For the Cherokee Nation, the Civil War was more than a contest between the Union and the Confederacy. It was yet another battle in the larger struggle against multiple white governments for land and tribal sovereignty. Cherokee Civil Warrior tells the story of Chief John Ross as he led the tribe in this struggle. The son of a Scottish father and mixed-blood Indian mother, John Ross served the Cherokee Nation in a public capacity for nearly fifty years, thirty-eight as its constitutionally elected principal chief. Historian W. Dale Weeks describes Ross’s efforts to protect the tribe’s interests amid systematic attacks on indigenous culture throughout the nineteenth century, from the forced removal policies of the 1830s to the exigencies of the Civil War era. At the outset of the Civil War, Ross called for all Cherokees, slaveholding and nonslaveholding, to remain neutral in a war they did not support—a position that became untenable when the United States withdrew its forces from Indian Territory. The vacated forts were quickly occupied by Confederate troops, who pressured the Cherokees to align with the South. Viewed from the Cherokee perspective, as Weeks does in this book, these events can be seen in their proper context, as part of the history of U.S. “Indian policy,” failed foreign relations, and the Anglo-American conquest of the American West. This approach also clarifies President Abraham Lincoln’s acknowledgment of the federal government’s abrogation of its treaty obligation and his commitment to restoring political relations with the Cherokees—a commitment abruptly ended when his successor Andrew Johnson instead sought to punish the Cherokees for their perceived disloyalty. Centering a Native point of view, this book recasts and expands what we know about John Ross, the Cherokee Nation, its commitment to maintaining its sovereignty, and the Civil War era in Indian Territory. Weeks also provides historical context for later developments, from the events of Little Bighorn and Wounded Knee to the struggle over tribal citizenship between the Cherokees and the descendants of their former slaves.

For the Cherokee Nation, the Civil War was more than a contest between the Union and the Confederacy. It was yet another battle in the larger struggle against multiple white governments for land and tribal sovereignty. Cherokee Civil Warrior tells the story of Chief John Ross as he led the tribe in this struggle. The son of a Scottish father and mixed-blood Indian mother, John Ross served the Cherokee Nation in a public capacity for nearly fifty years, thirty-eight as its constitutionally elected principal chief. Historian W. Dale Weeks describes Ross’s efforts to protect the tribe’s interests amid systematic attacks on indigenous culture throughout the nineteenth century, from the forced removal policies of the 1830s to the exigencies of the Civil War era. At the outset of the Civil War, Ross called for all Cherokees, slaveholding and nonslaveholding, to remain neutral in a war they did not support—a position that became untenable when the United States withdrew its forces from Indian Territory. The vacated forts were quickly occupied by Confederate troops, who pressured the Cherokees to align with the South. Viewed from the Cherokee perspective, as Weeks does in this book, these events can be seen in their proper context, as part of the history of U.S. “Indian policy,” failed foreign relations, and the Anglo-American conquest of the American West. This approach also clarifies President Abraham Lincoln’s acknowledgment of the federal government’s abrogation of its treaty obligation and his commitment to restoring political relations with the Cherokees—a commitment abruptly ended when his successor Andrew Johnson instead sought to punish the Cherokees for their perceived disloyalty. Centering a Native point of view, this book recasts and expands what we know about John Ross, the Cherokee Nation, its commitment to maintaining its sovereignty, and the Civil War era in Indian Territory. Weeks also provides historical context for later developments, from the events of Little Bighorn and Wounded Knee to the struggle over tribal citizenship between the Cherokees and the descendants of their former slaves.

Although many Indian nations fought in the Civil War, historians have given little attention to the role Native Americans played in the conflict. Indian nations did, in fact, suffer a higher percentage of casualties than any Union or Confederate state, and the war almost destroyed the Cherokee Nation. In The Confederate Cherokees, W. Craig Gaines provides an absorbing account of the Cherokees' involvement in the early years of the Civil War, focusing in particular on the actions of one group, John Drew's Regiment of Mounted Rifles.As the war began, The Cherokees were torn by internal political dissension and a simmering thirty-year-old blood feud. Entry into the war on the Confederate side did little to resolve these intratribal tensions. One faction, loyal to Chief John Ross, formed a regiment led by John Drew, Ross's nephew by marriage. Another regiment was formed by Ross's rival, Stand Watie. The Watie regiment was largely por-Confederate, whereas many of Drew's soldiers, though fighting for the Confederate cause, were secretly members of a pro-Union, antislavery society known as the Keetoowahs. They had little sympathy for the southern whites, who had driven them from their ancestral homelands in Alabama, Georgia, North Carolina, Kentucky, and Tennessee. Drew's regiment nonetheless earned a degree of infamy during the Battle of Pea Ridge, in Arkansas, for scalping Union soldiers.Gaines writes not only about the actions of Drew's regiment but about military events in the Indian Territory in general. United action was almost impossible because of continuing factionalism within the tribes and the desertion of many Indians to the Union forces. Desertion was so high that Drew's regiment was effectively disbanded by mid-1862, and the soldiers did not complete their one-year enlistment. Drew's regiment bears the distinction of being the only Confederate regiment to lose almost its entire membership through desertion to the Union ranks.Gaines's solidly researched, ground-breaking history of this ill-fated band of Cherokees will be of interest to Civil War buffs and students of Native American history alike.

