"The origins of Christmas lie in an Egyptian festival on 6 January, which spread to much of the Christian world as a celebration of the birth and/or baptism of Christ and known as the Epiphany or Theophany. The church at Rome did not adopt this festival but later instituted a celebration of the nativity of Christ on 25 December, which gradually supplanted its observance on 6 January in other churches, leaving this latter occasion as a commemoration of Christ's baptism alone, or of the visit of the Magi in those churches like Rome that had not observed that date previously. This essay traces that evolution and examines the merits of the two competing scholarly theories that have sought to explain the original choice of these particular dates"--

Chart data compiled from Billboard's singles & albums charts.

The amazing story behind the classic Christmas character

Santa Claus is in trouble! Who will save Christmas? This A-to-Z guide to holiday films, television movies and series specials provides cast, credits, production information and commentary for 228 cinema Christmases that were almost ruined by villains, monsters, spirits, secularism, greed, misanthropy or elf error--but were saved by helpful animals, magic snowmen, selfless children or compassionate understanding. Reviews and references are included.

From the manger of Jesus Christ to the 21st century, this encyclopedia explores more than 2,000 years of Christmas past and present through 966 entries packed with a wide variety of historical and pop-culture subjects. Entries detail customs and traditions from around the world as well as classic Christmas movies, TV series/specials and animated cartoons. Arranged alphabetically by entry name, the book includes the historical background of popular sacred and secular songs as well as accounts of beloved literary works with Christmas themes from such noted authors as Charles Dickens, Louisa May Alcott, Hans Christian Andersen, Pearl Buck, Henry Van Dyke and others. All things Christmas are available here in one comprehensive volume.

In its 114th year, Billboard remains the world's premier weekly music publication and a diverse digital, events, brand, content and data licensing platform. Billboard publishes the most trusted charts and offers unrivaled reporting about the latest music, video, gaming, media, digital and mobile entertainment issues and trends.

In its 114th year, Billboard remains the world's premier weekly music publication and a diverse digital, events, brand, content and data licensing platform. Billboard publishes the most trusted charts and offers unrivaled reporting about the latest music, video, gaming, media, digital and mobile entertainment issues and trends.

When Bing Crosby’s "White Christmas" debuted in 1942, no one imagined that a holiday song would top the charts year after year. One of the best-selling singles ever released, it remains on rotation at tree lighting ceremonies across the country, in crowded shopping malls on Black Friday, and at warm diners on lonely Christmas Eve nights. Over the years, other favorites have been added to America’s annual playlist, including Elvis Presley’s "Blue Christmas," the King Cole Trio’s "The Christmas Song," Gene Autry’s "Rudolph the Red-Nosed Reindeer," Willie Nelson’s "Pretty Paper," and, of course, Elmo & Patsy’s "Grandma Got Run Over by a Reindeer." Viewing American holiday values through the filter of familiar Christmas songs, Ronald Lankford examines popular culture, consumerism, and the dynamics of the traditional American family. He surveys more than seventy-five years of songs and reveals that the “modern American Christmas” has carried a complex and sometimes contradictory set of meanings. Interpreting tunes against the backdrop of the eras in which they were first released, he identifies the repeated themes of nostalgia, commerce, holiday blues, carnival, and travesty that underscore so much beloved music. This first full-length analysis of the lyrics, images, and commercial forces inextricably linked to Yuletide music hits the heart of what many Americans think Christmas is--or should be.

Smile is not merely a great unfinished album, but a living work of art that is all at once expansive, indeterminate, and resolutely pop. In the early 1960s, The Beach Boys rose from the suburbs of Hawthorne, California to become emissaries of a post-war American dream that fused middle-class aspiration and mobility with images of youth. Led by dream master Brian Wilson, their music gave voice to a Southern California mythos and compelled an audience across the nation and beyond to live out their own versions of the fantasy. By 1966, the encroaching counterculture added new dimensions of creative possibility to popular music. Looking to revise and expand, Brian Wilson sought collaboration with a brilliant musician named Van Dyke Parks. Together they began work on Smile, an ambitious album of music that refracted The Beach Boys' naïveté into a visionary exploration of American consciousness. Smile edged so close to greatness it seemed destined to become one of the most significant musical advances of its time. But the story didn't end quite like this. In this book of evocative essays, Sanchez traces the musical journey that transformed The Beach Boys from West Coast surf heroes into America's pop luminaries, and ultimately why Smile represents a tumultuous turning point in the history of popular music.