Seminar paper from the year 2015 in the subject Literature - Asia, grade: 1.0, University of Heidelberg (Institut für Sinologie), course: PS Einführung in die Chinesische Literatur, language: English, abstract: In this essay the focus will be on the motif of cannibalism in “A Madman’s Diary” (Kuangren riji), which is the central image of this short-story. I will examine it in the socio-political context the story was written in and analyse possible readings. Furthermore since the meaning of the image of cannibalism in this text has been thoroughly discussed over the last century, I want to go on briefly exploring the choice of this motif itself. Why has Lu Xun chosen this very image of cannibalism and what could we learn from this about the author’s view of (traditional) Chinese society? Lu Xun’s story has already been interpreted many times and in different ways. However it is and remains a significant and complex literary piece that should be read and interpreted again and again. First of all because of its importance for the history of modern Chinese literature, generally being considered to be the first modern Chinese short-story (Hsia 33) and even more to mark the beginning of modern Chinese literature itself (Chou 1042). Despite this evident contribution to the genre of modern Chinese fiction, Lu Xun’s story can also be viewed as a “prototypical text of social protest and criticism in modern Chinese literature” (Tang).

This English and Chinese bilingual edition of a "A Madman's Diary" was first published in 1918 by Lu Xun, one of the greatest writers in 20th-century Chinese literature. This short story is one of the first and most influential modern works written in vernacular Chinese and would become a cornerstone of the New Culture Movement. The story was often referred to as "China's first modern short story". This book is selected as one of The 100 Best Books of All Time. The diary form was inspired by Nikolai Gogol's short story "Diary of a Madman, " as was the idea of the madman who sees reality more clearly than those around him. The "madman" sees "cannibalism" both in his family and the village around him, and he then finds cannibalism in the Confucian classics which had long been credited with a humanistic concern for the mutual obligations of society, and thus for the superiority of Confucian civilization. The story was read as an ironic attack on traditional Chinese culture and a call for a New Culture.

"Here at last is an accurate and enjoyable rendering of Lu Xun's fiction in an American English idiom that masterfully captures the sardonic wit, melancholy pathos, and ironic vision of China's first truly modern writer." -Michael S. Duke, University of British Columbia The inventor of the modern Chinese short story, Lu Xun is universally regarded as twentieth century China’s greatest writer. This long awaited volume presents new translations of all Lu Xun’s stories, including his first, “Remembrances of the Past,” written in classical Chinese. These new renderings faithfully convey both the brilliant style and the pungent expression for which Lu Xun is famous. Also included are a substantial introduction by the translator and sufficient annotation to make the stories fully accessible, enabling readers approaching Lu Xun for the first time to appreciate why these stories occupy a permanent place not only in Chinese literature but in world literature as well.

A brilliantly crafted picaresque novel, sensual, harrowing and even comic, of an Asian-American woman's exile

Lu Xun (Lu Hsun) is arguably the greatest writer of modern China, and is considered by many to be the founder of modern Chinese literature. Lu Xun's stories both indict outdated Chinese traditions and embrace China's cultural richness and individuality. This volume presents brand-new translations by Julia Lovell of all of Lu Xun's stories, including 'The Real Story of Ah-Q', 'Diary of a Madman', 'A Comedy of Ducks', 'The Divorce' and 'A Public Example', among others. With an afterword by Yiyun Li.

Learn about how the world of government and power works in The Politics Book. Part of the fascinating Big Ideas series, this book tackles tricky topics and themes in a simple and easy to follow format. Learn about Politics in this overview guide to the subject, great for novices looking to find out more and experts wishing to refresh their knowledge alike! The Politics Book brings a fresh and vibrant take on the topic through eye-catching graphics and diagrams to immerse yourself in. This captivating book will broaden your understanding of Politics, with: - More than 100 groundbreaking ideas in the history of political thought - Packed with facts, charts, timelines and graphs to help explain core concepts - A visual approach to big subjects with striking illustrations and graphics throughout - Easy to follow text makes topics accessible for people at any level of understanding The Politics Book is a captivating introduction to the world's greatest thinkers and their political big ideas that continue to shape our lives today, aimed at adults with an interest in the subject and students wanting to gain more of an overview. Delve into the development of long-running themes, like attitudes to democracy and violence, developed by thinkers from Confucius in ancient China to Mahatma Gandhi in 20th-century India, all through exciting text and bold graphics. Your Politics Questions, Simply Explained This engaging overview explores the big political ideas such as capitalism, communism, and fascism, exploring their beginnings and social contexts - and the political thinkers who have made significant contributions. If you thought it was difficult to learn about governing bodies and affairs, The Politics Book presents key information in a clear layout. Learn about the ideas of ancient and medieval philosophers and statesmen, as well as the key personalities of the 16th to the 21st centuries that have shaped political thinking, policy, and statecraft. The Big Ideas Series With millions of copies sold worldwide, The Politics Book is part of the award-winning Big Ideas series from DK. The series uses striking graphics along with engaging writing, making big topics easy to understand.

On the eve of his coming of age, a young Lord begins to see the truth of his parents' lives: his mother cannot buy her way into society no matter how hard he tries, and his father is being ruined by her continued attempts. The young Lord then travels to his home in Ireland, encountering adventure on the way, and discovers that the native residents are being exploited in his father's absence.

This book examines the development of Chinese translation practice in relation to the rise of ideas of modern selfhood in China from the 1890s to the 1920s. The key translations produced by late Qing and early Republican Chinese intellectuals over the three decades in question reflect a preoccupation with new personality ideals informed by foreign models and the healthy development of modern individuality, in the face of crises compounded by feelings of cultural inadequacy. The book clarifies how these translated works supplied the meanings for new terms and concepts that signify modern human experience, and sheds light on the ways in which they taught readers to internalize the idea of the modern as personal experience. Through their selection of source texts and their adoption of different translation strategies, the translators chosen as case studies championed a progressive view of the world: one that was open-minded and humanistic. The late Qing construction of modern Chinese identity, instigated under the imperative of national salvation in the aftermath of the First Sino-Japanese War, wielded a far-reaching influence on the New Culture discourse. This book argues that the New Culture translations, being largely explorations of modern self-consciousness, helped to produce an egalitarian cosmopolitan view of modern being. This was a view favoured by the majority of mainland intellectuals in the post-Maoist 1980s and which has since become an important topic in mainland scholarship.

Pakistan may be making headlines—but Butterfly is set to conquer the world. ‘Everyone knows me. All of Lahore, all of Karachi, all of Isloo—oho, baba, Islamabad —half of Dubai, half of London and all of Khan Market and all the nice, nice bearers in Imperial Hotel also...No ball, no party, no dinner, no coffee morning, no funeral, no GT —Get-Together, baba—is complete without me.’ Meet Butterfly, Pakistan’s most lovable, silly, socialite. An avid partygoer, inspired misspeller, and unwittingly acute observer of Pakistani high society, Butterfly is a woman like no other. In her world, SMS becomes S & M and people eat ‘three tiara cakes’ while shunning ‘do number ka maal’. ‘What cheeks!’ as she would say. As her country faces tribulations – from 9/11 to the assassination of Benazir Bhutto—Butterfly glides through her world, unfazed, untouched, and stopped short only by the chip in her manicure. Wicked, irreverent, and hugely entertaining, The Diary of a Social Butterfly gives you a delicious glimpse into the parallel universe of the have-musts.