"[A] highly compelling documentation of the cultural, educational, and economic revitalization of our tribe... 'Chumash Renaissance' is very valuable in that it helps clear up a lot of the misinformation about the Chumash. We're very happy to support this important book." Vincent Armenta, Tribal Chairman, Santa Ynez Band of Chumash Indians "A rich, informative text highlighting Chumash ingenuity in rebuilding a long-oppressed culture." Kirkus Reviews "Chumash Renaissance is a landmark book. Exactly the opposite of the received wisdom about corrupting casino cash, it helps us to see California, Native America, and the casino revolution in a whole new way." Orin Starn, Professor of Anthropology at Duke University and author of Ishi's Brain: In Search of America's Last "Wild" Indian "Great introduction to the subject of Native American casinos and the indigenous empowerment that has resulted. Very well suited for the general public and undergraduate classes." Zoila S. Mendoza, Professor of Native American Studies, University of California at Davis "Gelles recounts an amazing history of cultural loss and educational marginalization that underscores the significance of the tribe's recent achievements. Chumash Renaissance is unique in the literature from the last twenty-five years of tribal government gaming. This new book will be of interest to tribal leaders and communities, state and federal policy makers, college and high school teachers for their classes, and to a general public interested in learning about the effects of casinos on tribal peoples and their surrounding communities." Katherine Spilde, Endowed Chair of the Sycuan Institute of Tribal Gaming at San Diego State University "Of great importance to libraries, scholars, students, and general public. An excellent work" Clifford Trafzer, Professor of History, Rupert Costo Chair, and Director of the California Center for Native Nations. Indian casinos are extraordinarily controversial. They have brought great wealth to previously impoverished tribes, but they also generate opposition. What effects do casinos really have on indigenous people? How do they really affect the larger community? Chumash Renaissance answers these questions for one California tribe, the Santa Ynez Band of Chumash Indians. Paul H. Gelles examines how successive waves of colonization have impacted Chumash identity and cultural politics in the Santa Ynez Valley today. Exposing the stereotypes and false assumptions made about the tribe, he shows how the Chumash are overcoming cultural suppression and educational marginalization, how culture and education are interwoven in complex ways, and how the tribe has gained power over its cultural patrimony and heritage. Informative and illuminating, Chumash Renaissance provides an on-the-ground look at Chumash cultural renaissance, the opposition faced by the tribe, and the deeper historical currents and changing cultural politics of rural California today.

A central theme of law and society is that people's ideas about law and the decisions they make to mobilize law are shaped by community norms and cultural context. But this was not always an established concept. Among the first empirical pieces to articulate this theory was David Engel's 1984 article, 'The Oven Bird's Song: Insiders, Outsiders, and Personal Injuries in an American Community'. Over thirty years later, this article is now widely considered to be part of the law and society canon. This book argues that Engel's article succeeds so brilliantly because it integrates a wide variety of issues, such as cultural transformation, attitudes about law, dispute processing, legal consciousness, rights mobilization, inclusion and exclusion, and inequality. Contributors to this volume explore the influence of Engel's important work, engaging with the possibilities in its challenging hypotheses and provocative omissions related to the legal system and legal process, class conflict and difference, and law in other cultures.

Water is not only a source of life and culture. It is also a source of power, conflicting interests and identity battles. Rights to materially access, culturally organize and politically control water resources are poorly understood by mainstream scientific approaches and hardly addressed by current normative frameworks. These issues become even more challenging when law and policy-makers and dominant power groups try to grasp, contain and handle them in multicultural societies. The struggles over the uses, meanings and appropriation of water are especially well-illustrated in Andean communities and local water systems of Peru, Chile, Ecuador, and Bolivia, as well as in Native American communities in south-western USA. The problem is that throughout history, these nation-states have attempted to 'civilize' and bring into the mainstream the different cultures and peoples within their borders instead of understanding 'context' and harnessing the strengths and potentials of diversity. This book examines the multi-scale struggles for cultural justice and socio-economic re-distribution that arise as Latin American communities and user federations seek access to water resources and decision-making power regarding their control and management. It is set in the dynamic context of unequal, globalizing power relations, politics of scale and identity, environmental encroachment and the increasing presence of extractive industries that are creating additional pressures on local livelihoods. While much of the focus of the book is on the Andean Region, a number of comparative chapters are also included. These address issues such as water rights and defence strategies in neighbouring countries and those of Native American people in the southern USA, as well as state reform and multi-culturalism across Latin and Native America and the use of international standards in struggles for indigenous water rights. This book shows that, against all odds, people are actively contesting neoliberal globalization and water power plays. In doing so, they construct new, hybrid water rights systems, livelihoods, cultures and hydro-political networks, and dynamically challenge the mainstream powers and politics.

