Drawing on the author's own experience as "the other woman" in an affair with am otherwise-committed man, this contemporary feminist study is the first to label the role of the two-timing male as "sexual terrorist." Cheating on the Sisterhood: Infidelity and Feminism is a feminist analysis of the imbroglio of sexual politics, brute sociobiology, and pop-mediated passion that is conjured up when a married man cheats on his wife with a younger, single woman. Drawing frankly on her own experience as the "other woman," Lauren Rosewarne scrutinizes the alternate readings of the politics of cheating in terms of feminism's program of gender equality. Arguing that contemporary feminism does not automatically endorse or reject any particular choices, she shows what happens when all three parties to the classic triangle happen to be feminists, each trotting out a different set of feminist arguments to justify, vilify, and rationalize his or her actions. Is the "other woman," this book asks, just a tool of the cheating man's assertion of gender dominance over both his mate and his mistress—and a willy-nilly a traitor to the sisterhood?

The author explores the disconnect between many women's feminist values and their handling of infidelity in intimate relationships. Drawing on the gender equality agenda, pop culture representations, and her own experience as the other woman, she argues that infidelity is a political as well as personal matter, not just a heterosexual problem as the 'feminist academy' views it, in presenting an analysis of the participation of the male betrayer, the female betrayed, and the female affair partner.

"Cheating is deeply embedded in everyday life. Costs attributable to its most common forms total close to a trillion dollars annually. This book offers the only recent comprehensive account of cheating in everyday life and the strategies necessary to address it across a wide range of contexts: sports, organizations, taxes, academia, copyright infringement, marriage, and insurance and mortgages"--

Justice is music to the Sisterhood’s ears as they delve into the dark side of celebrity—from the #1 New York Times bestselling author of Crash and Burn. Through all their missions and adventures, the tightknit group of friends who make up the Sisterhood have learned one vital lesson: everybody has a weak spot. In the case of Yoko Wong’s dear friend Garland Lee, the multimillion-selling performer known as America’s beloved songbird, that weak spot was trusting her lawyer, Arthur Forrester. For years, he’s taken advantage of her faith in him to amass a secret fortune. And now, in the deepest betrayal yet, he’s dragged her into a lawsuit that could cost her everything. The Sisterhood know they can’t let that happen. Forrester has some of the country’s top judges in his pocket, and a list of influential and ruthless friends—not to mention knowledge of all the ways the law can be corrupted to work in his favor. But he doesn’t have the Vigilantes’ deep-seated loyalty and determination. And all his years of underhanded dealings won’t prepare him for the type of creative payback that the Sisters have made their specialty . . . Series praise “Spunky women who fight for truth, justice, and the American way.”—Fresh Fiction on Final Justice “Readers will enjoy seeing what happens when well-funded, very angry women take the law into their own hands.”—Booklist on Weekend Warriors “Delectable . . . deliver[s] revenge that’s creatively swift and sweet, Michaels-style.”—Publishers Weekly on Hokus Pokus

Published in 1982, But Some of Us Are Brave was the first-ever Black women's studies reader and a foundational text of contemporary feminism. Featuring writing from eminent scholars, activists, teachers, and writers, such as the Combahee River Collective and Alice Walker, All the Women Are White, All the Blacks Are Men, But Some of Us Are Bravechallenges the absence of Black feminist thought in women’s studies, confronts racism, and investigates the mythology surrounding Black women in the social sciences. As the first comprehensive collection of Black feminist scholarship, But Some of Us Are Brave was recognized by Audre Lorde as “the beginning of a new era, where the ‘women’ in women’s studies will no longer mean ‘white.’” Coeditors Akasha (Gloria T.) Hull, Patricia Bell-Scott, and Barbara Smith are authors and former women's studies professors. Brittney C. Cooper is a professor of Women's and Gender Studies and Africana Studies at Rutgers University. She is the author of several books, including Eloquent Rage, named by Emma Watson as an Our Shared Shelf read for November/December 2018.

