This work constitutes the largest and most comprehensive research guide ever published about Benjamin Britten. Entries survey the most significant published materials relating to the composer, including bibliographies, catalogs, letters and documents, conference reports, biographies, and studies of Britten's music.

A guide to the thesis literature on China and Inner Asia written between 1976 and 1990. Includes more than 10,000 entries for dissertations in the arts and sciences, law, medicine, theology, engineering and other disciplines. Entries are grouped in topical chapters and each entry includes bibliographic information and an abstract.

Orientalism is widely known as the study of Eastern cultures by Western intellectuals. Yet most people would associate this term with scholars from France, England, Germany, and the United States. This book presents, along with new essays dealing with the United States, the Islamic world and the Far East, alternative views on Orientalism, this time also coming from Latin America and other regions. While still dealing, in some cases, with interpretations of the East by Western outsiders, the fact that the cultural production analyzed (as well as many of the critics) comes from an area, Latin America, that has also been affected by European and U.S. imperialism and colonialism brings new light to the traditionally negative connotations ascribed to the term. These essays reveal that, though prejudice and racism are still prevalent in many Orientalist aesthetic practices coming from Latin America and other world regions, the perspective can also be radically different. From this perspective, rather than constructing the Orient as the Westâ (TM)s alien and inferior other, the mirror image that appears in this book constitutes an attempt at understanding the Asian within us (within the Western world). The postcolonial approach of many of these essays is the theoretical framework that prevents (or, at least, tries to prevent) paternalistic or hegemonic representations of the Asian subject. As a result, the emphasis is often placed on transculturation, hybridity, liminality, double consciousness, and cultural identity.

Biographical and historical data and clear technical explanations are featured in a guide to the appreciation of twentieth-century music that includes a full discussion of trends since 1961, a dictionary of composers, and a concentrated review of musical concepts.