The poetry of Christina Rossetti is often described as ‘gothic' and yet this term has rarely been examined in the specific case of Rossetti's work. Based on new readings of the full range of her writings, from ‘Goblin Market' to the devotional poems and prose works, this book explores Rossetti's use of Gothic forms and images to consider her as a Gothic writer. Christina Rossetti's Gothic analyses the poet's use of the grotesque and the spectral and the Christian roots and Pre-Raphaelite influences of Rossetti's deployment of Gothic tropes.

Original working manuscript of Swinburne's poem "The garden of Proserpine". Bound with the manuscript pages are a printed version of the poem from an unknown published edition (pages numbered 189-192). Formerly owned by the book collector and literary forger Harry Buxton Forman. A note from Forman is written on a blank leaf preceding the manuscript: The Garden of Proserpine, perhaps the loveliest lyric poem Swinburne ever wrote, was set up from this autograph manuscript when the poem took its place in the renowned volume known as Poems and Ballads, issued in the Autumn of 1866, immediately withdrawn under pressure by Mr. Moxon, and speedily re-issued by John Camden Hotten. The calligraphy is more characteristic than excellent. The cancellings and changes, however, are of considerable interest.

Frame narratives--stories within stories--are featured in nearly every canonical Gothic novel. Sometimes dismissed as a shopworn convention of the genre, frame narratives in fact function as a dynamic basis for imaginative variation and are vital to evaluating the diverse Gothic tradition. The juxtaposition between the everyday "frame world" of the story and the disturbing embedded narrative allows the monstrous to escape textual confines, forcing the reader to experience the reassurance of the ordinary alongside the horror of the uncanny.

Developing a perspective on Victorian culture as the breeding ground for early theories of the psyche, this title offers a reading of the Victorian siblings' literature and visual arts. It views poems and artworks such as Christina Rossetti's "Goblin Market" and Dante Gabriel Rossetti's "The Blessed Damozel" and "Venus Verticordia."

Poetry of Dante Gabriel Rossetti crowns this outstanding collection: highlights include "The Blessed Damozel," "My Sister's Sleep," and selections from The House of Life. Also includes Christina Rossetti's "Remember," "Cousin Kate," and "Song," plus Swinburne, and more

Christina Rossetti’s famous narrative poem is a gothic fantasy, dangling two young sisters before sin and death. The lyrical masterpiece is brought to life with haunting illustrations by Arthur Rackham. Lizzie and Laura are best friends as well as sisters. They love each other dearly, and nothing can come between them. But when Laura falls victim to temptation and is persuaded to eat the fruit a grotesque group of goblins offer her, the sisters’ relationship is tested. Will Lizzie be able to save Laura from a tragic end? With themes of morality, sin, and redemption, Goblin Market is one of Christina Rossetti’s most popular pieces, first published in 1862. The wonderful poem is accompanied by haunting, dream-like illustrations by Golden Age Illustrator Arthur Rackham. His unique style refines and elucidates Rossetti’s masterful poetry.