Lost luggage and a missed train, but who cares? We’re in Spain! Six years ago Noor promised her grandma she would return to Italy, but this time she’s not coming alone. With her fiancé Andy, they’ll celebrate Christmas in Spain, shiver through Switzerland, Austria, Prague and put on costumes for the Carnevale in Venice. And of course, spend time with family and friends in Italy. It will be a magical adventure in a winter wonderland. Well, except for an unwelcome visit from ‘Mr. Flu’ and Venice flooding, but with Andy by her side they’ll have a happy holiday. Most of the time. If you enjoy light-hearted and amusing travel memoirs, then grab your copy today! Christmas Lights and Carnevale is the third book of Noor’s Travel Tales trilogy, but the books in this series can be read on their own and in any order. Want them all? Get all three as an e-book box-set.

This special omnibus edition includes all three of Noor’s light-hearted and amusing travel memoirs. When you’re young, inexperienced and naïve, every trip turns into an adventure full of mishaps and funny moments. If you enjoy travel tales about family and friends, local festivals and foods, then grab this box-set today! Book 1 – Big Cities and Mountain Villages Three months in the Italian Alps makes an idyllic holiday. After a typical tour of Italy, Noor heads north to spend a nice, quiet winter with her Grandma. It’s going to be great. She’ll go for walks and enjoy the fresh mountain air, read by the wood-burning stove and under no circumstances use the chamber pot under the bed. At least, that was the plan. She didn’t plan on running out of money. Or riding on the back of a bicycle, in traffic, with no helmet on. Oh, and there was that one time a giant pig tried to force his way into the kitchen. And there’s so much she’s forgotten about her childhood in Italy – like how the water freezer in the pipes, how cold it is using the outdoor toilet and how the Church bells ring every hour of the day and night. But, it’s all part of the fun when you’re living in a five hundred year old house in a mountain village. Between day trips to ancient festivals, exploring neighbouring cities and being smuggled into her friend’s school, Noor will need a holiday to recover from her holiday. Book 2 - Falafels and Bedouins It was supposed to be a stress-free holiday... A chance to see Israel's beauty and Petra's magnificence on a normal, safe group tour. That’s what Noor thought she was signing up for… but no one told her about passport officers on a power trip. Or about grumpy bus drivers leaving tourists behind. And then, that important detail about border crossing the travel agent forgot to mention. Will this adventure be more than Noor can handle? Book 3 - Christmas Lights and Carnevale Lost luggage and a missed train, but who cares? We’re in Spain! Six years ago Noor promised her grandma she would return to Italy, but this time she’s not coming alone. With her fiancé Andy, they’ll celebrate Christmas in Spain, shiver through Switzerland, Austria, Prague and put on costumes for the Carnevale in Venice. And of course, spend time with family and friends in Italy. It will be a magical adventure in a winter wonderland. Well, except for an unwelcome visit from ‘Mr. Flu’ and Venice flooding, but with Andy by her side they’ll have a happy holiday. Most of the time.

It was supposed to be a stress-free holiday... A chance to see Israel's beauty and Petra's magnificence on a normal, safe group tour. That’s what Noor thought she was signing up for… but no one told her about passport officers on a power trip. Or about grumpy bus drivers leaving tourists behind. And then, that important detail about border crossing the travel agent forgot to mention. Will this adventure be more than Noor can handle? This is a light-hearted memoir of an inexperienced traveller on a typical tour of Israel and Jordan. If you enjoy travel tales about friendly locals and fabulous falafels, then grab your copy today! Falafels and Bedouins is the second book of Noor’s Travel Tales trilogy, but the books in this series can be read on their own and in any order. Want them all? Get all three as an e-book box-set.

