This book in memory of F. Donald Logan explores different aspects of Christian culture and society in England from the twelfth to the sixteenth century. Although this period has traditionally been interpreted in terms of decline and decay, this excessively gloomy picture has slowly given way over the last eighty years or so to a more positive view of Christian civilization during these centuries. The twenty-two studies brought together here seek to build on this ongoing reassessment of Later Catholic England, especially in those areas in which Professor Logan himself had done so much to deepen our understanding of Christian English society. Contributors are: Travis Baker, Caroline Barron, Nicholas Bennett, Barbara Bombi, Paul Brand, Janet Burton, James G. Clark, Karen Corsano, Virginia Davis, Charles Donahue Jr, Anne J. Duggan, Joan Greatrex, Diana Greenway, Michael Haren, R.H. Helmholz, Philippa Hoskin, Henry Ansgar Kelly, Frederik Pedersen, Seymour Phillips, Michael J.P. Robson, Jens Röhrkasten, Jane Sayers, R.N. Swanson, Daniel Williman, and Patrick Zutshi.

During the twentieth century, Britain turned from one of the most deeply religious nations of the world into one of the most secularised nations. This book provides a comprehensive account of religion in British society and culture between 1900 and 2000. It traces how Christian Puritanism and respectability framed the people amidst world wars, economic depressions, and social protest, and how until the 1950s religious revivals fostered mass enthusiasm. It then examines the sudden and dramatic changes seen in the 1960’s and the appearance of religious militancy in the 1980s and 1990s. With a focus on the themes of faith cultures, secularisation, religious militancy and the spiritual revolution of the New Age, this book uses people’s own experiences and the stories of the churches to display the diversity and richness of British religion. Suitable for undergraduate students studying modern British history, church history and sociology of religion.

This is a thorough sourcebook covering the interplay between religion, politics, society and popular culture in the Tudor and Stuart periods. It covers the crucial topics of the Reformation through narratives, reports, and parliamentary proceedings.

The values and institutions of the Christian Church remained massively dominant in early modern English society and culture, but its theology, liturgy and unity were increasingly disputed. The period was overall one of institutional conformity and individual diversity: the centrality of Christian religion was universally acknowledged; yet the nature of religion and of religious observance in England changed dramatically during the Reformation, Renaissance, and Restoration. Further, because English culture was still biblical and English society was still religious, the state involved itself in ecclesiastical matters to an extraordinary extent. Successive political and ecclesiastical administrations were committed to helping each other, but their attempts to mould religious beliefs and customs were effectively attempts to modify English culture. Church and state were complementary, yet because they were ultimately distinct estates, they could work only, at best, uneasily in partnership with each other. Cultural output is thus an ideal lens for examining this period of tension in the church, state and society of England. The case studies contained in this volume examine the intersection of politics, religion and society over the entire early modern period, through distinct examples of cultural texts produced and cultural practices followed.

A thorough sourcebook and accessible student text covering the interplay between religion, politics, society and popular culture in the Tudor and Stuart periods. `An excellent and imaginative collection.' - Diarmaid MacCulloch

Seventeen distinguished historians of early modern Britain pay tribute to an outstanding scholar and teacher, presenting reviews of major areas of debate.

The later Stuart Church, 1660-1714 features nine essays written by leading scholars in the field and offers new insights into the place of the Church of England within the volatile Restoration era, complementing recent research into political and intellectual culture under the later Stuarts. Sections on ideas and people include essays covering the royal supremacy, the theology of the later Stuart Church and clerical and lay interests. Attention is also given to how the Church of England interacted with Protestant churches in Scotland, Ireland, continental Europe and colonial North America. A concluding section examines the difficult relationships and creative tensions between the established Church in England, Protestant dissenters, and Roman Catholics. The later Stuart Church is intended to be both accessible for students and thought-provoking for scholars within the broad early modern field.

In early Victorian England there was intense interest in understanding the early Church as an inspiration for contemporary sanctity. This was manifested in a surge in archaeological inquiry and also in the construction of new churches using medieval models. Some Anglicans began to use a much more complicated form of ritual involving vestments, candles, and incense. This "Anglo-Catholic" movement was vehemently opposed by evangelicals and dissenters, who saw this as the vanguard of full-blown "popery." The disputed buildings, objects, and art works were regarded by one side as idolatrous and by the other as sacred and beautiful expressions of devotion. Dominic Janes seeks to understand the fierce passions that were unleashed by the contended practices and artifacts - passions that found expression in litigation, in rowdy demonstrations, and even in physical violence. During this period, Janes observes, the wider culture was preoccupied with the idea of pollution caused by improper sexuality. The Anglo-Catholics had formulated a spiritual ethic that linked goodness and beauty. Their opponents saw this visual worship as dangerously sensual. In effect, this sacred material culture was seen as a sexual fetish. The origins of this understanding, Janes shows, lay in radical circles, often in the context of the production of anti-Catholic pornography which titillated with the contemplation of images of licentious priests, nuns, and monks.

The period known as the fin de siecle - defined in this groundbreaking book as chiefly the period between1885 and 1901 - was a fluid and unsettling epoch of optimism and pessimism, endings and beginnings, aswell as of new forms of creativity and anxiety. The end of the century has attracted much interest from scholars of literary and cultural studies, who regard it as a critical moment in the history of their disciplines; but it has been relatively ignored by religious historians. Frances Knight here sets right that neglect. She shows how late Victorian society (often said to be one of the most intensely Christian cultures the world has ever seen) reacted to the bold agendas being set by the thinkers of the fin de siecle; and how prominent Church figures during the era first identified many of the concerns that have preoccupied Christians latterly. These include an active interest in social justice and the creation of new types of communities; increasingly open discussion of the sexual exploitation of children; debates about society's 'decadence'; new ideas about the role of women; and the belief in the redemptive powers of art, pioneered by figures as diverse as P.T. Forsyth, Percy Dearmer and Samuel and Henrietta Barnett.Examining in particular the Christian world of fin de siecle London, the author offers penetrating insights intoa society in which the ritual and culture of Christianity sometimes permeated the aesthetic movement andwhere devotees of the aesthetic movement - like Walter Pater, Oscar Wilde and their disciples - often revealed a fascination with Christianity. She argues that the 'long 1890s' was a decisive decade in which various sections of Christian opinion, both on the progressive and the more conservative wings of the faith, began to express views which set the tone for attitudes which would become commonplace in the twentieth century. Victorian Christianity at the Fin de Siecle is the focussed treatment of religion and culture at the end of the nineteenth century that the field has long needed. It will be welcomed by scholars of church history, social and cultural history and the history of ideas.

In The Christian Society, one of the great Christian commentators of the twentieth century describes how the Church came to be a society. The past relationship between the missionary church and the pagan cultures it replaced is discussed alongside more recent delicate ecumenical relationships and the ongoing conflict between the church and atheism. Stephen Neill’s perceptiveness as a historian is shown in his masterful summary of the church’s story from the days of Jesus to his own time. Meanwhile, his experience as a missionary and ecumenist comes to the fore as he demonstrates how the unity of the church is integral to its place in modern society, and its power to create a society. Throughout, his approach is empirical, and he considers ‘all who have claimed the Christian name, without making preliminary judgements as to their orthodoxy or their standing within the general body of Christian people.’ The result is a comprehensive depiction of Christianity as a social phenomenon that is as relevant today as when it was written.