarship that delves into Eliot’s Harvard years. Ultimately, Miller demonstrates that Eliot’s poetry is filled with reflections of his personal experiences: his relationships with family, friends, and wives; his sexuality; his intellectual and social development; his influences. Publication of T. S. Eliot: The Making of an American Poet marks a milestone in Eliot scholarship. At last we have a balanced portrait of the poet and the man, one that takes seriously his American roots. In the process, we gain a fuller appreciation for some of the best-loved poetry of the twentieth century.

Meet Circe, feared goddess of Homer's Odyssey, who used her knowledge of nature and sorcery to transform those who displeased her into animals and monsters. Author Irisanya Moon reveals the Goddess in her ancient Greek context, and offers unique insight to and explanations of her relationships, deeds, and desires while offering practical advice on how to meet with this engaging Goddess today.

For a work that is a foundational text not merely of modern literature but of all of Western civilization, it's surprising how little is known of its origins. The epic adventure The Odyssey was originally told in oral form and may have been written down for the first time in the 8th century BC. We attribute the work to the Greek poet Homer, but little is known about him, or if, indeed, the author was but a single person. What is certain, though, is that The Odyssey is absolutely required reading for anyone who wishes to be considered truly educated and literate even today, nearly three thousand years after it was first written. This replica of 1911 edition presents the 1851 translation by THEODORE ALOIS BUCKLEY (1825-1856), a highly readable rendition of the nine-year journey of the solider Odysseus as he returns home to Ithaca after the Trojan War. It's a compelling translation that makes plain how strikingly modern Homer's writing was, with its nonlinear plot fleshed out by flashbacks and driven as much by the actions of ordinary mortals-even women and slaves!-as it is by men of heroic stature and the gods themselves. As entertaining as it is edifying, this is one of humanity's grandest literary achievements.

An Armenian folktale about two robbers courting the same girl.

The Odyssey is considered to be the most beautiful literary work of the Western civilization, and Homer the first and the greatest poet ever. The book Demystifying the Odyssey is interpreting Homer's epic in a unique and completely new way. For the first time in literature, this book explains the events and phenomena that Odysseus saw and experienced, and which were considered so far as a result of the Poet's rich imagination. So, this book reveals how Odysseus went to Hades kingdom of the dead souls; what are in reality Scylla and Charybdis; who were the sirens; how the Island of Aeolus', the ruler of the winds, actually floated; how Circa turned Odysseus's sailors into pigs and other. Besides that, this book also reveals the fallacy two and a half millennia long, dating back from the first historians Herodotus and Thucydides, according to which Odysseus was wandering the Mediterranean sea. It further provides numerous proofs that Homer's hero was actually wandering the Adriatic. For all those readers who are familiar with the ancient Greek literature this book will be great news and quite a surprise. On the other hand, for those who have not been quite aware of the old Greek world it will provide great knowledge on the first European civilization. In any case, this will surely be an interesting reading for all of them.

"The Design of "The Waste Land" offers a detailed, comprehensive explanation of T. S. Eliot's enigmatic poem. It relates The Waste Land to earlier and later poems by Eliot, demonstrating that the major poems describe a continuous spiritual odyssey or quest undertaken by the same individual, initiated by the moment of ecstasy in the Hyacinth garden." "Blistein's analysis of Eliot's sources reveals that the protagonist's glimpse of "the heart of light" is equivalent to drinking from the Grail, or communing with God. The incarnate deity momentarily transforms the Hyacinth garden into the likeness of the Edenic paradise. With the inevitable passing of the moment of communion, the protagonist in effect is expelled from the paradisiacal garden as mankind was from Eden. By contrast, the familiar world appears to him a wasteland. The protagonist seeks to drink again from the divine Source and return again to the garden as it was when transfigured by the divine presence. His is a quest for grail and homeland."--BOOK JACKET.