The Power of Song explores the music and dance of Franciscan and Jesuit mission communities throughout the entire northern frontier of New Spain. Its purpose is to examine the roles music played: in teaching, evangelization, celebration, and the formation of group identities. There is no other work which looks comprehensively at the music of this region and time period, or which utilizes music as a way to study the cultural interactions between Indians and missionaries.

Doug Bard has been a detective with the sheriff’s department in La Graciosa, California, long enough to know the score. Now that an influx of upscale chain stores and luxury housing has turned sleepy Chumash County into a boom town, the last thing anyone wants is crime casting a shadow over the prosperity. But Bard also knows he’s not the kind of man who can write off a double fatality as a tragic accident—especially when all his instincts tell him it was murder. When a devastating housefire claims the lives of a kindly local retiree and his eleven-year-old piano student, District Attorney Angela Stark wastes no time declaring the blaze a mishap. But the verdict just doesn’t sit right with Bard. Inconclusive but troubling clues—marks on the dead girl’s neck, a strange bootprint on a kicked-in door—are enough to make the veteran detective buck the party line and fight to keep the case open. It’s a stand that puts the renegade Bard at odds yet again with his superiors. Until a suspect surfaces. Placed at the scene of the deadly fire by an eyewitness, Jed Jeremiah is a backwoods loner with a homicide conviction in his past. But even as the sensational murder trial gets under way, the same instincts that told Bard there was foul play afoot now convince him that the wrong man may face the death penalty—and a calculating killer is still at large. Defying the sheriff and the D.A. and putting his job on the line, Bard begins to dig for the truth. What he discovers is a shocking link to his own past—one that will put the people he loves most in deadly jeopardy. From crime scene to courtroom, Lines of Defense unravels a cunningly plotted tale of detection and justice. Michael Connelly has declared, “with Barry Siegel you don’t read a story. You feel it. You live it. And you always want more.” The third novel by the acclaimed author of Actual Innocence and The Perfect Witness brilliantly proves him right, on all counts.

The outpouring of Native American literature that followed the publication of N. Scott Momaday’s Pulitzer Prize–winning House Made of Dawn in 1968 continues unabated. Fiction and poetry, autobiography and discursive writing from such writers as James Welch, Gerald Vizenor, and Leslie Marmon Silko constitute what critic Kenneth Lincoln in 1983 termed the Native American Renaissance. This collection of essays takes the measure of that efflorescence. The contributors scrutinize writers from Momaday to Sherman Alexie, analyzing works by Native women, First Nations Canadian writers, postmodernists, and such theorists as Robert Warrior, Jace Weaver, and Craig Womack. Weaver’s own examination of the development of Native literary criticism since 1968 focuses on Native American literary nationalism. Alan R. Velie turns to the achievement of Momaday to examine the ways Native novelists have influenced one another. Post-renaissance and postmodern writers are discussed in company with newer writers such as Gordon Henry, Jr., and D. L. Birchfield. Critical essays discuss the poetry of Simon Ortiz, Kimberly Blaeser, Diane Glancy, Luci Tapahonso, and Ray A. Young Bear, as well as the life writings of Janet Campbell Hale, Carter Revard, and Jim Barnes. An essay on Native drama examines the work of Hanay Geiogamah, the Native American Theater Ensemble, and Spider Woman Theatre. In the volume’s concluding essay, Kenneth Lincoln reflects on the history of the Native American Renaissance up to and beyond his seminal work, and discusses Native literature’s legacy and future. The essays collected here underscore the vitality of Native American literature and the need for debate on theory and ideology.

Seemingly the most fantastical of television series, Buffy the Vampire Slayer proves on close examination to be firmly rooted in real-world concerns. In this collection of critical essays, 15 authors from several disciplines, including literature, the visual arts, theatre, philosophy, and political science, study ways in which Buffy illuminates viewers' real-life experiences. Topics include the series' complicated portrayals of the relationship between soul, morality, and identity; whether Buffy can truly be described as a feminist icon; stereotypes of Native Americans in the episode "Pangs"; the role of signs in the interaction between Buffy's aesthetics and audience; and the problem of power and underhanded politics in the Buffy universe.

“I am here. You will never be alone. We are dancing for you.” So begins Cutcha Risling Baldy’s deeply personal account of the revitalization of the women’s coming-of-age ceremony for the Hoopa Valley Tribe. At the end of the twentieth century, the tribe’s Flower Dance had not been fully practiced for decades. The women of the tribe, recognizing the critical importance of the tradition, undertook its revitalization using the memories of elders and medicine women and details found in museum archives, anthropological records, and oral histories. Deeply rooted in Indigenous knowledge, Risling Baldy brings us the voices of people transformed by cultural revitalization, including the accounts of young women who have participated in the Flower Dance. Using a framework of Native feminisms, she locates this revival within a broad context of decolonizing praxis and considers how this renaissance of women’s coming-of-age ceremonies confounds ethnographic depictions of Native women; challenges anthropological theories about menstruation, gender, and coming-of-age; and addresses gender inequality and gender violence within Native communities.