""A story of one little girl and her missing father"" -Allen Pizzey CBS News. A diary of an 11 year old war survivor in Bosnia, striving for a better future for her family. Translating to all the journalists from Bosnian to English for money so that she can collect enough of various currencies for her father once he is released from a concentration camp.

This Handbook summarizes the state of thinking and presents new evidence on various links between international migration and economic development, with particular reference to lower-income countries. The connections between trade, aid and migration ar

Sounds of the Borderland is the first book-length study of how popular music became a medium for political communication and contested identification during and after Croatia's war of independence from Yugoslavia. It extends existing cultural studies literature on music, politics and the state, which has largely been grounded in Western European and North American political systems. It also responds to an emerging fascination with the culture and politics of contemporary south-east Europe, expanding scholarship on the post-Yugoslav conflicts by going on to encompass significant social and political changes into the present day. The outbreak of war in 1991 saw almost every professional musician in Croatia take part in a wave of patriotic music-making and the powerful state television system strive to bring popular music under its control. As the political imperative shifted from securing national survival to consolidating a homogenous nation-state, the music industry responded with several strategies for creating a national popular music, producing messages about the nation and, in the ongoing debates over the origins of the folk music that inspired many songs, a way to define the nation by expressing what Croatia was not. The war on ethnic ambiguity which cut through individuals' social and creative lives played out across the airwaves, sales racks and gossip columns of a small country that imagined itself a historical and cultural borderland. These explicit and implicit narratives of nationhood connect many political phases: the months of fiercest fighting, the stabilised front, the uneasy post-war years when the symbolic frontline region of eastern Slavonia had still not returned to Croatian sovereignty, the euphoria and instability after the end of the Tudjman regime in 2000, and Croatia's fraught journey towards the European Union. Baker's book provides valuable insight into the role of music in a wartime and post-conflict society and will be essential reading for researchers and students interested in south-east Europe or the transformation of entertainment during and after conflict.

A New York Times Notable Book: “Brilliant . . . With verbal glee, Prcic serves up a darkly comic vision of the terrors and misunderstandings of immigration” (Shelf Awareness). Ismet Prcic’s brilliant, provocative, and energetic debut novel is about a young Bosnian, also named Ismet Prcic, who has fled his war-torn homeland and is now struggling to reconcile his past with his present life in California. He is advised that in order to make peace with the corrosive guilt he harbors over leaving his family behind, he must “write everything.” The result is a great rattlebag of memories, confessions, and fictions: sweetly humorous recollections of Ismet’s childhood in Tuzla appear alongside anguished letters to his mother about the challenges of life in this new world. As Ismet’s foothold in the present falls away, his writings are further complicated by stories from the point of view of another young man—real or imagined—named Mustafa, who joined a troop of elite soldiers and stayed in Bosnia to fight. When Mustafa’s story begins to overshadow Ismet’s new-world identity, the reader is charged with piecing together the fragments of a life that has become eerily unrecognizable, even to the one living it. Shards is a thrilling read—a harrowing war story, a stunningly inventive coming of age, and a heartbreaking saga of a splintered family. “Fierce, funny and real, it also says much about war, exile, guilt and fear.” —Chicago Sun-Times, Favorite Books of 2011

When Sophica was abruptly separated from her father as a toddler, she found a haven in Grandmother Gitté. But one sunny day in July, when she was six years old, gendarmes marching and shouting in the streets stopped her dreamy childhood and her hopes to go to school and to be a big girl like her sister. She was deported together with her mother and the whole of the Jewish community of Mihaileni, Romania. On foot, through icy fields, they arrived in eastern Ukraine, a strip of land called Transnistria. Death, illness, brutality, shame, became her daily scenes. Sophica suffered hunger and fear but kept her hopes and sanity, albeit losing her sister and her father and witnessing her mother being viciously attacked. She survived typhus and starvation by being strong and quiet. Herman was a jolly little boy who didn’t care much needing to wear the yellow star and being forbidden from school. He continued playing outside with his friends while his father and brother were sent to a labor camp. At the age of 14, when the Second World War ended, he joined a Jewish youth movement and embarked on a ship to the Promised Land. However, their journey was interrupted and they were taken to a British detention camp in Cyprus. Sophica and Herman were given new names, Shulamit and Tzvi. They met and made a home in Israel. Shulamit/Sophica never mentioned her sad childhood, but the essence of the past found its ways out. Sixty-five years after those events, her daughter comes across a family secret and starts asking questions, inducing Shulamit to break her silence and become again the frightened little Sophica. This book tells her moving childhood story.

A young survivor of the Bosnian War returns to his homeland to confront the people who betrayed his family. The story behind the YA novel World in Between: Based on a True Refugee Story. At age eleven, Kenan Trebincevic was a happy, karate-loving kid living with his family in the quiet Eastern European town of Brcko. Then, in the spring of 1992, war broke out and his friends, neighbors and teammates all turned on him. Pero - Kenan's beloved karate coach - showed up at his door with an AK-47 - screaming: "You have one hour to leave or be killed!" Kenan’s only crime: he was Muslim. This poignant, searing memoir chronicles Kenan’s miraculous escape from the brutal ethnic cleansing campaign that swept the former Yugoslavia. After two decades in the United States, Kenan honors his father’s wish to visit their homeland, making a list of what he wants to do there. Kenan decides to confront the former next door neighbor who stole from his mother, see the concentration camp where his Dad and brother were imprisoned and stand on the grave of his first betrayer to make sure he’s really dead. Back in the land of his birth, Kenan finds something more powerful—and shocking—than revenge.

Suitable for both adults and children to read, this 1938 novel shows five children successfully looking after themselves when their parents go away and fail to return.

Through an expansive collection of primary source materials and original, informative introduction and headnotes, State of the Union: Presidential Rhetoric from Woodrow Wilson to George W. Bush explores ways in which modern U.S. presidents have appealed directly to the public and how the public has responded. State of the Union: Presidential Rhetoric from Woodrow Wilson to George W. Bush is a comprehensive reference containing all the state of the union addresses as well as each inaugural address delivered from Woodrow Wilson to George W. Bush. This unique single-volume resource presents over 100 full-text addresses. Headnotes accompanying each address provide valuable context for each address by outlining the events leading up to the address and exploring the ensuing public reaction. An introductory essay to the volume provides readers with an in-depth look at the history of state of the union addresses and examines how presidents have crafted their speeches to meet changing styles and circumstances. State of the Union also includes a bibliography of sources related to presidential rhetoric, a chronological listing of all addresses included in the volume, a timeline showing major events as highlighted in the addresses, and a comprehensive index. A valuable research tool for students and scholars of U.S. history, government, politics, and public policy, State of the Union: Presidential Rhetoric from Woodrow Wilson to George W. Bush will be a frequently-used resource in almost any academic or public library.

Increasingly, as the production, distribution and audience of films cross national boundaries, film scholars have begun to think in terms of ‘transnational’ rather than national cinema. This book is positioned within the emerging field of transnational cinema, and offers a groundbreaking study of the relationship between transnational cinema and ideology. The book focuses in particular on the complex ways in which religion, identity and cultural myths interact in specific cinematic representations of ideology. Author Milja Radovic approaches the selected films as national, regional products, and then moves on to comparative analysis and discussion of their transnational aspects. This book also addresses the question of whether transnationalism reinforces the nation or not; one of the possible answers to this question may be given through the exploration of the cinema of national states and its transnational aspects. Radovic illustrates the ways in which these issues, represented and framed by films, are transmitted beyond their nation-state borders and local ideologies in which they originated – and questions whether therefore one can have an understanding of transnational cinema as a platform for political dialogue.