In the title story of this collection, Isabela is minding her family’s restaurant, drinking her dad’s beer, when Frida Kahlo and the Virgen de Guadalupe walk in. Even though they’re dressed like cholas, the girl immediately recognizes Frida’s uni-brow and La Virgen’s crown. They want to give her advice about the quinceanera her parents are forcing on her. In fact, their lecture (don’t get pregnant, go to school, be proud of your indigenous roots) helps Isabela to escape her parents’ physical and sexual abuse. But can she really run away from the self-hatred they’ve created? These inter-related stories, mostly set in East Los Angeles, uncover the lives of a conflicted Mexican-American community. In “Sabado Gigante,” Bernardo drinks himself into a stupor every Saturday night. “Aqui no es mi tierra,” he cries, as he tries to ease the sorrow of a life lived far from home. Meanwhile, his son Gustavo struggles with his emerging gay identity and Maritza, the oldest daughter, is expected to cook and clean for her brother, even though they live in East LA, not Guadalajara or Chihuahua. In “Powder Puff,” Mireya spends hours every day applying her make-up, making sure to rub the foundation all the way down her neck so it looks like her natural color. But no matter how much she rubs and rubs, her skin is no lighter. Estella Gonzalez vividly captures her native East LA in these affecting stories about a marginalized people dealing with racism, machismo and poverty. In painful and sometimes humorous scenes, young people try to escape the traditional expectations of their family. Other characters struggle with anger and resentment, often finding innovative ways to exact revenge for slights both real and imagined. Throughout, music—traditional and contemporary—accompanies them in the search for love and acceptance.

The rule of the Chola dynasty in South India between the ninth and thirteenth centuries was a period of unparalleled creativity in Indian art. Known as the Golden Age of Tamil Culture, the Chola period produced dynamic royal personalities who shaped the artistic activity of theirtimes. Art of the Imperial Cholas examines the dynasty's architectural and sculptural achievements, which stand among the masterpieces of India.

When Rajaraja Chola ascended the throne, the land of Tamils entered upon centuries of grandeur. He left behind a stupendous legacy, which has not lost its sheen even after a thousand years. During his regime, we see powerful productive forces at work, newly liberated by the advances made in manufacturing and trade. Through interesting facts and riveting analyses, the reader can vividly experience the tumultuous developments of this perioud. It bring to life the social, political and economic underpinnings of that time - expansion of agriculture, rise of nagarams, maturing of self-governing corporate bodies, phenomenal increase in inland and overseas trade networks, and overall strengthening of the administrative and military apparatus, which would later bring South-east Asia under its influence. Equally important to the stability of the empire was the compelling iconography of Saivism, which this book presents in a sublime and engrossing style. Written by Raghavan Srinivasan, the author of Yugantar, this book recreates the history of a South Indian king and his imperial empire, in a form that would appeal to the academia and the wider public audience alike. "A rousing attempt at piecing together the lives and times of the Tamil country's most remarkable medieval personality, Rajaraja Chola, who despite the rich artistic legacy, plethora of inscriptions and maritime amnbtions, has remained an enigmatic figure." - SHARADA SRINIVASAM, Professor, School of Humanities, National Institute of Advanced Studies.

THE CHOLA DYNASTY MCQ (MULTIPLE CHOICE QUESTIONS) SERVES AS A VALUABLE RESOURCE FOR INDIVIDUALS AIMING TO DEEPEN THEIR UNDERSTANDING OF VARIOUS COMPETITIVE EXAMS, CLASS TESTS, QUIZ COMPETITIONS, AND SIMILAR ASSESSMENTS. WITH ITS EXTENSIVE COLLECTION OF MCQS, THIS BOOK EMPOWERS YOU TO ASSESS YOUR GRASP OF THE SUBJECT MATTER AND YOUR PROFICIENCY LEVEL. BY ENGAGING WITH THESE MULTIPLE-CHOICE QUESTIONS, YOU CAN IMPROVE YOUR KNOWLEDGE OF THE SUBJECT, IDENTIFY AREAS FOR IMPROVEMENT, AND LAY A SOLID FOUNDATION. DIVE INTO THE CHOLA DYNASTY MCQ TO EXPAND YOUR CHOLA DYNASTY KNOWLEDGE AND EXCEL IN QUIZ COMPETITIONS, ACADEMIC STUDIES, OR PROFESSIONAL ENDEAVORS. THE ANSWERS TO THE QUESTIONS ARE PROVIDED AT THE END OF EACH PAGE, MAKING IT EASY FOR PARTICIPANTS TO VERIFY THEIR ANSWERS AND PREPARE EFFECTIVELY.

