This book is based on an in-depth filmed conversation between Howard Burton and Michael Berry, Professor of Contemporary Chinese Cultural Studies at UCLA and a world-renowned Chinese literary translator and film scholar. After discussing the inspiring influence his English teacher had on him, the conversation covers topics such as the appeal of literary translation, modern and contemporary Chinese literature, the history and development of Chinese cinema, popular culture in modern China, censorship, and the importance of staying true to one's values. This carefully-edited book includes an introduction, Living Values, and questions for discussion at the end of each chapter: I. From New Jersey to Nanjing - Discovering another world II. Found in Translation - Manifesting values and creating impact III. Freedom of the Press - Rewriting novels and denying translations IV. Contemporary Voices - Literature, film, soft power, and cultural imbalances V. A Glimpse Behind the Lens - Chinese cinema and cinematographers VI. Business and Art - The Hollywood-Chinese axis vs. independent filmmakers VII. Flourishing - The power of values About Ideas Roadshow Conversations: This book is part of an expanding series of 100+ Ideas Roadshow conversations, each one presenting a wealth of candid insights from a leading expert through a focused yet informal setting to give non-specialists a uniquely accessible window into frontline research and scholarship that wouldn't otherwise be encountered through standard lectures and textbooks.

"This pleasant, unpretentious account [is] a small stream leading to the ocean of the culture of China."--Scientific American

Cultural China is a unique annual publication for up-to-date, informed, and accessible commentary about Chinese and Sinophone languages, cultural practices, politics and production, and their critical analysis. It builds on the University of Westminster’s Contemporary China Centre Blog, providing additional reflective introductory pieces to contextualise each of the eight chapters. The articles in this Review speak to the turbulent year that was 2020 as it unfolded across cultural China. Thematically, they range from celebrity culture, fashion and beauty, to religion and spirituality, via language politics, heritage, and music. Pieces on representations of China in Britain and the Westminster Chinese Visual Arts Project reflect our particular location and home. Many of the articles in this book focus on the People’s Republic of China, but they also draw attention to the multiple Chinese and Sinophone cultural practices that exist within, across, and beyond national borders. The Review is distinctive in its cultural studies-based approach and contributes a much-needed critical perspective from the Humanities to the study of cultural China. It aims to promote interdisciplinary dialogue and debate about the social, cultural, political, and historical dynamics that inform life in cultural China today, offering academics, activists, practitioners, and politicians a key reference with which to situate current events in and relating to cultural China in a wider context.

"DeFrancis's book is first rate. It entertains. It teaches. It demystifies. It counteracts popular ignorance as well as sophisticated (cocktail party) ignorance. Who could ask for anything more? There is no other book like it. ... It is one of a kind, a first, and I would not only buy it but I would recommend it to friends and colleagues, many of whom are visiting China now and are adding 'two-week-expert' ignorance to the two kinds that existed before. This is a book for everyone." --Joshua A. Fishman, research professor of social sciences, Yeshiva University, New York "Professor De Francis has produced a work of great effectiveness that should appeal to a wide-ranging audience. It is at once instructive and entertaining. While being delighted by the flair of his novel approach, the reader will also be led to ponder on some of the most fundamental problems concerning the relations between written languages and spoken languages. Specifically, he will be served a variety of information on the languages of East Asia, not as dry pedantic facts, but as appealing tidbits that whet the intellectual appetite. The expert will find much to reflect on in this book, for Professor DeFrancis takes nothing for granted." --William S.Y. Wang, professor of linguistics, University of California at Berkeley

Gender, ethnicity, and nation in China, as seen through an ethnography of the changing cultural production of the Miao, a minority population.

In this major new book, leading cultural thinker Ien Ang engages with urgent questions of identity in an age of globalisation and diaspora. The starting point for Ang's discussion is the experience of visiting Taiwan. Ang, a person of Chinese descent, born in Indonesia and raised in the Netherlands, found herself "faced with an almost insurmountable difficulty" - surrounded by people who expected her to speak to them in Chinese. She writes: "It was the beginning of an almost decade-long engagement with the predicaments of `Chineseness' in diaspora. In Taiwan I was different because I couldn't speak Chinese; in the West I was different because I looked Chinese". From this autobiographical beginning, Ang goes on to reflect upon tensions between `Asia' and `the West' at a national and global level, and to consider the disparate meanings of `Chineseness' in the contemporary world. She offers a critique of the increasingly aggressive construction of a global Chineseness, and challenges Western tendencies to equate `Chinese' with `Asian' identity. Ang then turns to `the West', exploring the paradox of Australia's identity as a `Western' country in the Asian region, and tracing Australia's uneasy relationship with its Asian neighbours, from the White Australia policy to contemporary multicultural society. Finally, Ang draws together her discussion of `Asia' and `the West' to consider the social and intellectual space of the `in-between', arguing for a theorising not of `difference' but of `togetherness' in contemporary societies.

First Published in 2009. Routledge is an imprint of Taylor & Francis, an informa company.

This anthology of autobiographical essays reveals the human side of the Chinese diaspora. Written by ethnic Chinese who were born or raised outside of China, these moving pieces, full of the poignant details of everyday life, describe the experience of growing up as a visible minority and the subsequent journey each author made to China. The authors—whose diverse backgrounds in countries such as New Zealand, Denmark, Sri Lanka, England, Indonesia, and the United States mirror the complex global scope of the Chinese diaspora—describe in particular how their journey to the country of their ancestors transformed their sense of what it means to be Chinese. The collection as a whole provides important insights into what ethnic identity has come to mean in our transnational era. Among the pieces is Brad Wong's discussion of his visit to his grandfather's poverty-stricken village in China's southern Guangdong province. He describes working with a few of the peasants tilling vegetables and compares life in the village with his middle-class upbringing in a San Francisco suburb. In another essay, Milan Lin-Rodrigo tells of her life in Sri Lanka and of the trip she made to China as an adult. She describes the difficult and sometimes humorous cultural differences she experienced when she met her Chinese half-sister and her father's first wife. Josephine Khu's lively afterword provides background information on the Chinese diaspora and gives a theoretical framework for understanding the issues raised in the essays. This intimate and rich anthology will be compelling reading for all who are seeking answers to the increasingly complex issue of ethnic and personal identity.

Provides a new framework for reconceptualizing the historical and contemporary relationship between cultural diversity, political authority, and international order.