Semi-autobiographical account of the Japanese American social scene in Los Angeles during the mid '60s through the 1970s. A nostalgic account of the people, places and events that helped shape this era for Sansei (third generation Japanese Americans).

Asserting that hip hop culture has become another locus of postmodernity, Osumare explores the intricacies of this phenomenon from the beginning of the Twenty-First century, tracing the aesthetic and socio-political path of the currency of hip hop across the globe.

Beginning in 1990, thousands of Spanish speakers emigrated to Japan. A Cultural History of Spanish Speakers in Japan focuses on the intellectuals, literature, translations, festivals, cultural associations, music (bolero, tropical music, and pop, including reggaeton), dance (flamenco, tango and salsa), radio, newspapers, magazines, libraries, and blogs produced in Spanish, in Japan, by Latin Americans and Spaniards who have lived in that country over the last three decades. Based on in-depth research in archives throughout the country as well as field work including several interviews, Japanese-speaking Mexican scholar Araceli Tinajero uncovers a transnational, contemporary cultural history that is not only important for today but for future generations.

New edition! Convenient listing of words arranged alphabetically by rhyming sounds. More than 55,000 entries. Includes one-, two-, and three-syllable rhymes. Fully cross-referenced for ease of use. Based on best-selling Merriam-Webster's Collegiate® Dictionary, Eleventh Edition.

Thanks to directors such as Kitano, Miike and Miyazaki, Japanese cinema has recently undergone something of a resurgence. This title profiles the work of these established film-makers, as well as looking at the creations of new, up-and-coming directors.

Mine Okubo was one of 110,000 people of Japanese descent--nearly two-thirds of them American citizens -- who were rounded up into "protective custody" shortly after Pearl Harbor. Citizen 13660, her memoir of life in relocation centers in California and Utah, was first published in 1946, then reissued by University of Washington Press in 1983 with a new Preface by the author. With 197 pen-and-ink illustrations, and poignantly written text, the book has been a perennial bestseller, and is used in college and university courses across the country. "[Mine Okubo] took her months of life in the concentration camp and made it the material for this amusing, heart-breaking book. . . . The moral is never expressed, but the wry pictures and the scanty words make the reader laugh -- and if he is an American too -- blush." -- Pearl Buck Read more about Mine Okubo in the 2008 UW Press book, Mine Okubo: Following Her Own Road, edited by Greg Robinson and Elena Tajima Creef. http://www.washington.edu/uwpress/search/books/ROBMIN.html

Literary Nonfiction. Photography. Asian & Asian American Studies. ROCKIN' THE BOAT is a photographic journey into the Asian American Movement from 1969 to 1974 by photojournalist Mary Uyematsu Kao. Never-before seen photographs help tell the story of the beginnings of Asian America. From immigrant demonstrations in Chinatown to Japanese American protests against Japanese imperialism in partnership with U.S. imperialism to visiting the Movement in Denver, Chicago, and New York City--ROCKIN' THE BOAT is a reminder that today's struggles are rooted in the history of U.S. imperialism.

"That is what most people don't understand. They think success happens overnight - well I am here to say it doesn't. It truly takes dedication, perseverance, and a love for what you do to make your dreams come true. There were moments of blood, sweat, tears, and feelings of defeat that made these moments all worth it. The struggle led them to find their voice, a league of their own and make history...When you think about lives lived to their fullest, for the Vegas Brothers and Redbone, that would be an understatement. From performing on the #1 rated music show in the 60's titled "Shindig," sold out shows, #1 Singles/Albums, getting their song "We Were All Wounded At Wounded Knee" banned from airplay in the US due to its brutal truth about the 7th Cavalry, to traveling all across the world, and performing at Royal Albert Hall for the Queen herself (and my dad accidentally calling her "Babe"). It wouldn't even begin to describe the untold memories and laughter shared through the years. It is only but a mere taste of what was on their plates from the second they decided their destiny." (From the Foreword by Frankie Vegas)