An astonishing untold story from the nineteenth century—a “riveting…engrossing…‘American Epic’” (The Wall Street Journal) and necessary work of history that reads like Gone with the Wind for the Cherokee. “A vigorous, well-written book that distills a complex history to a clash between two men without oversimplifying” (Kirkus Reviews), Blood Moon is the story of the feud between two rival Cherokee chiefs from the early years of the United States through the infamous Trail of Tears and into the Civil War. Their enmity would lead to war, forced removal from their homeland, and the devastation of a once-proud nation. One of the men, known as The Ridge—short for He Who Walks on Mountaintops—is a fearsome warrior who speaks no English, but whose exploits on the battlefield are legendary. The other, John Ross, is descended from Scottish traders and looks like one: a pale, unimposing half-pint who wears modern clothes and speaks not a word of Cherokee. At first, the two men are friends and allies who negotiate with almost every American president from George Washington through Abraham Lincoln. But as the threat to their land and their people grows more dire, they break with each other on the subject of removal. In Blood Moon, John Sedgwick restores the Cherokee to their rightful place in American history in a dramatic saga that informs much of the country’s mythic past today. Fueled by meticulous research in contemporary diaries and journals, newspaper reports, and eyewitness accounts—and Sedgwick’s own extensive travels within Cherokee lands from the Southeast to Oklahoma—it is “a wild ride of a book—fascinating, chilling, and enlightening—that explains the removal of the Cherokee as one of the central dramas of our country” (Ian Frazier). Populated with heroes and scoundrels of all varieties, this is a richly evocative portrait of the Cherokee that is destined to become the defining book on this extraordinary people.

American Indians have talent in both oratory and statesmanship. American history provides abundant examples of Indians’ adroit political maneuvering with the whites. Less well known are the maneuvers that took place within individual tribes. The Cherokee Indians are celebrated for their political and social achievements. But the fact that the Cherokee concept of nationalism was formulated long before the nineteenth century has been overlooked. From 1740 until 1762 the Cherokees lived in the area of present-day North Carolina, South Carolina, Georgia, and Virginia, and they were a homogeneous people, albeit struggling in the face of opposition within and without. During this critical period the traditional nationalist forces in the nation had to contend with many brands of factionalism. The traditional leadership, stemming from Overhill Chota, came into conflict with the English puppet leadership at Overhill Great Tellico, and French-English rivalry split the nation into two forces. One, led by Old Hop, the first Beloved Man of the nation, advocated neutrality. The other, led by Attakullaculla, favored the English alliance. After a cruel war with the English, in which two royal expeditionary forces laid waste the Cherokee country, Attakullaculla was able to bring about a peace. This realistic picture of Indian intrigue reveals the influence of intratribal conflict on colonial history—demonstrating that the Cherokees’ own problems were more significant than European pressure in shaping events. The story of Cherokee statesmanship in terms of Indian institutions provides fresh insight into this era of colonial and American Indian history.

No one questions the horrific impact of the Civil War on America, but few realize its effect on American Indians. Residents of Indian Territory found the war especially devastating. Their homeland was beset not only by regular army operations but also by guerillas and bushwhackers. Complicating the situation even further, Cherokee men fought for the Union as well as the Confederacy and created their own “brothers’ war.” This book offers a broad overview of the war as it affected the Cherokees—a social history of a people plunged into crisis. The Cherokee Nation in the Civil War shows how the Cherokee people, who had only just begun to recover from the ordeal of removal, faced an equally devastating upheaval in the Civil War. Clarissa W. Confer illustrates how the Cherokee Nation, with its sovereign status and distinct culture, had a wartime experience unlike that of any other group of people—and suffered perhaps the greatest losses of land, population, and sovereignty. Confer examines decision-making and leadership within the tribe, campaigns and soldiering among participants on both sides, and elements of civilian life and reconstruction. She reveals how a centuries-old culture informed the Cherokees’ choices, with influences as varied as matrilineal descent, clan affiliations, economic distribution, and decentralized government combining to distinguish the Native reaction to the war. The Cherokee Nation in the Civil War recalls a people enduring years of hardship while also struggling for their future as the white man’s war encroached on the physical and political integrity of their nation.

