Money, magic and the theatre were powerful forces in early modern England. Money was acquiring an independent, efficacious agency, as the growth of usury allowed financial signs to reproduce without human intervention. Magic was coming to seem Satanic, as the manipulation of magical signs to performative purposes was criminalized in the great 'witch craze.' And the commercial, public theatre was emerging – to great controversy – as the perfect medium to display, analyse and evaluate the newly autonomous power of representation in its financial, magical and aesthetic forms. Money and Magic in Early Modern Drama is especially timely in the current era of financial deregulation and derivatives, which are just as mysterious and occult in their operations as the germinal finance of 16th-century London. Chapters examine the convergence of money and magic in a wide range of early modern drama, from the anonymous Mankind through Christopher Marlowe to Ben Jonson, concentrating on such plays as The Alchemist, The New Inn and The Staple of News. Several focus on Shakespeare, whose analysis of the relations between finance, witchcraft and theatricality is particularly acute in Timon of Athens, The Comedy of Errors, Antony and Cleopatra and The Winter's Tale.

UMI's "Early English books, 1641-1700" series is a microfilm collection of works selected from: Donald Wing's "Short-title catalog of books ... 1641-1700".

This is a reproduction of the original artefact. Generally these books are created from careful scans of the original. This allows us to preserve the book accurately and present it in the way the author intended. Since the original versions are generally quite old, there may occasionally be certain imperfections within these reproductions. We're happy to make these classics available again for future generations to enjoy!

George Heiman has translated the discussion of classical and early Christian laws of association from the major works by Grotto Gierke, Das deutsche Genossenschaftsrecht. This work complements F.W. Maitland's translation of a later part under the title, The Political Theories of the Middle Ages, and E. Barker's translation of the third part, Natural Law and the Theory of Society, 1500-1800. Professor Heiman thus has completed the circle in bringing into English the eminent German jurist's historical analysis of the law. Professor Heiman furthermore has introduced the work with substantial, detailed, and scholarly essays on Gierke's work as a whole. He examines and explains Gierke's concept of the group-person and his organic view of the association, society, and the state, and clearly outlines the conflict between individualist Roman and collectivist Germanic law. This introduction provides the first complete analysis in English of the philosophy of a major representative of the school of historical law and a jurist whose thinking is reflected in the general civil code adopted in Germany at the end of the nineteenth century. The book will interest political and social theorists as well as those concerned with jurisprudence and legal philosophy.

Commentators have traditionally constructed Hobbes's thinking on representation too narrowly, as a self-contained area of his political theory. This book challenges this orthodoxy of Hobbes scholarship, which owes less to Hobbes’s thought than to contemporary preconceptions of what counts as political thinking. In her powerful and original analysis, Mónica Brito Vieira mines neglected strands of Hobbes's theory of representation, and reinstates it in a much wider pattern of Hobbes’s theorizing about human thought and action in relation to widely varied images, roles and fictions. The result is a compelling portrait of how man's natural power to form representations through the imagination and artifice underpins his capacity to break away from nature, and fashion a world that best suits his needs.