Set within a framing narrative, these three stories take place in the years following the Jacobite defeat and feature characters who are leaving Scotland to seek their fortunes elsewhere. In two of Walter Scott's best-known tales, "The Highland Widow" and "The Two Drovers," two young men are torn between traditional Scottish loyalties and the opportunities offered by England. "The Surgeon's Daughter" follows three young Scots to India during the first years of the British Empire. All three highlight Scott's unique gift for re-creating the spirit of historical eras and painting stirring portraits of Scottish people.

On an island in the shape of a teardrop live two sisters. One is admired far and wide, the other lives in her shadow. One is the Oracle, the other is destined for the Underworld. But what will happen when she returns to the island? Based on the Japanese myth of Izanami and Izanagi, The Goddess Chronicle is a fantastical tour de force about ferocious love and bitter revenge. The Myths series brings together some of the world’s finest writers, each of whom has retold a myth in a contemporary and memorable way. Authors in the series include Karen Armstrong, Margaret Atwood, A.S. Byatt, David Grossman, Natsuo Kirino, Alexander McCall Smith, Philip Pullman, Ali Smith and Jeanette Winterson.

A young girl's midnight seance awakens a long-slumbering malevolent spirit . . . A band of runaway orphans ally with an underground collective of saboteurs and plan a daring rescue of their friends, imprisoned in the belly of an industrial wasteland . . . Two old friends draw closer to their goal of bringing together a pair of exiled toymakers in order to reanimate a mechanical boy prince . . . As the fate of Wildwood hangs in the balance. The third book in the Wildwood Chronicles is a rich, moving, and dazzling story, by turns funny and profound. Both Colin Meloy and Carson Ellis are at the height of their gifts with Wildwood Imperium. Praise for the Wildwood Chronicles 'A richly satisfying weave of reality and fantasy.' New York Times Book Review 'Meloy's debut is the kind of delicate, elaborate fantasy that is so well versed in classic Narnian tropes that it is destined to be enthusiastically embraced.' ALA Booklist (starred review) 'Meloy has an immediately recognizable verbal style and creates a fully realized fantasy world. Ellis's illustrations perfectly capture the original world and contribute to the feel of an instant timeless classic.' SLJ (starred review) Meloy's storytelling skills, honed on his epic ballads for the Decemberists, translate well to prose. Ellis's precise, detailed style evokes a folksy charm that is just right for the overgrown natural world of Wildwood and its inhabitants.' The Atlantic

“Engrossing and even at times uplifting, Scott-Heron’s self-portrait grants us insights into one of the most influential African American musicians of his generation.” —Booklist The stunning memoir of Grammy Lifetime Achievement Award winner Gil Scott-Heron, The Last Holiday has been praised for bringing back to life one of the most important voices of the last fifty years. The Last Holiday provides a remarkable glimpse into Scott-Heron’s life and times, from his humble beginnings to becoming one of the most influential artists of his generation. The memoir climaxes with a historic concert tour in which Scott-Heron’s band opened for Stevie Wonder. The Hotter than July tour traveled cross-country from late 1980 through early 1981, drumming up popular support for the creation of Martin Luther King Jr. Day. King’s birthday, January 15, was marked with a massive rally in Washington. A fitting testament to the achievements of an extraordinary man, The Last Holiday provides a moving portrait of Scott-Heron’s relationship with his mother, personal recollections of Stevie Wonder, Bob Marley, John Lennon, Michael Jackson, Clive Davis, and other musical figures, and a compelling narrative vehicle for Scott-Heron’s insights into the music industry, the civil rights movement, governmental hypocrisy, and our wider place in the world. The Last Holiday confirms Scott-Heron as a fearless truth-teller, a powerful artist, and an inspiring observer of his times. “Leave it to Scott-Heron to save some of his best for last. This posthumously published memoir is an elegiac culmination to his musical and literary career. He’s a real writer, a word man, and it is as wriggling and vital in its way as Bob Dylan’s Chronicles: Volume One.” —The New York Times “Even after his death, Scott-Heron continues to mesmerize us in this brilliant and lyrical romp through the fields of his life. . . . [A] captivating memoir.” —Publishers Weekly, starred review

Masterful in its simplicity, Chronicle in Stone is a touching coming-of-age story and a testament to the perseverance of the human spirit. Surrounded by the magic of beautiful women and literature, a boy must endure the deprivations of war as he suffers the hardships of growing up. His sleepy country has just thrown off centuries of tyranny, but new waves of domination inundate his city. Through the boy’s eyes, we see the terrors of World War II as he witnesses fascist invasions, allied bombings, partisan infighting, and the many faces of human cruelty—as well as the simple pleasures of life. Evacuating to the countryside, he expects to find an ideal world full of extraordinary things, but discovers instead an archaic backwater where a severed arm becomes a talisman and deflowered girls mysteriously vanish. Woven between the chapters of the boy’s story are tantalizing fragments of the city’s history. As the devastation mounts, the fragments lose coherence, and we perceive firsthand how the violence of war destroys more than just buildings and bridges.

An old woman is awoken in the dead of night by knocks at her front door. The woman opens it to find her daughter, Doruntine, standing there alone in the darkness. She has been brought home from a distant land by a mysterious rider she claims is her brother Konstandin. But unbeknownst to her, Konstandin has been dead for years. What follows is chain of events which plunges a medieval village into fear and mistrust. Who is the ghost rider?

Whilst these records were being conceived, rehearsed, recorded and produced, Thom Yorke and Stanley Donwood made hundreds of images. These ranged from obsessive, insomniac scrawls in biro to six-foot-square painted canvases, from scissors-and-glue collages to immense digital landscapes. They utilised every medium they could find, from sticks and knives to the emerging digital technologies. The work chronicles their obsessions at the time: minotaurs, genocide, maps, globalisation, monsters, pylons, dams, volcanoes, locusts, lightning, helicopters, Hiroshima, show homes and ring roads. What emerges is a deeply strange portrait of the years at the commencement of this century. A time that seems an age ago - but so much remains the same.