Minnesota Book Awards 2022 -- Finalist in Novel & Short Story "Fluid in time and place, Carnival Lights flows between one past and another, offering a heartbreaking portrait of multigenerational trauma in the lives of one Ojibwe family. This tapestry of stories is beautifully woven and gut-wrenching in its effect. Read it, and it may change you forever." -- William Kent Krueger, New York Times Bestselling author Blending fiction and fact, Carnival Lights ranges from reverie to nightmare and back again in a lyrical yet unflinching story of an Ojibwe family's struggle to hold onto their land, their culture, and each other. Carnival Lights is a timely book for a country in need of deep healing. In August 1969, two teenage Ojibwe cousins, Sher and Kris, leave their northern Minnesota reservation for the lights of Minneapolis. The girls arrive in the city with only $12, their grandfather's WWII pack, two stainless steel cups, some face makeup, gum, and a lighter. But it's the ancestral connections they are also carrying - to the land and trees, to their family and culture, to love and loss - that shapes their journey most. As they search for work, they cross paths with a gay Jewish boy, homeless white and Indian women, and men on the prowl for runaways. Making their way to the Minnesota State Fair, the Indian girls try to escape a fate set in motion centuries earlier. Set in a summer of hippie Vietnam War protests and the moon landing, Carnival Lights also spans settler arrival in the 1800s, the creation of the reservation system, and decades of cultural suppression, connecting everything from lumber barons' mansions to Nazi V-2 rockets to smuggler's tunnels in creating a narrative history of Minnesota. "Fluid in time and place, Carnival Lights flows between one past and another, offering a heartbreaking portrait of multigenerational trauma in the lives of one Ojibwe family, this tapestry of stories is beautifully woven and gut-wrenching in its effect. Read it, and it may change you forever." -- William Kent Krueger, New York Times Best Selling Author "Chris Stark's newest novel explores the evolution of violence experienced by Native women. Simultaneously graphic and gentle, Carnival Lights takes the reader on a daunting journey through generations of trauma, crafting characters that are both vulnerable and resilient." -- Sarah Deer, (Mvskoke), Distinguished Professor, University of Kansas, MacArthur Genius Award Recipient "Carnival Lights is a heartbreaking wonder of gorgeous prose and urgent story. It propels the reader at a breathless pace as history crashes down on the readers as much as it does on the book's vivid characters. The author's brilliant heart restores their dignity and via the realm of imagination, brings them home." -- Mona Susan Power, author of The Grass Dancer, a PEN/Hemingway Winner "It's not every day that one is given an inimitable gift of truth. Carnival Lights is that gift. The history books that we've all read throughout time were purposely devoid of the realities of decades of Native genocide, attempts to eradicate our culture, and the horrendous effects of the boarding school era-trauma that continues to permeate the American Indian communities today. Carnival Lights is an opportune story of how two young girls navigate these lived experiences and provides a veracity that will reach deep into your heart, creating a newfound reflection of the actualities of this historical trauma. Chris Stark, a skilled narrative artist, once again engenders storytelling that ingeniously weaves multi-generational authenticities for not only the Native communities, but also as reflected for so many others. It's time for all of us to embrace this gift of truth." -- Deb Foster, Anishinaabe, MS-MFT Executive Director for the Ain Dah Yung Center, a meeting place for American Indian homeless youth and families "There are so many moods and story currents running through this wonder of a novel that I can attribute to individual women whose lives experiences run parallel to Stark's many characters. The two female adolescences in this novel take us to high and low heights, just like a carnival ride. It's overwhelming, irrational and dangerous, and there is no one to help, just as it has been for Indigenous people from the moment colonizers stepped foot on this continent of Turtle Island. Carnival Lights is powerful storytelling. Indigenous ancestors are persistently returning, so as not to be forgotten in death and memory, and Stark puts the reader right in the center of their pain and struggles." -- Mary K. Kunesh, Minnesota Senator, Standing Rock Lakota descendant, chair of Minnesota Missing and Murdered Indigenous Women taskforce "Carnival Lights is a powerful story of resilience, an emotional rollercoaster ride and an expression of the raw truth of multigenerational trauma. Sher, a lesbian and protector, or what we call 'two-spirit, ' is particularly connected with the old ways." -- Lenny Hayes, Sisseton-Wahpeton Oyate, and Two-Spirit activist "Chris Stark weaves Native spirituality throughout Carnival Lights from the 1960s, before the Religious Freedom Act of 1978. We will lay under a fern, waiting for a drop of water to fall from the tip of the leaf with Em, feel the freedom of fleeing abuse with Kris and get to know the protector Sher who watches over Kris like a wolf. Carnival Lights reminds us that we are not alone, and we are watched over by ones we would have never known or seen if it were not for this desperate moment we are in right now. Chris Stark reminds us how important our teachings are, how our memories can comfort us in our darkest hour when we need it the most. Chris draws us into the inspiration and comfort provided to the characters at times guiding their next move." -- Babette Sandman, Ojibwe elder, White Earth Nation enrolled citizen living in Duluth "Chris Stark has done a beautiful job of incorporating this story of cousins; Sher and Kristin, within a historical and cultural narrative. The trauma that they experience is a familiar tale for many of us. I did not just read this story.... I felt this story and I journeyed with Sher and Kristin in all directions, and through many emotions. The connection to the story of Native women today is clear and brilliantly written. Chi miigwetch, Chris!" -- Nicole Matthews, ED of Minnesota Indian Women's Sexual Assault Coalition, White Earth Anishinaabe Learn more at www.ChristineStark.com From Modern History Press