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The years between Oklahoma statehood in 1907 and the 1971 reemergence of the Cherokee Nation are often seen as an intellectual, political, and literary “dark age” in Cherokee history. In Stoking the Fire, Kirby Brown brings to light a rich array of writing that counters this view. A critical reading of the work of several twentieth-century Cherokee writers, this book reveals the complicated ways their writings reimagined, enacted, and bore witness to Cherokee nationhood in the absence of a functioning Cherokee state. Historian Rachel Caroline Eaton (1869–1938), novelist John Milton Oskison (1874–1947), educator Ruth Muskrat Bronson (1897–1982), and playwright Rollie Lynn Riggs (1899–1954) are among the writers Brown considers within the Cherokee national and transnational contexts that informed their lives and work. Facing the devastating effects on Cherokee communities of allotment and assimilation policies that ultimately dissolved the Cherokee government, these writers turned to tribal histories and biographies, novels and plays, and editorials and public addresses as alternative sites for resistance, critique, and the ongoing cultivation of Cherokee nationhood. Stoking the Fire shows how these writers—through fiction, drama, historiography, or Cherokee diplomacy—inscribed a Cherokee national presence in the twentieth century within popular and academic discourses that have often understood the “Indian nation” as a contradiction in terms. Avoiding the pitfalls of both assimilationist resignation and accommodationist ambivalence, Stoking the Fire recovers this period as a rich archive of Cherokee national memory. More broadly, the book expands how we think today about Indigenous nationhood and identity, our relationships with writers and texts from previous eras, and the paradigms that shape the fields of American Indian and Indigenous studies.

By the acclaimed author of the classic Patriots and Union 1812, this major work of narrative history portrays four of the most turbulent decades in the growth of the American nation. After the War of 1812, President Andrew Jackson and his successors led the country to its manifest destiny across the continent. But that expansion unleashed new regional hostilities that led inexorably to Civil War. The earliest victims were the Cherokees and other tribes of the southeast who had lived and prospered for centuries on land that became Alabama, Mississippi, and Georgia. Jackson, who had first gained fame as an Indian fighter, decreed that the Cherokees be forcibly removed from their rich cotton fields to make way for an exploding white population. His policy set off angry debates in Congress and protests from such celebrated Northern writers as Ralph Waldo Emerson. Southern slave owners saw that defense of the Cherokees as linked to a growing abolitionist movement. They understood that the protests would not end with protecting a few Indian tribes. Langguth tells the dramatic story of the desperate fate of the Cherokees as they were driven out of Georgia at bayonet point by U.S. Army forces led by General Winfield Scott. At the center of the story are the American statesmen of the day—Henry Clay, John Quincy Adams, John C. Calhoun—and those Cherokee leaders who tried to save their people—Major Ridge, John Ridge, Elias Boudinot, and John Ross. Driven West presents wrenching firsthand accounts of the forced march across the Mississippi along a path of misery and death that the Cherokees called the Trail of Tears. Survivors reached the distant Oklahoma territory that Jackson had marked out for them, only to find that the bloodiest days of their ordeal still awaited them. In time, the fierce national collision set off by Jackson’s Indian policy would encompass the Mexican War, the bloody frontier wars over the expansion of slavery, the doctrines of nullification and secession, and, finally, the Civil War itself. In his masterly narrative of this saga, Langguth captures the idealism and betrayals of headstrong leaders as they steered a raw and vibrant nation in the rush to its destiny.

In the aftermath of the Civil War, New Mexico Territory endured painful years of hardship and ongoing strife. During this turbulent period, a U.S. military officer stationed in the territory assembled an album of photographs, a series of still shots taken by one or more anonymous photographers. Now, some 150 years later, Hardship, Greed, and Sorrow reproduces the anonymous officer’s “souvenir album” in its totality. Offering an important glimpse of the American Southwest in the mid-1860s, the book opens with a thoughtful foreword by Jennifer Nez Denetdale, who considers the varied and lingering effects that settlement, conquest, and nineteenth-century photography had on the Apaches and Navajos. In her insightful introduction accompanying the photographs, curator and scholar Devorah Romanek places the photographs in historical context and explains their unusual provenance. As she points out, the 1866 album integrates a number of important themes in connection to the Civil War and Reconstruction periods, including the French intervention in New Mexico and the internment of Navajos at the Bosque Redondo Indian Reservation. The story of the album’s provenance reads like a mystery: some loose ends remain untied and some questions remain unanswered. In addition to containing what may be the earliest extant photographs of Navajo Indians, the album features both studio and field images of U.S. Army officers, Mexican politicians, and various sites throughout New Mexico. According to Romanek, a number of the album’s photographs have appeared in other publications but with scant attention to their original context or purpose. This compelling book reveals what we know about the collection, its compiler, and the photographer—or photographers—who captured such a fraught and complex moment in the history of the American Southwest.