This is the second volume of a series of three, containing seventeen essays of altogether forty-three articles based on the topics of the interdisciplinary conference held on "Demons, spirits, and witches" in Budapest. Recognized historians, ethnologists, folklorists coming from four continents present the latest research findings on the relationship, coexistence and conflicts of popular belief systems, Judeo-Christian mythology and demonology in medieval and modern Europe. After a first volume, published in 2005, on "Communicating with the Spirits", the studies in the present volume examine the manifold interchanges between learned and popular culture, and its repercussions on magical belief-system and the changing figure of the witch. Book jacket.

This exhaustive volume catalogs nearly three thousand demons in the mythologies and lore of virtually every ancient society and most religions. From Aamon, the demon of life and reproduction with the head of a serpent and the body of a wolf in Christian demonology, to Zu, the half-man, half-bird personification of the southern wind and thunder clouds in Sumero-Akkadian mythology, entries offer descriptions of each demon's origins, appearance and cultural significance. Also included are descriptions of the demonic and diabolical members making up the hierarchy of Hell and the numerous species of demons that, according to various folklores, mythologies, and religions, populate the earth and plague mankind. Very thoroughly indexed.

This third, concluding volume of the series publishes 14 studies and the transcription of a round-table discussion on Carlo Ginzburg's Ecstasies. The themes of the previous two volumes, Communicating with the Spirits, and Christian Demonology and Popular Mythology, are further expanded here both as regards their interdisciplinary approach and the wide range of regional comparisons. While the emphasis of the second volume was on current popular belief and folklore as seen in the context of the historical sources on demonology, this volume approaches its subject from the point of view of historical anthropology. The greatest recent advances of witchcraft research occurred recently in two fields: (1) deciphering the variety of myths and the complexity of historical processes which lead to the formation of the witches' Sabbath, (2) the micro-historical analysis of the social, religious, legal and cultural milieu where witchcraft accusations and persecutions developed. These two themes are completed by some further insights into the folklore of the concerned regions which still carries the traces of the traumatic historical memories of witchcraft persecutions.

Focuses on the problem of communication with the other world: the phenomenon of spirit possession and its changing historical interpretations, the imaginary schemes elaborated for giving accounts of the journeys to the other world, for communicating with the dead, and finally the historical archetypes of this kind of religious manifestation—trance prophecy, divination, and shamanism.Recognized historians and ethnologists analyze the relationship, coexistence and conflicts of popular belief systems, Judeo-Christian mythology and demonology in medieval and modern Europe. The essays address links between rites and beliefs, folklore and literature; the legacy of various pre-Christian mythologies; the syncretic forms of ancient, medieval and modern belief- and rite-systems; "pure" examples from religious-ethnological research outside Europe to elucidate European problems.

Scientific approach to esoteric and mystical themes.

In its interpretation of Latin and Greek culture, Christianity contends that Satan is behind all classical deities, demi-gods, and spiritual creatures, including the gods of the household, the lares and penates. But Armando Maggi, an expert in Renaissance demonology, argues throughout In the Company of Demons that the great thinkers of the Italian Renaissance had a more nuanced and perhaps less sinister interpretation of these creatures or spiritual bodies. Through close readings of Giovan Francesco Pico della Mirandola, Strozzi Cigogna, Pompeo della Barba, Ludovico Sinistrari, and others, Mag.

Christians are fighting a spiritual war against an enemy whose power most don't understand. Can a demon dwell in a Christian? Possess him? With scholarly wisdom and pastoral urgency, Dr. Unger challenges apathy and misunderstanding with concrete biblical answers. Facts, not sensationalism.

This book examines the fairies, demons, and nature spirits haunting the margins of Christendom from late-antique Egypt to early modern Scotland to contemporary Amazonia. Contributions from anthropologists, folklorists, historians and religionists explore Christian strategies of encompassment and marginalization, and the ‘small gods’ undisciplined tendency to evade such efforts at exorcism. Lurking in forest or fairy-mound, chuckling in dark corners of the home or of the demoniac’s body, the small gods both define and disturb the borders of a religion that is endlessly syncretistic and in endless, active denial of its own syncretism. The book will be of interest to students of folklore, indigenous Christianity, the history of science, and comparative religion.

This sumptuously illustrated volume analyzes artists' representations of angels and demons and heaven and hell from the Judeo-Christian tradition and describes how these artistic portrayals evolved over time. As with other books in the Guide to Imagery series, the goal of this volume is to help contemporary art enthusiasts decode the symbolic meanings in the great masterworks of Western Art. The first chapter traces the development of images of the Creation and the Afterworld from descriptions of them in the Scriptures through their evolution in later literary and philosophical works. The following two chapters examine artists' depictions of the two paths that humans may take, the path of evil or the path of salvation, and the punishments or rewards found on each. A chapter on the Judgment Day and the end of the world explores portrayals of the mysterious worlds between life and death and in the afterlife. Finally, the author looks at images of angelic and demonic beings themselves and how they came to be portrayed with the physical attributes--wings, halos, horns, and cloven hooves--with which we are now so familiar. Thoroughly researched by and expert in the field of iconography, Angels and Demons in Art will delight readers with an interest in art or religious symbolism.

A noted author and activist brings his critical acumen and rhetorical skills to bear in this polemic against the dark side of religion. Unlike some popular works by stridently outspoken atheists, this is not a blanket condemnation of all believers. Rather the author's focus is the heartless exploitation of faithful followers by those in power, as well as sectarian intolerance, the violence against heretics and nonbelievers, and the reactionary political and economic collusion that has often prevailed between the upper echelons of church and state. Parenti notes the deleterious effects of past theocracies and the threat to our freedoms posed by present-day fundamentalists and theocratic reactionaries. He discusses how socially conscious and egalitarian minded liberal religionists have often been isolated and marginalized by their more conservative (and better financed) coreligionists. Finally, he documents the growing strength of secular freethinkers who are doing battle against the intolerant theocratic usurpers in public life. Historically anchored yet sharply focused on the contemporary scene, this eloquent indictment of religion’s dangers will be welcomed by committed secular laypersons and progressive religionists alike.