All the key findings of the public inquiry into the handling of the 2003 Iraq war by the British government led by Tony Blair. Chaired by Sir John Chilcot, the Iraq Inquiry (known as the 'Chilcot Report') tackled: Saddam Hussein's threat to Britainthe legal advice for the invasionintelligence about weapons of mass destruction andplanning for a post-conflict Iraq. This 60,000-word executive summary was published in July 2016. Philippe Sands QC wrote in the London Review of Books: 'It offers a long and painful account of an episode that may come to be seen as marking the moment when the UK fell off its global perch, trust in government collapsed and the country turned inward and began to disintegrate.' Published under an Open Government Licence, this book aims to make better known the findings of the Iraq Inquiry, which took seven years to complete at a cost of £10 million. The text, headings, footnotes and any emphasis are exactly those of the original document. Contents Introduction Pre-conflict strategy and planning The UK decision to support US military action Why Iraq? Why now? The UK's relationship with the US Decision-making Advice on the legal basis for military action Weapons of mass destruction Planning for a post-Saddam Hussein Iraq The post-conflict period Occupation Transition Planning for withdrawal Did the UK achieve its objectives in Iraq? Key findings Lessons Timeline of events REVIEWS The Iraq Inquiry, chaired by Sir John Chilcot and composed of five privy councillors, finally published its report on the morning of 6 July, seven years and 21 days after it was established by Gordon Brown with a remit to look at the run-up to the conflict, the conflict itself and the reconstruction, so that we can learn lessons. It offers a long and painful account of an episode that may come to be seen as marking the moment when the UK fell off its global perch, trust in government collapsed and the country turned inward and began to disintegrate. — Philippe Sands, London Review of Books A more productive way to think of the Chilcot report is as a tool to help us set agendas for renewed best efforts in creating more effective and accountable statecraft. Chilcot has confirmed that... we still do not have intelligent long-range planning by the armed forces in close and active cooperation with other government agencies, nor an adequate and integrated system for the collection and evaluation of intelligence information, nor do we have the highest possible quality and stature of personnel to lead us through these challenging times. — Derek B. Miller, The Guardian Although sceptics wondered how much more the very-long-awaited Report of the Iraq Inquiry by a committee chaired by Sir John Chilcot could tell us when it appeared at last in July, it proves to contain a wealth of evidence and acute criticism, the more weighty for its sober tone and for having the imprimatur of the official government publisher. In all, it is a further and devastating indictment not only of Tony Blair personally but of a whole apparatus of state and government, Cabinet, Parliament, armed forces, and, far from least, intelligence agencies. Among its conclusions the report says that there was no imminent threat from Saddam Hussein; that the British chose to join the invasion of Iraq before the peaceful options for disarmament had been exhausted; that military action was not a last resort... — Geoffrey Wheatcroft, The New York Review of Books Ideal for any student of politics, diplomacy, or conflict.

Brook Chilcot is a man past his prime. The former sheriff of Grafton's Peak has swapped the glory days of protecting his beloved town for gloomy days cadging drinks in the local saloon. When a young man, wishing to be taught how to shoot, attempts to convince Chilcot out of retirement, the former sheriff is hesitant. His career ended after a disastrous shootout and he is in no hurry to leave his alcoholic haze and remember the past. But Chilcot is won over. Accompanied by the youth, he returns to Grafton's Peak. Here in his old town, Chilcot must confront new faces and old enemies, and quickly learn how to handle himself again if he is going to last long. When confronted by the son of an outlaw he killed many years previously, Chilcot is given the chance to redeem himself for his errors in the past. Will he take it?

The defining calamity of the post-cold war era', in Peter Oborne's words, took place in 2003. The invasion of Iraq led to the collapse of the state system in the Middle East. Iraq is shattered, Syria will never be put back together again, and Lebanon hasn't functioned as a unified state for a long time. And the great wave of refugees unleashed by this breakdown is threatening what is left of democracy in Turkey and the very existence of the European Union. Oborne provides a forensic examination of the way evidence was doctored and the law manipulated in 2002 and 2003 in order to justify a war for regime change. The government bent facts to fit its determination to join the US invasion, Parliament failed to scrutinise evidence, the intelligence service was perverted, and the media lost its head. This is a masterly account of the making of a disaster, written by a passionate British democrat.

Tasked with investigating Britain’s role in the Iraq War, the evidence presented to the Chilcot Inquiry was devastating and stark. Drawing together testimonies from leading political players with the forgotten voices of Iraqi refugees, veterans and military families against war – this pertinent and bold piece of documentary theatre explores the accountability of those who have power over us.

In the wake of the publication of the Chilcot report, this book reinterprets the relationship between British public opinion and the Blair government’s decision-making in the run-up to the 2003 invasion of Iraq. It highlights how the government won the parliamentary vote and got its war, but never won the argument that it was the right thing to do. Understanding how, why and with what consequences Britain wound up in this position means understanding better both this specific case and the wider issue of how democratic publics influence foreign policy processes. Taking an innovative constructivist approach to understanding how public actors potentially influence foreign policy, Strong frames the debate about Iraq as a contest over legitimacy among active public actors, breaking it down into four constituent elements covering the necessity, legality and morality of war, and the government’s authority. The book presents a detailed empirical account of the British public debate before the invasion of Iraq based on the rigorous interrogation of thousands of primary sources, employing both quantitative and qualitative content analysis methods to interpret the shape of debate between January 2002 and March 2003. Also contributing to the wider foreign policy analysis literature, the book investigates the domestic politics of foreign policy decision-making, and particularly the influence public opinion exerts; considers the domestic structural determinants of foreign policy decision-making; and studies the ethics of foreign policy decision-making, and the legitimate use of force. It will be of great use to students and scholars of foreign policy analysis, as well as those interested in legitimacy in international conflict, British foreign policy, the Iraq War and the role of public opinion in conflict situations.

Written by a retired British Army Major General, eveals how the highest levels of the British military focused on making plans work rather than questioning whether such goals made military sense

This year marks the eightieth anniversary of the bombing of the Basque town of Gernika in Spain. Pablo Picasso created his iconic, anti-fascist painting, Guernica (1937), in protest against that attack and others targeted at civilian populations. This book, published alongside the exhibition, Guernica Remakings, explores the ongoing power of Picasso?s Guernica through a series of contemporary reworkings that continue to locate the iconic image within political protest. The featured artworks demonstrate the longevity and versatility of the original as it morphed from Picasso?s canvas, painted in 1937, to a tapestry in 1955, a textile artwork in 2010, a theatrical production in 2011-12 and a protest banner in 2012-14. Guernica?s humanitarian message is still relevant; it calls for solidarity and compassion across borders. Traversing geographical boundaries with each remaking it connects Spain and France, to the USA, UK, South Africa, Canada and India. The voices of those involved in creating the artworks are heard alongside the curator and maker, Dr Nicola Ashmore. 00Exhibition: University of Brighton, Gallery, UK (28.07.-23.08.2017).