Once upon a time there lived... a beautiful prince who kissed a frog. A cinder-smudged child who hid a secret. A princess who climbed a long braid of golden hair for love. A thumb-sized boy with the courage of a giant. And a valiant little tailor whose wit was as sharp as her needle. These stories and many more await you in this delightful collection of classic fairy tales, lovingly retold and featuring characters who receive wonderfully queer happily-ever-afters! Let these new takes on the Brothers Grimm warm your heart and nurture your yearning to see yourself reflected in beloved favorites.

Experience a darker side of "The Beauty and the Beast" where, in a world of vindictive fairies and scornful magicians, not everyone will live happily ever after. Pulchritude tells the tale of Bella, a beautiful girl caught between her selfish father and an enchanted prince ready to sweep her into a dangerous romance built on deception and betrayal. This debut novel by feminist blogger Ana Mardoll returns a classic fairy tale to its origins as social commentary and in doing so holds a strange mirror to our own world.

Ralph said, "Rain tomorrow." Burt said, "Barley needs it. You're covered with cinders, Ellis." Ralph thought that was funny. "That's funny." He laughed. "That's what we should call him-- Cinderellis." Burt guffawed. In this unusual spin on an old favorite, Cinderlla is a boy! He's Cinderellis, and he has two unfriendly brothers and no fairy godmother to help him out. Luckily, he does have magical powders, and he intends to use them to win the hand of his Princess Charming-- that is, Marigold. The only problem is-- Marigold thinks Cinderellis is a monster! Gail Carson Levine is the author of Ella Enchanted, a spirited retelling of the "real" Cinderella fairy tale and a 1998 Newberry Honor Book. In this fourth of her Princess Tales, Levine brings new life and new fun into a little-known tale and proves that determination, imagination, and kindness can carry the day.

Accused of treason against the Wizards of the White Council, Warden Morgan goes in search of Harry Dresden in a desperate attempt to clear his name and stop the deadly punishment from taking place in this latest thrilling addition to the Dresden Files series.

Queen Levana is a ruler who uses her 'glamour' to gain power. but long before she crossed paths with Cinder, Scarlet, and Cress, Levana lived a very different story - a story that has never been told ... until now.

No Man of Woman Born is a collection of seven fantasy stories in which transgender and nonbinary characters subvert and fulfill gendered prophecies. These prophecies recognize and acknowledge each character's gender, even when others do not. Trigger warnings and neopronoun pronunciation guides are provided for each story.

Once there was a Quechua folktale. It begins with a trickster fox's penis with a will of its own and ends with a daughter returning to parents who cannot recognize her until she recounts the uncanny adventures that have befallen her since she ran away from home. Following the strange twists and turnings of this tale, Catherine J. Allen weaves a narrative of Quechua storytelling and story listening that links these arts to others—fabric weaving, in particular—and thereby illuminates enduring Andean strategies for communicating deeply felt cultural values. In this masterful work of literary nonfiction, Allen draws out the connections between two prominent markers of ethnic identity in Andean nations—indigenous language and woven cloth—and makes a convincing case that the connection between language and cloth affects virtually all aspects of expressive culture, including the performing arts. As she explores how a skilled storyteller interweaves traditional tales and stock characters into new stories, just as a skilled weaver combines traditional motifs and colors into new patterns, she demonstrates how Andean storytelling and weaving both embody the same kinds of relationships, the same ideas about how opposites should meet up with each other. By identifying these pervasive patterns, Allen opens up the Quechua cultural world that unites story tellers and listeners, as listeners hear echoes and traces of other stories, layering over each other in a kind of aural palimpsest.

