Based on the conviction that only translators who write poetry themselves can properly recreate the celebrated and timeless tragedies of Aeschylus, Sophocles, and Euripides, the Greek Tragedy in New Translations series offers new translations that go beyond the literal meaning of the Greek in order to evoke the poetry of the originals. Under the editorship of Peter Burian and Alan Shapiro, each volume includes a critical introduction, commentary on the text, full stage directions, and a glossary of the mythical and geographical references in the plays. Already tested in performance on the stage, this translation shows for the first time in English the striking interplay of voices in Euripides' Suppliant Women. Torn between the mothers' lament over the dead and proud civic eulogy, between calls for a just war and grief for the fallen, the play captures with unremitting force the competing poles of the human psyche. The translators, Rosanna Warren and Stephen Scully, accentuate the contrast between female lament and male reasoned discourse in this play where the silent dead hold, finally, center stage.

This volume explores the significance of old age in Greek and Latin poetry and dramatic literature, not just in relation to other textual and historical concerns, but as a cultural and intellectual reality of central importance to understanding the works themselves. The book discusses a wide range of authors, from Homer to Aristophanes, Sophocles, and Euripides; from Horace to Vergil, Ovid, and beyond. Classical scholarship on these texts is enriched by a variety of interdisciplinary perspectives drawn from such fields as anthropology, social history, literary theory, psychology, and gerontology. The contributions examine the many and complex representations of old age in classical literature: their relation to the social and psychological realities of old age, their connection with the author’s own place in the human life course, their metaphorical and symbolic capacity as poetic vehicles for social and ethical values.

In this set of short stories, Poirot sets himself a challenge before he retires – to solve 12 cases which correspond with the labours of his classical Greek namesake...

Author Edouard Cour revisits one of the greatest Greek myths by painting the often-heroic Herakles as, well . . . somewhat of a jerk. Crude and stubborn at times, in little glimpses we meet a man--half-human, after all--with a psychology more complex than he appears, entangled in guilt over the ghosts who have haunted him since childhood. A mournful sadness seizes him as he crosses the fleeting silhouettes of a woman and her three children. "Friends or foe, all those who cross his path end up stiff and worm food," comments Linos, the ghost of his childhood music teacher. Brimming with pathos and dark humor, this portrait of Herakles is a graphic whirlwind leaving little respite and often revealing beautiful surprises.

The Penn Greek Drama Series presents original literary translations of the entire corpus of classical Greek drama: tragedies, comedies, and satyr plays. It is the only contemporary series of all the surviving work of Aeschylus, Sophocles, Euripides, Aristophanes, and Menander. This volume includes translations Deborah H. Roberts (Ion), J. T. Barbarese (Children of Heracles), Katharine Washburn and David Curzon (The Madness of Heracles), Carolyn Kizer (Iphigenia in Tauris), and Greg Delanty (Orestes).

First published: London: Usborne Pub. Ltd., 2000.

The Children of Heracles is a powerful and challenging tragedy of exile and supplication. Driven from their homeland by Eurystheus, king of Argos, the children of Heracles flee as fugitives throughout Greece until they are granted protection in Athens.