Pyotr Ilyich Tchaikovsky (1840 - 1893) was a Russian composer during the late-Romantic period. Although his music was and remains popular, it originally received a mixed critical reception, with some Russian commentators feeling that it did not represent their native musical values. Conversely, prominent western critics also claimed that it did not follow western principles adequately. Despite this, Tchaikovsky's work is some of the most popular music in the classical repertoire. This volume contains the complete score for Pyotr Tchaikovsky's 1878 work "Children's Album, Op.39". Contents include: "Morning Prayer", "Winter Morning", "Mama", "The Little Horseman", "March of the Wooden Soldiers", "The New Doll", "The Sick Doll", "The Doll's Burial", "Waltz", " Polka", "Mazurka", et cetera. Classic Music Collection constitutes an extensive library of the most well-known and universally-enjoyed works of classical music ever composed, reproduced from authoritative editions for the enjoyment of musicians and music students the world over.

A wonderful collection of miniature pieces reminiscent of childhood, similar to Schumann's Album For The Young. Each selection is delightful and entertaining for students and audiences of all ages.

Pyotr Ilyich Tchaikovsky (1840 – 1893) was a Russian composer during the late-Romantic period. Although his music was and remains popular, it originally received a mixed critical reception, with some Russian commentators feeling that it did not represent their native musical values. Conversely, prominent western critics also claimed that it did not follow western principles adequately. Despite this, Tchaikovsky's work is some of the most popular music in the classical repertoire. This volume contains the complete score for Pyotr Tchaikovsky's 1878 work “Children's Album, Op.39”. Contents include: “Morning Prayer”, “Winter Morning”, “Mama”, “The Little Horseman”, “March of the Wooden Soldiers”, “The New Doll”, “The Sick Doll”, “The Doll's Burial”, “Waltz”, “ Polka”, “Mazurka”, etc. Classic Music Collection constitutes an extensive library of the most well-known and universally-enjoyed works of classical music ever composed, reproduced from authoritative editions for the enjoyment of musicians and music students the world over.

DIV With National Socialism's arrival in Germany in 1933, Jews dominated music more than virtually any other sector, making it the most important cultural front in the Nazi fight for German identity. This groundbreaking book looks at the Jewish composers and musicians banned by the Third Reich and the consequences for music throughout the rest of the twentieth century. Because Jewish musicians and composers were, by 1933, the principal conveyors of Germany’s historic traditions and the ideals of German culture, the isolation, exile and persecution of Jewish musicians by the Nazis became an act of musical self-mutilation. Michael Haas looks at the actual contribution of Jewish composers in Germany and Austria before 1933, at their increasingly precarious position in Nazi Europe, their forced emigration before and during the war, their ambivalent relationships with their countries of refuge, such as Britain and the United States and their contributions within the radically changed post-war music environment. /div

The "story of a child prodigy caught in a grotesque pattern of exploitaiton and abuse, her oppressor, her father, whose controlling passion was money, not music. After fleeing from her father and growing up in unhappy obscurity, Ruth Slenczynska has become again a remarkable and now mature pianist." Pub W.

Like Chopin, Gillock wrote 24 preludes featuring all major and minor keys. The newly engraved 50th anniversary edition contains the composer's original notes, as well as a CD recording performed by Henry Doskey, who studied piano with Gillock while the Lyric Preludes were being written in the late 1950s. Friends for more than 35 years, Gillock designated Doskey as the "authoritative interpreter, and judge of authenticity of stylistic treatment" of his music. 36 pages.

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Brahms in Context offers a fresh perspective on the much-admired nineteenth-century German composer. Including thirty-nine chapters on historical, social and cultural contexts, the book brings together internationally renowned experts in music, law, science, art history and other areas, including many figures whose work is appearing in English for the first time. The essays are accessibly written, with short reading lists aimed at music students and educators. The book opens with personal topics including Brahms's Hamburg childhood, his move to Vienna, and his rich social life. It considers professional matters from finance to publishing and copyright; the musicians who shaped and transmitted his works; and the larger musical styles which influenced him. Casting the net wider, other essays embrace politics, religion, literature, philosophy, art, and science. The book closes with chapters on reception, including recordings, historical performance, his compositional legacy, and a reflection on the power of composer myths.