Now in its 62nd year, 'Theatre World' provides a complete statistical and pictorial record of the Broadway and off-Broadway theatre season. Each entry includes complete cast lists, producers and directors, authors and composers, opening dates, plot synopses, and biographical information.

Just because my childhood home is now a parking lot doesn't mean I don't remember my "growing-up years." Neither does the parking lot erase the history of my family and their parent's struggles as immigrants. We all want to fondly recall the halcyon days of our youth, but I will only be able to visit "the place I grew up" through the pages of this book. Find the history and the stories of what my childhood life was like before the age of "Parking Lots."

The third title in the series, Plume: Festival Seeker is the most gorgeous children's picture book celebrating – what else? – celebrations! Throughout the year, the world is plump with astonishing festivals and Plume loves them all! Journey alongside this adventurous, colour-loving penguin as he jumps aboard the Albatross Express to enjoy a range of enchanting events across the globe. Stare in wonder at the Up Helly Aa fire festival in Scotland and the freaky Day of Masquerade in Costa Rica. Get messy at the squelchy Boryeong Mud Festival in South Korea or La Tomatina tomato battle in Spain. Scatter a rainbow of colour during Holi in India or enjoy a celebration of gifts, sweets and kindness at Eid al-Fitr in Algeria. A year of wonder and excitement culminates in Plume’s favourite festival of them all – Christmas! Will his reluctant penguin friends join him for the celebrations?

In the 1993 edition, I considered black madonnas a metaphor for a memory of the time when the earth was belived to be the body of woman and all creatures were equal, a memory transmitted in vernacular traditions of earth-bounded cultures, historically expressed in cultural and poltical resistance, and glimpsed today in movements aiming for transformation. Sine then my understanding of black madonnas has been deepened by genetics finding that the orgin of modern humans is Africa, that migrations from Africa carried a primordial belief in a dar woman divinity to all continents. Black madonnas and other dark women of the world suggest a metaphor for healing millennial divisions of gender and race and concerted movements for justice.

Who Runs the Artworld: Money, Power and Ethics examines the economics and mythologies of today s global artworld. It unmasks the complex web of relationships that now exist among high-profile curators, collectors, museum trustees and corporate sponsors, and the historic and ongoing complicity between the art and money markets. The book examines alternative models being deployed by curators and artists influenced by the 2008 global financial crisis and the international socio-political Occupy movement, with a particular focus on a renewed activism by artists. This activism is coupled with an institutional and social critique led by groups such as Liberate Tate, the Precarious Workers Brigade and Strike Debt. Who Runs the Artworld: Money, Power and Ethics brings together a diverse range of thinkers who draw on the disciplines of art theory, social sciences and cultural economics, and curatorship and the lived experience of artists. The contributors to this book are, in their respective contexts, working at the forefront of these compelling issues.