One fine day the Good witch comes to Bheem's house. She invites him to a celebration in her kingdom, Agadam. Bheem along with his friends is all set to go into the clouds on Shipaak, the eagle. Meanwhile the rivalking Chhoo Mantar of Tigdam wants to disrupt the festivities. Will Bheem win over the powerful King of Tigdam and restore peace in Agadam? Enjoy reading this story which is fun with witches, wizards and magic!

A puppeteer comes to Dholakpur and manages to impress the people of the village with his show. He is very generous with the kids and gives away free puppets. Soon, the village is being robbed of its gold. Where is all the gold going? Is the puppeteer involved in this? Will Bheem solve this mystery?

Inspired by women’s struggles for the protection of nature as a condition for human survival, award-winning environmentalist Vandana Shiva shows how ecological destruction and the marginalization of women are not inevitable, economically or scientifically. She argues that “maldevelopment”—the violation of the integrity of organic, interconnected, and interdependent systems that sets in motion a process of exploitation, inequality, and injustice—is dragging the world down a path of self-destruction, threatening survival itself. Shiva articulates how rural Indian women experience and perceive ecological destruction and its causes, and how they have conceived and initiated processes to arrest the destruction of nature and begin its regeneration. Focusing on science and development as patriarchal projects, Staying Alive is a powerfully relevant book that positions women not solely as survivors of the crisis, but as the source of crucial insights and visions to guide our struggle.

Networks, Labour and Migration among Indian Muslim Artisans provides an ethnography of life, work and migration in a North Indian Muslim-dominated woodworking industry. It traces artisanal connections within the local context, during migration within India, and to the Gulf, examining how woodworkers utilise local and transnational networks, based on identity, religiosity, and affective circulations, to access resources, support and forms of mutuality. However, the book also illustrates how liberalisation, intensifying forms of marginalisation and incorporation into global production networks have led to spatial pressures, fragmentation of artisanal labour, and forms of enclavement that persist despite geographical mobility and connectedness. By working across the dialectic of marginality and connectedness, Thomas Chambers thinks through these complexities and dualities by providing an ethnographic account that shares everyday life with artisans and others in the industry. Descriptive detail is intersected with spatial scales of ‘local’, ‘national’ and ‘international’, with the demands of supply chains and labour markets within India and abroad, with structural conditions, and with forms of change and continuity. Empirically, then, the book provides a detailed account of a specific locale, but also contributes to broader theoretical debates centring on theorisations of margins, borders, connections, networks, embeddedness, neoliberalism, subjectivities, and economic or social flux.

Bheem and his friends are enjoying a fair in Dholakpur where princess Indumati wins a chalk in the lucky draw. She dismisses it as a normal chalk, until what she writes with that chalk begins to come true! Two trees have started to walk and talk, not to mention the havoc they are creating. Will Bheem be able to do something to stop the chaos and save his friends?