A middle-aged, out-of-shape spellsinger yearns for one last great adventure, in this rollicking fantasy by the #1 New York Times–bestselling author. Jon-Tom and Mudge are bored. Their adventuring days long behind them, the spellsinger and his once-thieving otter sidekick have settled into a life of tepid domesticity, and they are sick of it. They hunger for an old-fashioned adventure, but there are no more great evils to combat. And so they decide to follow the music. Literally. A drifting cloud of lost chords has taken to floating around Jon-Tom, and following it puts them on the trail of an evil that terrifies the spellsinger. Something is stealing music. Finding out who, and why, is responsible for the silencing of the instruments will put Jon-Tom and Mudge into great peril, at the hands of a selfish elephant, a greedy black bear, and a whirlpool with a filthy sense of humor. Seeking adventure, they’ve stumbled into one turn that may turn out to be their last.

Harry B. Smith was the most prolific writer for the American musical theatre in history, working with every major American composer between 1880 and 1920. This examination of his work is thus highly instructive of the history of the American musical.

The attack on Nancy Kerrigan at the 1994 U.S. Figure Skating Championships set the stage for a Winter Olympics spectacle: Tonya versus Nancy. Women on Ice collects the writings of a diverse group of feminists who address and question our national obsession with Tonya and Nancy and what this tells us about perceptions of women in twentieth century America.

In its 114th year, Billboard remains the world's premier weekly music publication and a diverse digital, events, brand, content and data licensing platform. Billboard publishes the most trusted charts and offers unrivaled reporting about the latest music, video, gaming, media, digital and mobile entertainment issues and trends.

Detective Angel Cardenas polices the crime-ridden US-Mexico borderlands in five futuristic stories from the New York Times–bestselling author. A century in the future, greed flourishes on the Montezuma Strip, a string of high-tech that follows the old and frayed USA-Mexico border stretching from the Pacific to the Gulf of Mexico. First World technology meets Third World cheap labor, while both the rich and the poor fall into the widening chasm between them. In five stories set among the chaos, Tex-Mex cop Angel Cardenas puts his intuit ability to good use as a living lie-detector. After being blinded on the job and then having his sight restored with an optic nerve transplant, Cardenas uses his heightened intuition to get to the truth, whether it’s figuring out how two genius software designers were killed—with no visible causes of death—in “Sanctuary” or stopping a deadly heavenly vision (that could be a military-ware tactile projection) in “Our Lady of the Machine.” In three more stories—“Heartwired,” “Gagrito,” and “Hellado”—Cardenas learns that in a land where everything and everyone can be bought and sold, even justice has a price. Praise for Alan Dean Foster “A master storyteller.” —SF Site “One of the most consistently and fertile writers of science fiction and fantasy.” —The Times (London)

The New York Times–bestselling author creates “a fascinating amalgam of sf/detective fiction and Native American lore” (Library Journal). A wealthy industrialist and folk art collector is murdered in his home and left beneath where a painting had been hanging. But theft is not the motive. The artwork—a Navajo sandpainting—has been completed pulverized. And no blood was found at the scene. Assigned to the case is bulldog detective Vernon Moody—sent to Arizona to investigate. It’s an unfamiliar environment for the born-and-bred southerner: dry air, altitude, and a booming economy spurred by high-tech manufacturing on the reservations. Still ancient superstitions linger, suggesting a motive for the crime. There is magic in traditional sandpaintings—a power that, when paired with technology, could unleash forces beyond human control . . . Praise for Alan Dean Foster “A master storyteller.” —SF Site “One of the most consistently and fertile writers of science fiction and fantasy.” —The Times (London)