“Moves beyond a compelling personal story to shed radiant light on history itself . . . an essential chronicle of midcentury American idealism.” —Patricia Hampl, author of The Art of the Wasted Day In 1964, at the age of three, Tim Bascom is thrust into a world of eucalyptus trees and stampeding baboons when his family moves from the Midwest to Ethiopia. The unflinchingly observant narrator of this memoir reveals his missionary parents’ struggles in a sometimes hostile country. Sent reluctantly to boarding school in the capital, young Tim finds that beyond the gates enclosing that peculiar, isolated world, conflict roils Ethiopian society. When secret riot drills at school are followed with an attack by rampaging students near his parents’ mission station, Tim witnesses the disintegration of his family’s African idyll as Haile Selassie’s empire begins to crumble. Like Alexandra Fuller’s Don’t Let’s Go to the Dogs Tonight, Chameleon Days chronicles social upheaval through the keen yet naive eyes of a child. Bascom offers readers a fascinating glimpse of missionary life, much as Barbara Kingsolver did in The Poisonwood Bible. “Such precision in voice earned Bascom the Bread Loaf Writer’s Conference Bakeless Prize, and his smartly naïve observations grow more sophisticated as the country succumbs to political unrest in the 1970s and missionary life becomes uncertain. Nostalgic but not overwrought, Bascom’s memoir is accented with casual family snapshots like ribbons on the gift of a gently captured place in time.” —Publishers Weekly (starred review) “Bascom, son of missionaries, illuminates the Ethiopia of his childhood in this Bakeless Prize–winning memoir . . . A stirring tribute to a turbulent, beautifully evoked era.” —Kirkus Reviews

Porchlight’s Best Leadership & Strategy Book of The Year An inspiring memoir from the CEO of DICK’s Sporting Goods that is “not only entertaining but will be of great value to any entrepreneur” (Phil Knight, New York Times bestselling author of Shoe Dog). It’s How We Play the Game shows how a trailblazing business was created by giving back to the community and by taking principled, and sometimes controversial, stands—including against the type of weapons that are too often used in mass shootings and other tragedies. Ed Stack’s memoir tells the story of a complicated founder and an ambitious son—one who transformed a business by making it about more than business, conceiving it as a force for good in the communities it serves. In 1948, Ed Stack’s father started Dick’s Bait and Tackle in Binghamton, New York. Ed Stack bought the business from his father in 1984, and grew it into the largest sporting goods retailer in the country, with 800 locations and close to $9 billion in sales. The transformation Ed wrought wasn’t easy: economic headwinds nearly toppled the chain twice. But DICK’s support for embattled youth sports programs earned the stores surprising loyalty, and the company won even more attention when, in the wake of yet another school shooting—at Marjory Stoneman Douglas High School in Parkland, Florida—it chose to become the first major retailer to pull all semi-automatic weapons from its shelves, raise the age of gun purchase to twenty-one, and, most strikingly, destroy the assault-style-type rifles then in its inventory. With vital lessons for anyone running a business and eye-opening reflections about what a company owes the people it serves, It’s How We Play the Game is “a compelling narrative…In a genre that can frequently be staid, Mr. Stack’s corporate biography is deeply personal…[Features] surprising openness [and] interesting and humorous anecdotes” (Pittsburgh Post-Gazette).

Discover the astonishing first prose novel from the legendary author of Watchmen and From Hell — an epic yet intimate portrait of a single English town across the whole span of human history. The precursor to Jerusalem. In a story full of lust, madness, and ecstasy, we meet twelve distinctive characters that lived in the same region of central England over the span of six thousand years. Their narratives are woven together in patterns of recurring events, strange traditions, and uncanny visions. First, a cave-boy loses his mother, falls in love, and learns a deadly lesson. He is followed by an extraordinary cast of characters: a murderess who impersonates her victim, a fisherman who believes he has become a different species, a Roman emissary who realizes the bitter truth about the Empire, a crippled nun who is healed miraculously by a disturbing apparition, an old crusader whose faith is destroyed by witnessing the ultimate relic, two witches, lovers, who burn at the stake. Each interconnected tale traces a path in a journey of discovery of the secrets of the land. Throughout, the image of the fire resonates between the tales, while Moore finds a different voice for each character – though most are inherently duplicitous in some manner, leading to a further commentary on the disparity between myth and reality, and which is more likely to endure over time. Co-Published by Top Shelf Productions (USA) and Knockabout (UK). With a new cover design by John Coulthart.