Audrey Richards (1899-1984) was a leading British anthropologist of the twentieth century and the first woman president of the Royal Anthropological Institute. Based on fieldwork conducted at a time when the discipline was dominated by male anthropologists, Chisungu: A Girl’s Initiation Ceremony Among the Bemba of Zambia is widely hailed as a classic of anthropology and African and gender studies. Underpinned by painstaking research carried out by Richards among the Bemba people in northern Zambia in the 1930s, Chisungu focuses on the initiation ceremonies for young Bemba girls. Pioneering the study of women’s rituals and challenging the prevailing theory that rites of passage served merely to transfer individuals from one status to another, Richards writes about the incredibly rich and diverse aspects of ritual that characterised Chisungu: its concern with matriliny; deference to elders; sex and reproduction; the birth of children; ideas about the continuity between past, present and future; and the centrality of emotional conflict. On a deeper level, Chisungu is a crucial work for the role it accords to the meaning of symbolism in explaining the structure of society, paving the way for much subsequent understanding of the role of symbolic meaning and kinship. This Routledge Classics edition includes a new foreword by Jessica Johnson and an introduction by Jean La Fontaine.

The force of hunger in shaping human character and social structure has been largely overlooked. This omission is a serious one in the study of primitive society, in which starvation is a constant menace. This work remedies this deficiency and opens up new lines of anthropological inquiry. The whole network of social institutions is examined which makes possible the consumption, distribution, and production of food-eating customs, as well as the religion and magic of food-production.

Ritual is one of the most discussed cultural practices, yet its treatment in anthropological terms has been seriously limited, characterized by a host of narrow conceptual distinctions. One major reason for this situation has been the prevalence of positivist anthropologies that have viewed and summarized ritual occasions first and foremost in terms of their declared and assumed functions. By contrast, this book, which has become a classic, investigates them as epistemological phenomena in their own right. Comparing public events - a domain which includes ritual and related occasions - the author argues that any public event must first be comprehended through the logic of its design. It is the logic of organization of an occasion which establishes in large measure what that occasion is able to do in relation to the world within which it is created and practiced.

This reissue of Affecting Performance makes available a major work in performance studies, linguistic anthropology, ritual and symbolic studies, and African studies. A classic study widely used in the classroom, the book examines how ceremonial performance works and the contradictory dynamics of gender and ethnicity in Okiek initiation ceremonies in Kenya. Combining discourse analysis, semiotics, history, political economy, symbolic interpretation, and gender studies, Corinne Kratz examines the power of ritual to produce social transformation and explores how children are made into adults through initiation rites. Taking girls' passage into womanhood as her topic, Kratz considers dramatic structure, costume, song, ritual space, and the discourse, rhetoric, and poetics of ceremonial performance. Based on decades of research with the Okiek of Kenya, Affecting Performance demonstrates how representations of the central themes of initiation--gender relations and cultural identity--probe the tensions and contradictions that characterize relations between women and men, young and old, and the Okiek and their neighbors. Long-term fieldwork and extensive interviews with Okiek women and men of several generations enable Kratz to situate Okiek ceremonies culturally and historically. She provides a rich description of changes in Okiek life and ceremonies from 1900 to 1990. Kratz's sensitive and detailed analysis of ritual language and ritual action provides an important synthesis and critical perspective for understanding ceremonial structure and performance and for interpreting the efficacy of ritual performance both from actors' and observers' viewpoints. About the Author Corinne A. Kratz is a professor of anthropology and African studies at Emory University. She authored the award-winning book, The Ones That Are Wanted: Communication and the Politics of Representation in a Photographic Exhibition, and recently co-edited Museum Frictions: Public Cultures/Global Transformations. She lives in Santa Fe, New Mexico.

In The Ritual Process: Structure and Anti-Structure, Victor Turner examines rituals of the Ndembu in Zambia and develops his now-famous concept of "Communitas." He characterizes it as an absolute inter-human relation beyond any form of structure.The Ritual Process has acquired the status of a small classic since these lectures were first published in 1969. Turner demonstrates how the analysis of ritual behavior and symbolism may be used as a key to understanding social structure and processes. He extends Van Gennep's notion of the "liminal phase" of rites of passage to a more general level, and applies it to gain understanding of a wide range of social phenomena. Once thought to be the "vestigial" organs of social conservatism, rituals are now seen as arenas in which social change may emerge and be absorbed into social practice.As Roger Abrahams writes in his foreword to the revised edition: "Turner argued from specific field data. His special eloquence resided in his ability to lay open a sub-Saharan African system of belief and practice in terms that took the reader beyond the exotic features of the group among whom he carried out his fieldwork, translating his experience into the terms of contemporary Western perceptions. Reflecting Turner's range of intellectual interests, the book emerged as exceptional and eccentric in many ways: yet it achieved its place within the intellectual world because it so successfully synthesized continental theory with the practices of ethnographic reports."

The Encyclopedia of Community is a major four volume reference work that seeks to define one of the most widely researched topics in the behavioural and social sciences. Community itself is a concept, an experience, and a central part of being human. This pioneering major reference work seeks to provide the necessary definitions of community far beyond the traditional views.

Storytelling plays an important part in the vibrant cultural life of Zambia and in many other communities across Africa. This innovative book provides a collection and analysis of oral narrative traditions as practiced by five Bemba-speaking ethnic groups in Zambia. The integration of newly digitalised audio and video recordings into the text enables the reader to encounter the storytellers themselves and hear their narratives. Robert Cancel's thorough critical interpretation, combined with these newly digitalised audio and video materials, makes Storytelling in Northern Zambia a much needed addition to the slender corpus of African folklore studies that deal with storytelling performance. Cancel threads his way between the complex demands of African fieldwork studies, folklore theory, narrative modes, reflexive description and simple documentation and succeeds in bringing to the reader a set of performers and their performances that are vivid, varied and instructive. He illustrates this living narrative tradition with a wide range of examples, and highlights the social status of narrators and the complex local identities that are at play. Cancel's study tells us not only about storytelling but sheds light on the study of oral literatures throughout Africa and beyond. Its innovative format, meanwhile, explores new directions in the integration of primary source material into scholarly texts. This book is the third volume in the World Oral Literature Series, developed in conjunction with the World Oral Literature Project.

Purity and Danger is acknowledged as a modern masterpiece of anthropology. It is widely cited in non-anthropological works and gave rise to a body of application, rebuttal and development within anthropology. In 1995 the book was included among the Times Literary Supplement's hundred most influential non-fiction works since WWII. Incorporating the philosophy of religion and science and a generally holistic approach to classification, Douglas demonstrates the relevance of anthropological enquiries to an audience outside her immediate academic circle. She offers an approach to understanding rules of purity by examining what is considered unclean in various cultures. She sheds light on the symbolism of what is considered clean and dirty in relation to order in secular and religious, modern and primitive life.

The Second Edition of Ken Guest's Cultural Anthropology: A Toolkit for a Global Age covers the concepts that drive cultural anthropology by showing that now, more than ever, global forces affect local culture and the tools of cultural anthropology are relevant to living in a globalizing world.

This book presents a portrait of African religious history framed in the religious themes common to the rest of the world. It looks at the traditional religions that provided the philosophical, religious, and ethical basis of African culture. Focusing primarily on traditional African religions and their related myths, rituals, authorities, ethics, and artwork, the book also includes substantial treatment on nationalism, African Islam and Christianity. For anyone who wants to gain an understanding of the relationship between African religion and culture.