"This illustrated publication accompanies a major exhibition at the Metropolitan Museum, the first retrospective presentation of Hassam's work in a museum since 1972. Unique to this volume are an account of Hassam's lifelong campaign to market his art, a study of the frames he selected and designed for his paintings, and an unprecedented lifetime exhibition record. Included in addition are a checklist of works in the exhibition and a chronology of Hassam's life. All works in the exhibition as well as comparative materials are reproduced."--BOOK JACKET.

Celebrates Hassam's imposing career as one of America's foremost impressionists. Adelson (president of Adelson Galleries), Cantor (teacher, writer and lecturer on American art) and Gerdts (author and professor emeritus, Graduate Center of the City U. of New York) approach the artist from several angles (an international context, his little-understood late work, and predominant themes) to reveal his many facets and uncover previously unknown aspects of his life and work. Illustrated with color reproductions that represent all of Hassam's styles, the volume concludes with an illustrated chronology and an annotated bibliography. Oversize: 10.25x12". Annotation copyrighted by Book News, Inc., Portland, OR

"American Impressionist: Childe Hassam and the Isles of Shoals traces Hassam's artistic exploration of Appledore Island, the largest island of the Isles of Shoals off the coast of Maine and New Hampshire, where he traveled nearly every summer for thirty years"--

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Contains 32 full-color plates with detailed captions, a chronology, and an essay on the landscape painter.

Paintings of flags by the prolific American Impressionist painter, noted for his urban and coastal scenes.

Celia Laighton Thaxter (1835-1894) was born in Portsmouth, NH. When she was four, her father became the lighthouse keeper on White Island in the Isles of Shoals. After resigning his post eight years later, he built a resort hotel on Appledore Island in Maine. The first of its kind on the New England coast, the hotel became a gathering place for writers and artists during the latter half of the 19th century. In her last year of life, Celia published this work, in which she lovingly describes her Appledore garden and its flowers. The flowers she grew in her cutting garden filled her own rooms and those of the hotel, and this work became famous for its descriptions of the old-fashioned flowers she grew there. Her island garden, a plot that measured 15 feet square, has been re-created and is open to visitors.

"This vivid account of Childe Hassam's 1880s cityscape chronicles one of Boston's best loved paintings. The rosy rusty tones, cozy trio, and quiet expanse of the snow-laden park in At Dusk (Boston Common at Twilight) seem to encourage reflection, yet in its time it heralded the emerging modern scene, from observations of women's changing place in society to glowing depictions of the newly electric street lamps on the busiest block in Boston."-- Page 4 of cover.

The renowned American Impressionist Childe Hassam built his reputation on light-filled images depicting the streets of New York and New England's coastal resorts. He was also known as a consummate traveler who delighted in discovering and painting new scenes and unfamiliar landscapes. In 1904 and 1908, Hassam traveled west, visiting Oregon and the surrounding region. He was captivated by the beauty of the Northwest landscape: its rocky coast, lush valleys, forested mountains, and stark high deserts. During his sojourns in the West, he painted at least 60 images, ranging from portraits and still lifes to landscapes and seascapes in oil, watercolor, and pastel. Childe Hassam: Impressionist in the West explores this significant, but little known, body of work in the context of the artist's entire oeuvre and larger developments in modern art at the turn of the century. Richly illustrated, it investigates how Hassam's images of the West mirror a number of his personal and professional concerns; provides insights into technical aspects of his work, which he tended to adapt to the subject and circumstances at hand; and looks at how the West appealed to his desire to create an art that was purely American in both content and style. Childe Hassam: Impressionist in the West offers a lucid and in-depth look at this intriguing interlude in Hassam's career and the remarkable works that resulted.

Childe Hassam (1859-1935) fell in love with New York after moving there in 1889, and it became one of his favorite subjects for his paintings. His urbanscapes are shown here not only as sumptuous tonalist paintings but also as visual records of a city in the throes of a profound transformation from quaint city to crowded metropolis. Illuminating quotes by Hassam and writers of the day are featured with the full-color reproductions.