This is the first English translation of René Clair's Cinéma d'hier, cinéma d'aujour'dui, which, when it first appeared in France in 1970, easily won the prize for best film book of the year. In it the master of French film comedy plays with time in much the same way that a film editor might - he combines reviews written during the twenties and thirties with comments made in 1950 and again in 1970, and includes brief notes from other years as well as an imaginary dialogue with himself across time. The result is surprisingly unified. It is Clair's coherent vision of the cinema as he surveys his entire career and the whole of film history. In the best sense of the term, it is an essay, and one of the very few such works written by a giant in the world of film -- From back cover

Bringing together prominent transatlantic film and media scholars, Was It Yesterday? explores the impact of nostalgia in twenty-first century American film and television. Cultural nostalgia, in both real and imagined forms, is dominant today, but what does the concentration on bringing back the past mean for an understanding of our cultural moment, and what are the consequences for viewers? This book questions the nature of this nostalgic phenomenon, the politics associated with it, and the significance of the different periods, in addition to offering counterarguments that see nostalgia as prevalent throughout film and television history. Considering such films and television shows as La La Land, Westworld, Stranger Things, and American Hustle, the contributors demonstrate how audiences have spent more time over the last decade living in various pasts.

A lively illustrated history that reveals how the movie business has fascinated, scandalized, and socialized the Twin Cities and its people.

A warm and intimate look into the spiritual life of Maria von Trapp's famous Sound of Music family. In this best-selling work, Maria takes you beyond the thrilling story of her family's desperate and determined flight from Austria to her new life in America, as well as providing: A personal and profound insight into this extraordinary woman and her life An inspiring look at the constancy of the Savior in our lives A wealth of insight and faith from years spent in study, devotion, and worship Maria von Trapp shares how she and her husband told their children about the life of Jesus and how His story entered into their lives and imaginations. Be enriched and inspired as you enjoy this beloved classic.

Brief description about 70 well known Bollywood stars with coloured pictures if their hit films

Noted film scholars analyze some of the most challenging films of the 20th century

A director reveals the original inspirations for his films, their history, his methods of work, and the problems of visual creativity

Chion analyzes imaginative uses of the human voice by directors like Lang, Hitchcock, Ophuls, Duras, and de Palma.

Fiftieth anniversary reissue of the founding media studies book that helped establish media art as a cultural category. First published in 1970, Gene Youngblood’s influential Expanded Cinema was the first serious treatment of video, computers, and holography as cinematic technologies. Long considered the bible for media artists, Youngblood’s insider account of 1960s counterculture and the birth of cybernetics remains a mainstay reference in today’s hypermediated digital world. This fiftieth anniversary edition includes a new Introduction by the author that offers conceptual tools for understanding the sociocultural and sociopolitical realities of our present world. A unique eyewitness account of burgeoning experimental film and the birth of video art in the late 1960s, this far- ranging study traces the evolution of cinematic language to the end of fiction, drama, and realism. Vast in scope, its prescient formulations include “the paleocybernetic age,” “intermedia,” the “artist as design scientist,” the “artist as ecologist,” “synaesthetics and kinesthetics,” and “the technosphere: man/machine symbiosis.” Outstanding works are analyzed in detail. Methods of production are meticulously described, including interviews with artists and technologists of the period, such as Nam June Paik, Jordan Belson, Andy Warhol, Stan Brakhage, Carolee Schneemann, Stan VanDerBeek, Les Levine, and Frank Gillette. An inspiring Introduction by the celebrated polymath and designer R. Buckminster Fuller—a perfectly cut gem of countercultural thinking in itself—places Youngblood’s radical observations in comprehensive perspective. Providing an unparalleled historical documentation, Expanded Cinema clarifies a chapter of countercultural history that is still not fully represented in the arthistorical record half a century later. The book will also inspire the current generation of artists working in ever-newer expansions of the cinematic environment and will prove invaluable to all who are concerned with the technologies that are reshaping the nature of human communication.

These two volumes examine a significant but previously neglected moment in French cultural history: the emergence of French film theory and criticism before the essays of André Bazin. Richard Abel has devised an organizational scheme of six nearly symmetrical periods that serve to "bite into" the discursive flow of early French writing on the cinema. Each of the periods is discussed in a separate and extensive historical introduction, with convincing explications of the various concepts current at the time. In each instance, Abel goes on to provide a complementary anthology of selected texts in translation. Amounting to a portable archive, these anthologies make available a rich selection of nearly one hundred and fifty important texts, most of them never before published in English.