Soon after moving to the secluded Norfolk village of Munding, Alex Darken has a disturbing encounter with the ageing poet Edward Nesbit and his young lover Laura. They are obsessively researching the lives of Sir Henry Agnew and his daughter Louisa who lived in Munding in the nineteenth century and were deeply engaged in alchemical practices. By recovering the lost secret of the hermetic mysteries, Edward and Laura hope to find an alternative to the destructive materialism of the post-industrial world. Once drawn into their fervent quest for knowledge, Alex finds himself entangled in a passionate and intense intrigue that reaches across two centuries. A beautifully written, ambitious and captivating novel, which takes a profound look at issues of nature, human existence and forgotten knowledge, The Chymical Wedding, which won the 1989 Whitbread Prize for Best Novel, is already considered a classic for its stylistic prowess and philosophical resonances.

The Chemical Wedding of Christian Rosenkreutz, often looked upon as the third Rosicrucian manifesto, has an entirely different tone from the other Rosicrucian documents. Unlike the Rosicrucian manifestoes, which address the transformation of society, The Chemical Wedding is concerned with the inner transformation of the soul. It is a deeply interior work, one which asks the reader to step into its world of symbols and walk with Christian Rosenkreutz along his path of transformation. Despite its importance as a key text of the Western esoteric traditions, this is the first ever contemporary English translation of The Chemical Wedding, made especially for this edition by Joscelyn Godwin. Also included in this edition is an introduction and commentary by Adam McLean, which illuminates the transformative symbolism.

On an evening before Easter Day, I sat at a table, and having (as my custom was) in my humble prayer sufficiently conversed with my Creator, and considered many great mysteries (whereof the Father of Lights his Majesty had shown me not a few) and being now ready to prepare in my heart, together with my dear Paschal Lamb, a small, unleavened, undefiled cake; all of a sudden arose so horrible a tempest, that I imagined no other but that through its mighty force, the hill on which my little house was founded would fly into pieces. But inasmuch as this, and the like from the Devil (who had done me many a spite) was no new thing to me, I took courage, and persisted in my meditation, till somebody in an unusual manner touched me on the back; whereupon I was so hugely terrified, that I dared hardly look about me; yet I showed myself as cheerful as (in such occurrences) human frailty would permit. Now the same thing still twitching me several times by the coat, I looked back, and behold it was a fair and glorious lady, whose garments were all sky-coloured, and curiously (like Heaven) bespangled with golden stars; in her right hand she bore a trumpet of beaten gold, on which a Name was engraved which I could well read but am as yet forbidden to reveal it.

Jack Parsons was a brilliant chemist, member of Cal Tech propulsion unit that invented the rocket fuel used for the US space flight to the moon. He was also a fanatical believer in the Magyck of Aleister Crowley the aging occultist who considered himself 'The Beast' incarnate. In 1947 Jack Parsons and L. Ron Hubbard were performing Crowley's mystic rituals in a house in Pasadena, California.Parsons wrote excitedly to his occult leader, Crowley: 'I have had the most devastating experience of my life. I have been in direct touch with One who is most Holy and Beautiful as mentioned in your "Book of the Law". First instructions were received through Lafayette Ron Hubbard the seer. I have followed them to the letter. There was a desire for incarnation. I am to act as an instructor, guardian, guide for nine months; then it will be loosed on the world...' Crowley wrote despairingly to a disciple about Parsons: 'It appears that he has given away both his girl and his money to this writer of science fiction and is now invoking my ritual to produce a Moonchild. I am fairly frantic...' Nine months later while being visited by two students from Cambridge, Aleister Crowley died of cardiac degeneration. Missing from his personal possessions was his magical diaries and his pocket-watch. His funeral took place in the Chapel of the Brighton Crematorium. The final rites were performed by the novelist Louis Marlowe reading extracts from Crowley's "Book of the Law". "The Brighton Echo" denounced the whole ceremony as a Black Mass. In 1952 Jack Parsons was blown up in his laboratory in Pasadena. L. Ron Hubbard died on his yacht as leader of the Church of Scientology.But did the issue end with these three deaths? Would Crowley, as he claimed, ever return from death to rule the world? Why did US astronauts name a crater on the moon after Jack Parsons? Is L. Ron Hubbard really dead? What had been generated by the ceremony in California that seemed to signal Crowley's demise? And what happened to them missing pocket-watch? Unanswered questions till, late in the twentieth century, Dr. Joshua Mathers brought a 'state of the art 'Interactive Suit' from Cal Tech California to Cambridge in England to begin an experiment that, unknown to mankind, changed the course of our planet.

