A DANGEROUS ATTRACTION When her demanding stepmother died, Ella Benoit knew just how far their fortunes had fallen, unlike her spoiled stepsisters. So she never expected the bequest from her late father. A chateau in France and the freedom to live her own life, all at once! The chateau has seen better days, but Ella knows she can put the ruined house to rights. The life-size portrait of its first owner, Jean-Daniel Girard, seems to watch her work with approval, even pleasure. With bright blue eyes, strong features, and an athlete’s body, the viscount is a tempting sight even now, more than three hundred years after his tragic death. But the more she looks at the portrait, the more convinced Ella is that she’s met Jean-Daniel before. In another life, perhaps—or maybe, as the form who haunts the halls at night, invading Ella’s dreams...

Rose Pastor arrived in New York City in 1903, a Jewish refugee from Russia who had worked in cigar factories since the age of eleven. Two years later, she captured headlines across the globe when she married James Graham Phelps Stokes, scion of one of the legendary 400 families of New York high society. Together, this unusual couple joined the burgeoning Socialist Party and, over the next dozen years, moved among the liveliest group of activists and dreamers this country has ever seen. Their friends and houseguests included Emma Goldman, Big Bill Haywood, Eugene V. Debs, John Reed, Margaret Sanger, Jack London, and W.E.B. Du Bois. Rose stirred audiences to tears and led strikes of restaurant waiters and garment workers. She campaigned alongside the country's earliest feminists to publicly defy laws against distributing information about birth control, earning her notoriety as "one of the dangerous influences of the country" from President Woodrow Wilson. But in a way no one foresaw, her too-short life would end in the same abject poverty with which it began.

The story of Cinderella is transported to snowy Russia in Jan Brett's lavish style. One magical night, Cinders, the most picked upon hen in the flock, becomes the most loved by Prince Cockerel when she arrives at his ball looking so beautiful that even her bossy sisters don't recognize her. Jan travelled to Russia and readers will be in awe of the Ice Palace aglow under a deep blue moonlit sky, exquisite ball gowns on the comely pullets, uniforms with gold braids and buttons on the cockerels, striking Russian architecture transformed into ice in the borders, and a very funny flock of chickens who provide an appealing, original look at this snowy Cinderella. Readers will find these dressed up chickens comical as they pour over the extravagant setting, including a "WOW"-inducing double gatefold of chicken couples whirling around the ballroom. A feast for the eyes that is sure to become a perennial favorite.

Text includes thirty poems from the Cinderalla story, bringing to life the voices of well-loved characters and of those whom we do not usually hear from.

A love of fashion. A couture competition. A once-in-a-lifetime chance . . . Angel wants to be a fashion designer, but without money or connections, it's going to be a challenge. So when she gets a chance to head to Paris, Angel grabs it - even if it means masquerading as her best friend Lily. That can't be too hard, can it? But faking things doesn't come easy, and when Angel meets her very own Prince Charming, things start to get complicated. She needs to stop her secrets unravelling if she wants to live happily ever . . . From exciting talent Jennifer Kloester comes a modern fairytale of high society, mistaken identity, love, betrayal, friendship - and great clothes.

Fleeing a failed marriage and haunted by ghosts of his past, Luis Alberto Urrea jumped into his car several years ago and headed west. Driving cross-country with a cat named Rest Stop, Urrea wandered the West from one year's Spring through the next. Hiking into aspen forests where leaves "shiver and tinkle like bells" and poking alongside creeks in the Rockies, he sought solace and wisdom. In the forested mountains he learned not only the names of trees—he learned how to live. As nature opened Urrea's eyes, writing opened his heart. In journal entries that sparkle with discovery, Urrea ruminates on music, poetry, and the landscape. With wonder and spontaneity, he relates tales of marmots, geese, bears, and fellow travelers. He makes readers feel mountain air "so crisp you feel you could crunch it in your mouth" and reminds us all to experience the magic and healing of small gestures, ordinary people, and common creatures. Urrea has been heralded as one of the most talented writers of his generation. In poems, novels, and nonfiction, he has explored issues of family, race, language, and poverty with candor, compassion, and often astonishing power. Wandering Time offers his most intimate work to date, a luminous account of his own search for healing and redemption.

Covering a period of more than one hundred years of work by renowned folklorists, these enlightening essays explore the timeless tale of Cinderella. In addition to the most famous versions of the story (Basile's Pentamerone, Perrault's Cendrillon, and the Grimm's Aschenputtel), this casebook includes articles on other versions of the tale from Russian, English, Chinese, Greek and French folklore. The volume concludes with several interpretive essays, including a psychoanalytic view from Dundes and a critique of the popularization of Cinderella in America. "Folklorists, scholars of children's literature, and feminists should appreciate particularly the wide scope of this collection . . . now in paperback with an updated Bibliographical Addendum. . . . Most helpful are the two-page introductions to each variant and to each essay which include a brief overview of the historical times as well as suggested additional sources for more discussion."-Danny Rochman, Folklore Forum "A milestone, a near complete source of primary and secondary materials. . . . The selected analytical writing include definitive classic and new discoveries, covering the whole range of methodological modes and theoretical perspectives from early forms and typology to myth-ritual, social-historical, anthropological, and psychoanalytical readings. The annotated bibliography is most helpful, illuminating, and comprehensive, encompassing publications in other Western languages and works by Asianists."-Chieko Mulhern, Asian Folklore Studies "One can imagine several dimensions on which psychoanalysts might find such a collection interesting: as examples of applied psychoanalysis, in relation to philosophical and cultural examination of imaginative material, in relation to child development, and in the correlations between folktales of a particular culture and individual histories."-Kerry Kelly Novick, Psychoanalytic Quarterly

History is told from one person's perspective. Sometimes they don't get it right.Ugly Stepsister Anna has wrongly been accused of being mean and evil. Now it is time she got the opportunity to tell her side of the story.With Cinderella so perfect and wonderful, it is no wonder Anna feels ugly in comparison. Dealing with bullies, a grumpy mother and the death of her step-father, Anna is at her wits end.When the Prince's ball approaches, Anna is told she must find a husband to save the family fortune. Attending with her sisters, the sulky Prince Charming only has eyes for Cinderella.With the burden of being the only one to unite her step-sister with the Prince, will Anna act as cupid? Or will she protect Cinderella from the arrogant Charming?A charming twist to the story of Cinderella, told completely from the point of view of the Ugly Step-Sister.Also in the series: Saving RapunzelKilling Snow WhiteThe Beast With No BeautyI Love Little RedUgly Sleeping BeautyHansel and Gretel: Devil Childre

‘Climo and Heller conflate several Korean variants of Cinderella to offer up the story of Pear Blossom, a lovely girl who is sorely mistreated by her nasty stepmother and stepsister.… At once comfortingly familiar and intriguingly exotic, the text is especially noteworthy for its instructive but unobtrusive incorporation of Korean words.’—Publishers Weekly. ‘Heller’s paintings are exotically lush and colorful as well as engaging.… An agreeable retelling of the Cinderella story.’ —BL. Notable 1994 Children's Trade Books in Social Studies (NCSS/CBC)