Text by Jason C. Kuo.

"Featuring 70 works in various media--paintings, calligraphy, photographs, woodblock prints, video, and sculpture--that were created during the past three decades, Ink Art: Past as Present in Contemporary China will demonstrate how China's ancient pattern of seeking cultural renewal through the reinterpretation of past models remains a viable creative path. Although all of the artists have transformed their sources through new modes of expression, visitors will recognize thematic, aesthetic, or technical attributes in their creations that have meaningful links to China's artistic past. The exhibition will be organized thematically into four parts and will include such highlights as Xu Bing's dramatic Book from the Sky (ca. 1988), an installation that will fill an entire gallery; Family Tree (2000), a set of vivid photographs documenting a performance by Zhang Huan in which his facial features--and his identity--are obscured gradually by physiognomic texts that are inscribed directly onto his face; and Map of China (2006) by Ai Weiwei, which is constructed entirely of wood salvaged from demolished Qing dynasty temples." --

Ink arts have flourished in China for more than two millennia. Once primarily associated with elite culture, ink painting is now undergoing a popular resurgence. Ink Worlds explores the modern evolution of this art form, from scrolls and panel paintings to photographic and video forms, and documents how Chinese ink arts speak to present-day concerns while simultaneously referencing deeply historical materials, themes, and techniques. Presenting the work of some two dozen artists from China, Taiwan, Hong Kong, and the United States in more than 100 full-color reproductions, the book spans pioneering abstract work from the late 1960s through twenty-first century technological innovations. Nine illustrated essays build a compelling case for understanding the modern form as a distinct genre, fusing art and science, history and technology, painting and film into an accessible theory of contemporary ink painting. The Yamazaki/Yang collection is widely recognized as one of the most important private collections of contemporary Chinese ink art. Ink Worlds is the first book to represent the collection from the perspective of contemporary art history. From its atmospheric mountainscapes to precise calligraphy, this book is a revelation, bringing together the past, present, and future of an enduring and adaptable art form.

A study of ink plum (momei) painting.

The Art of Chinese Brush Painting is an excellent way for newcomers to experience this ancient Chinese art form. The book introduces traditional Chinese ink painting techniques developed over a thousand years ago. In 35 simple and intermediate lessons, readers will learn to paint towering landscapes; the elegant Four Generals: bamboo, orchid, plum blossom and chrysanthemum; rugged, steadfast pine; animals from the Chinese Zodiac; and basic strokes used in Chinese calligraphy. To better understand "the soft martial art," the book includes an introduction to the Chinese ink painting tradition and detailed discussion of brushes, paper and other tools and accessories. The lessons are instructive for artists at any level of expertise but are directed to the dedicated beginner.

This fascinating easy-to-follow guide captures all the freshness, beauty and spontaneity of Chinese brush painting. Using step-by-step photographs and his own evocative pictures, the author explains all the techniques, bringing to life animals, birds, fish and insects, creating atmosphere in landscapes and transforming flowers and plants into wonderful works of art--Cover.

Displaying the beauty and skill of Chinese ink paintings through a selection of highlights from the British Museum's collection, Modern Chinese Ink Paintings features hanging scrolls, hand scrolls, large-scale paintings and album leaves to explore the innovative contributions of individual masters from the twentieth and twenty-first centuries. Clarissa von Spee explores how their artistic work has helped shape the image of modern China, revealing how their works reflect the political climates and important events of the times in which they were created. With reference to artistic exchanges between Picasso and Zhang Daqian, the relationship between modern Chinese painting and the modern Western art scene is also highlighted in this informative and accessible introduction to the subject.

Written by a team of eminent international scholars, this book is the first to recount the history of Chinese painting over a span of some 3000 years.