At a time when legal and social prohibitions on sexual relationships are declining, Americans are still nearly unanimous in their condemnation of adultery. Over 90 percent disapprove of cheating on a spouse. In her comprehensive account of the legal and social consequences of infidelity, Deborah Rhode explores why. She exposes the harms that criminalizing adultery inflicts, and she makes a compelling case for repealing adultery laws and prohibitions on polygamy. In the twenty-two states where adultery is technically illegal although widely practiced, it can lead to civil lawsuits, job termination, and loss of child custody. It is routinely used to threaten and tarnish public officials and undermine military careers. And running through the history of anti-adultery legislation is a double standard that has repeatedly punished women more severely than men. An “unwritten law” allowing a man to avoid conviction for killing his wife’s lover remained common well into the twentieth century. Murder under these circumstances was considered an act of understandable passion. Adultery has been called the most creative of sins, and novelists and popular media have lavished attention on sexual infidelity. As a focus of serious study, however, adultery has received short shrift. Rhode combines a comprehensive account of the legal and social consequences of adultery with a forceful argument for halting the state’s policing of fidelity.

"Which sister are you? Are you Rose? Shes the eldest sister who is in a constant struggle with her career and her family. Rose has built a promising career in California, but she is pulled back home due to her mothers illness. Are you Kacy? Shes the middle sister, recently divorced and starting her life over. Shes the caretaker and the peacemaker. If shes not taking care of her ill mother, shes trying to keep her two sisters from killing each other. Are you Gina? Shes the youngest sister, wild and free. She has no responsibility and enjoys her parties."

When they first met, best friends Priya, Isobel, Caitlin, Eshe, and Shayne swore a vow: Chase dreams not drama. Now, years later . . . Priya Seth is determined to win the coveted one-year mentorship with her idol at New York’s hottest law firm. Her rival? Last night’s hookup, Hadrian Marek. Despite having a privileged upper hand, Hadrian is willing to form an alliance. Priya’s only condition? No sex. Isobel Morgan is planning the perfect wedding, fighting to get the promotion she deserves, and caring for her dependent father. But when a video of her cheating fiancé goes viral, her world comes crashing down until she gets an offer that merges her passion for news and activism. The caveat? Long hours and travel away from her father. As these young women discover that achieving dreams is often erratic, and drama is as inevitable as adulting, the foundation of their friendship begins to crack, putting their sisterhood to the test.

Filled with compassion, humor, and tenacity in the face of almost insurmountable odds, here is a rich, inspiring tale of friendship and family, sisterhood and mother love . . . and of finding grace where you least expect it. Canaan Creek, South Carolina, in the 1950s is a tiny town where the close-knit African-American community is united by long-term friendships and church ties. Bonnie Wilder has lived here, on Blackberry Corner, all her life, and would be content but for her deep desire to have a child. She and her husband Naz cannot conceive, and he refuses to adopt. Even the support of her outrageous best friend Thora—to whom Bonnie tells everything—can’ t help fill the emptiness inside her. Then Naz finds a blanketed infant on the banks of Canaan Creek, and suddenly Bonnie’s life is transformed. She has found her calling. Together with Thora and the rest of the hilarious, tough, and all-too-human women from her church group, Bonnie creates an underground railroad for unwanted babies. But one of these precious gifts will come back to haunt her: a deception begun in good faith comes full circle, ultimately forcing Bonnie to find the courage to confront a difficult truth at the center of her own life.

At six am, Natalie gave birth to Rachel. Two hours later, Rosie gave birth to Helen while in the next room an overjoyed Cath welcomed her second little girl Angela into the world. Later that evening between seven-thirty and nine pm, Melanie, Linda and Katie were blessed with Rochelle, Daniella and Gabriella respectively. Mike had become the proud father of forty-seven children and he was loving every moment! It’s 1964; Mike Cunningham is a 24-year-old youth eking out a living with his Auntie Cath and 25-year-old cousin Michelle. He doesn’t realize it but Michelle is head over heels in love with him; and so is Auntie Cath! At Larkhill Manor, 29-year-old twins Stephanie and Samantha Marshall are desperately looking for love after spending years in the emotional wilderness. Before long, fate brings all three together, changing their lives forever... ‘THE SISTERHOOD OF LARKHILL MANOR’ is not just about love. Set in South-west England, it is a tale of jealousy, murder, tragedy, and the human spirit surviving despite insurmountable odds.