The text and commentary on one of the founding books of Rosicrucianism.

The Chemical Wedding of Christian Rosenkreutz, often looked upon as the third Rosicrucian manifesto, has an entirely different tone from the other Rosicrucian documents. Unlike the Rosicrucian manifestoes, which address the transformation of society, The Chemical Wedding is concerned with the inner transformation of the soul. It is a deeply interior work, one which asks the reader to step into its world of symbols and walk with Christian Rosenkreutz along his path of transformation. Despite its importance as a key text of the Western esoteric traditions, this is the first ever contemporary English translation of The Chemical Wedding, made especially for this edition by Joscelyn Godwin. Also included in this edition is an introduction and commentary by Adam McLean, which illuminates the transformative symbolism.

About The Book: The Chymical Wedding is an allegoric story divided into Seven Days, or Seven Journeys, and which tells us how Christian Rosenkreuz was invited to go to a wonderful castle full of miracles, in order to assist the Chymical Wedding of the king and the queen. The story is symbolic of alchemy, the Sacred Marriage being the goal. Very esoteric stuff going on here. Excerpt: But inasmuch as this, and the like from the Devil (who had done me many a spite) was no new thing to me, I took courage, and persisted in my meditation, till somebody in an unusual manner touched me on the back; whereupon I was so hugely terrified, that I dared hardly look about me; yet I showed myself as cheerful as (in such occurrences) human frailty would permit. Now the same thing still twitching me several times by the coat, I looked back, and behold it was a fair and glorious lady, whose garments were all sky-coloured, and curiously (like Heaven) bespangled with golden stars; in her right hand she bore a trumpet of beaten gold, on which a Name was engraved which I could well read but am as yet forbidden to reveal it. In her left hand she had a great bundle of letters of all languages, which she (as I afterwards understood) was to carry to all countries. She also had large and beautiful wings, full of eyes throughout, with which she could mount aloft, and fly swifter than any eagle.

In spite of all the papers that others have written about the manuscript, there is no complete survey of all the approaches, ideas, background information and analytic studies that have accumulated over the nearly fifty-five years since the manuscript was discovered by Wilfrid M. Voynich in 1912. This report pulls together all the information the author could obtain from all the sources she has examined, and to present it in an orderly fashion. The resulting survey will provide a firm basis upon which other students may build their work, whether they seek to decipher the text or simply to learn more about the problem.

Beautifully descriptive and thrillingly captivating, this novel, by Whitbread Prize-winning author Lindsay Clarke, is the story of duty and desire, and of the man who is torn by and trapped between them. Haunted by memories and visions of both his professional past and a love gone awry, war reporter Martin Crowther arrives in the small village Fontalba, in Italy's Umbrian Hills. He is there to search for the adult children of his mentor, Hal Brigshaw. Living in England, Brigshaw is nearing the end of a turbulent life and wants to summon his children home. The children, Marina and Adam, are living in familial exile and estrangement, hidden from their pasts in what was originally meant to be an Italian vacation home. But the pasts from which Marina and Adam have run are more present than anyone knows. The Water Theatre interweaves the past and the present, travelling from the raw Pennine moors to equatorial Africa and the hill country of Umbria. An extraordinary reading experience that--in its depiction of an innocent drawn into a fascinating circle, its decades-long will-they-won't-they-end-up-together romance, its exploration of weighty issues of loyalty and loss, betrayal and reconciliation and the nature of choice—evokes John Fowles's two most brilliant novels, The Magus and Daniel Martin.