Tarul Mozhi Varman was the younger son of the king of Thanjavur. Quiet, firm and dependable he won the heart of every person he met. However, it was his hot-headed brother who was heir to the throne. But no one could stand in the way of what destiny had in store for the young prince. By the strangest twists of fate, Arul ascended the throne as Raja Raja Chola and proved to be one of the greatest rulers in the history of medieval India. During his 30-year-reign the Chola empire not only became a formidable maritime power but was also a hub of art and architecture.

The expansion of the Cholas from their base in the Kaveri Delta saw this growing power subdue the kingdoms of southern India, as well as occupy Sri Lanka and the Maldives, by the early eleventh century. It was also during this period that the Cholas initiated links with Song China. Concurrently, the Southeast Asian polity of Sriwijaya had, through its Sumatran and Malayan ports, come to occupy a key position in East-West maritime trade, requiring engagement with both Song China to the north and the Chola kingdom to its west. The apparently friendly relations pursued were, however, to be disrupted in 1025 by Chola naval expeditions against fourteen key port cities in Southeast Asia. This volume examines the background, course and effects of these expeditions, as well as the regional context of the events. It brings to light many aspects of this key period in Asian history. Unprecedented in the degree of detail assigned to the story of the Chola expeditions, this volume is also unique in that it includes translations of the contemporary Tamil and Sanskrit inscriptions relating to Southeast Asia and of the Song dynasty Chinese texts relating to the Chola Kingdom.

The first book to put the sacred and sensuous bronze statues from India’s Chola dynasty in social context From the ninth through the thirteenth century, the Chola dynasty of southern India produced thousands of statues of Hindu deities, whose physical perfection was meant to reflect spiritual beauty and divine transcendence. During festivals, these bronze sculptures—including Shiva, referred to in a saintly vision as “the thief who stole my heart”—were adorned with jewels and flowers and paraded through towns as active participants in Chola worship. In this richly illustrated book, leading art historian Vidya Dehejia introduces the bronzes within the full context of Chola history, culture, and religion. In doing so, she brings the bronzes and Chola society to life before our very eyes. Dehejia presents the bronzes as material objects that interacted in meaningful ways with the people and practices of their era. Describing the role of the statues in everyday activities, she reveals not only the importance of the bronzes for the empire, but also little-known facets of Chola life. She considers the source of the copper and jewels used for the deities, proposing that the need for such resources may have influenced the Chola empire’s political engagement with Sri Lanka. She also investigates the role of women patrons in bronze commissions and discusses the vast public records, many appearing here in translation for the first time, inscribed on temple walls. From the Cholas’ religious customs to their agriculture, politics, and even food, The Thief Who Stole My Heart offers an expansive and complete immersion in a community still accessible to us through its exquisite sacred art. Published in association with the Center for Advanced Study in the Visual Arts, National Gallery of Art, Washington, DC

In the year 2030 AD, a black hole comes hurtling towards the Earth. Rajaraja Cholan, a former ruler of an ancient, powerful empire in India, learned of a prophecy that foretold the apocalypse. The prophecy declared that a black hole would come hurtling toward Earth at nearly the speed of light and that there was no hope for mankind to survive the event. Springing into action, the king declared that his son Rajendra Cholan would take the throne of the Chola Dynasty. He then enlisted the help of hundreds of the kingdom's most trusted people and undertook a 1000-year exile. During their exile, the king and his trusted subjects worked on building a spaceship beneath the Indian Ocean that could be the answer to the dynasty's survival of the fast-approaching black hole. With one millennium to prepare, the king and his men felt they must have a fighting chance at succeeding in their mission. Its the year 2030. The American president and other world leaders are meeting in the White House to rally their forces and the greatest minds in modern science searching for answers. Rajaraja, along with his most trusted advisor and guru Agasthiyar, makes their appearance in the war room to inform the contemporary world leaders of the provisions that have been created. As humanity prepares to flee Earth, a traitor attempts to kill Rajaraja. Unable to trust his friends, and with humanity's existence hanging in the balance, Rajaraja must stop the traitor before they can kill him and doom humanity to the black hole. Excellent blend of Tamil history and culture, Sci-fi, and end-of-the-world scenarios.