"In addition to tracing the development of Cherokee art, Power reveals the wide range of geographical locales from which Cherokee art has originated. These places include the Cherokee's tribal homeland in the southeast, the tribe's areas of resettlement in the West, and abodes in the United States and beyond to which individuals subsequently moved. Intimately connected to the time and place of its creation, Cherokee art changed along with Cherokee social, political, and economic circumstances. The entry of European explorers into the Southeast, the Trail of Tears, the American Civil War, and the signing of treaties with the U.S. government are among the transforming events in Cherokee art history that Power discusses."--BOOK JACKET.

Reading Cherokee Buckskin will help you develop a valuable skill that less than one in a hundred thousand or more people have today. With every generation that dies off, our families, our societies, and the world lose increasingly scarce historical information about basic subsistence prior to the machine age and the digital age. How did our great-great-grandfathers and grandmothers provide food, shelter, and clothing for their families without a job, without stores everywhere, without money? Indigenous peoples all over the world knew these same skills that made them truly independent and self-sufficient. While you can find articles about brain-tanning by searching the internet, this is the way my grandmother and great-grandmother taught me brain-tanning sixty years ago and I want to share it with you before it's too late.

"One of the most hilarious autobiographies that has come out in a long time, this story of Buckskin Joe will entertain readers of all ages. . . . [Glenn Shirley] has done an excellent job in arranging and editing Hoyt's war diary, penciled notes, and other materials into a readable book. It makes a bully story."—Wayne Gard, Southwest Review In his lifetime Edward Jonathan Hoyt, better known as Buckskin Joe, staged more excitement than Buffalo Bill, Fairbanks and Flynn, Karl Wallenda, and Batman put together. Born in Canada in 1840, he fought in the Civil War, homesteaded in southern Kansas, chased outlaws as a U.S. marshal in the Cherokee Outlet, prospected for gold from Nova Scotia to Central America, and served as a troubleshooter for "Haw" Tabor, the Silver King of Leadville. But essentially he was an entertainer, specializing in fêtes of music and feats of strength and agility. The master of sixteen musical instruments, he played in frontier bands. An acrobat and aerialist, he toured in circuses, once walking a tightrope two thousand feet above the Royal Gorge. His last hurrah, before pursuing his fortune in the jungles of Honduras, was a tour in Pawnee Bill's Wild West show. Glenn Shirley, who edited Joe's journals, is the author of Law West of Fort Smith (also a Bison Book) and many other works on frontier and outlaw history.

Once upon a time in the late nineteenth century, there was an outlaw that captured the imagination of the American public like no other. He can be compared to John Dillinger or Pretty Boy Floyd of the 1930s. Like both of these men, he garnered national press for his exploits; the well-known New York Times had a running commentary on his actions and deeds. This outlaw's name was Crawford Goldsby, better known as Cherokee Bill.Cherokee Bill was every bit as colorful and outrageous as any criminal of the western frontier, perhaps even more so. There were a few things about him that made him truly unique for a famous desperado of the purple sage. First and foremost, he was an African American living in the Indian Territory. He was also Native American, Bill was a citizen of the Cherokee Nation, as a freedman, from his mother's lineage.Compare Cherokee Bill to Billy the Kid, (Billy Antrim), of New Mexico Territory fame. Although both outlaws received national media attention for their crimes while they were living, Billy the Kid was remembered and immortalized in books and films in the twentieth century; this did not occur for Cherokee Bill. Art Burton's newest book will help change that.

Of the Five Civilized Tribes of Indians the Cherokees were early recognized as the greatest and the most civilized. Indeed, between 1540 and 1906 they reached a higher peak of civilization than any other North American Indian tribe. They invented a syllabary and developed an intricate government, including a system of courts of law. They published their own newspaper in both Cherokee and English and became noted as orators and statesmen. At the beginning the Cherokees’ conquest of civilization was agonizingly slow and uncertain. Warlords of the southern Appalachian Highlands, they were loath to expend their energies elsewhere. In the words of a British officer, "They are like the Devil’s pigg, they will neither lead nor drive." But, led or driven, the warlike and willful Cherokees, lingering in the Stone Age by choice at the turn of the eighteenth century, were forced by circumstances to transfer their concentration on war to problems posed by the white man. To cope with these unwelcome problems, they had to turn from the conquests of war to the conquest of civilization.

A comprehensive, illustrated encyclopedia which provides information on over 150 native tribes of North America, including prehistoric peoples.

An introduction to the history, culture, and people of the many Indian tribes that inhabited the region along the south Atlantic coast of the United States, around the Gulf of Mexico, and west to the Mississippi River.

How to tan with natural materials.

First published in 1956, this book traces the progress of the Cherokee people, beginning with their native social and political establishments, and gradually unfurling to include their assimilation into “white civilization.” Henry Thompson Malone deals mainly with the social developments of the Cherokees, analyzing the processes by which they became one of the most civilized Native American tribes. He discusses the work of missionaries, changes in social customs, government, education, language, and the bilingual newspaper The Cherokee Phoenix. The book explains how the Cherokees developed their own hybrid culture in the mountainous areas of the South by inevitably following in the white man's footsteps while simultaneously holding onto the influences of their ancestors.