Every time I visited the Citadel, I would imagine what I could do to enhance its glory and bring attention to its soul, says artist Dale Chihuly of his recent project in Jerusalem. In July 1999, Chihuly's grandest and most ambitious undertaking opened at the Citadel, and will remain there for a year. Chihuly in the Light of Jerusalem 2000 serves as a focal point for the city's millennium celebration. This volume highlights 14 major installations commissioned by the Tower of David Museum of the History of Jerusalem. The exhibition is made up of more than 10,000 pieces of glass, blown in France, Japan, the Czech Republic, Finland, Israel, and the United States. Within the walls of the Citadel, Chihuly unexpectedly married ancient and modern forms, animating the stone architecture with glass. Mediterranean sunlight illuminates the Blue Tower, the red and yellow Spears, the Moon, and the Crystal Mountain. Chihuly has transformed the Citadel, once a defensive fortress, into a garden of colour and celebration. Commentary by William Warmus.

Every time I visited the Citadel, I would imagine what I could do to enhance its glory and bring attention to its soul, says artist Dale Chihuly of his recent project in Jerusalem. In July 1999, Chihuly's grandest and most ambitious undertaking opened at the Citadel, and will remain there for a year. Chihuly in the Light of Jerusalem 2000 serves as a focal point for the city's millennium celebration. This volume highlights 14 major installations commissioned by the Tower of David Museum of the History of Jerusalem. The exhibition is made up of more than 10,000 pieces of glass, blown in France, Japan, the Czech Republic, Finland, Israel, and the United States. Within the walls of the Citadel, Chihuly unexpectedly married ancient and modern forms, animating the stone architecture with glass. Mediterranean sunlight illuminates the Blue Tower, the red and yellow Spears, the Moon, and the Crystal Mountain. Chihuly has transformed the Citadel, once a defensive fortress, into a garden of colour and celebration. Commentary by William Warmus.

32 postcards Dimensions of each card: 5 x 7"

As we stand on the threshold of the new millennium here at the ancient Tower of David, this is my own personal tribute, says Dale Chihuly at the completion of his project in Israel. Fifteen soaring sculptures made from more than ten thousand glass parts blown in France, Japan, the Czech Republic, Finland, Israel, and the United States were specifically created to take advantage of the stone walls of the historic Citadel, as well as the Mediterranean sunlight. This full-size book documents the yearlong exhibition with 117 full-colour reproductions of Chihuly's sculptures, his energetic drawings, and his team as they install the exhibition. These beautiful images are accompanied by Chihuly's affectionate letters to his young son, Jackson, about the joys and challenges of the project and his essay (reprinted with permission from Ariel: The Israel Review of Arts and Letters, vol. 111, 1999) on his inspirations at the site. Also included is an illuminating foreword by Shosh Yaniv, director of the Tower of David Museum of the History of Jerusalem, and a section containing seven insightful reviews of the exhibition.This book offers an opportunity to share in a unique millennium celebration -- a joyous tribute by an artist as he captures the light, history, and essence of one of the greatest cities in the world.

Focuses on the glass artist's spectacular large-scale installations.

Dale Chihuly is the most famous and influential artist working in glass today. A career-spanning biographical essay by curator Timothy Anglin Burgard and stunning colour photography of the works will captivate Chihuly's myriad fans - both old and new.

This book chronicles four decades of Dale Chihuly's work on paper, a dynamic collection that is a fascinating study of variety. Many of the drawings are drenched in thick, bold layers of colour. Others are more elusive -- just a hint of form sketched with a fistful of pencils or a confidently manipulated charcoal. Over the years his style has evolved, becoming more abstract and more elaborate, and his drawings, in some cases, have become much larger. But there are no rules; a technique that Chihuly favoured a decade before may resurface again. The excitement of Chihuly's work on paper is in its unpredictability, and that in two dimensions Chihuly is free to let his grandest schemes come to fruition. Above all, Chihuly's work on paper revels in the monumental creativity that is essentially Chihuly.

Features the artist's glass sculptures from "The Garden Cycle" exhibition that were displayed in prominent conservatories and gardens around the world.

“Dan Hinkley is a rare man, generous, inspired, and gifted with an eye for beauty that is given to few people. How I long to wander again in the galloping beauty of his garden at Windcliff. Here it is, in all its inspiring wonder.” —Anna Pavord, author of Landskipping and The Curious Gardener Daniel Hinkley is widely recognized as one of the fore­most modern plant explorers and one of the world’s leading plant collectors. He has created two outstanding private gardens—Heronswood and Windcliff. Both gardens, and the story of how one begat the other, are beautifully celebrated in Hinkley’s new book, Windcliff. In these pages you will delight in Hinkley’s recounting of the creation of his garden, the stories of the plants that fill its space, and in his sage gardening advice. Hinkley’s spirited ruminations on the audacity and importance of garden-making—contemplations on the beauty of a sunflower turning its neck from dawn to dusk, the way a plant’s scent can spur a memory, and much more—will appeal to the hearts of every gardener. Filled with Claire Takacs’s otherworldly photography, Windcliff is spectacular for both its physical beauty and the quality of information it contains.