Reprint of the original, first published in 1868.

Boethius's 'De Consolatione Philosophiae' holds a special place in the history of western philosophy and literature. The text, written in the 6th century AD, explores themes of fate, free will, and the nature of happiness through a series of dialogues between the imprisoned Boethius and Lady Philosophy. Chaucer's translation of this work in the 14th century offers a glimpse into the medieval reception and interpretation of Boethius's ideas, showcasing the enduring relevance of his philosophical insights. Chaucer's adaptation preserves the essence of Boethius's original work while infusing it with his own poetic style and wit, making it a unique and engaging read for both scholars and general readers alike. The blend of philosophical inquiry and literary craftsmanship in this translation highlights the interconnectedness of philosophy and literature in the medieval period, enriching our understanding of both disciplines. Boethius, a Roman philosopher and statesman, wrote 'De Consolatione Philosophiae' while awaiting execution. His personal circumstances undoubtedly influenced the existential questions and themes present in the text, adding depth and authenticity to his philosophical reflections. The enduring popularity of Boethius's work throughout the centuries speaks to the universal appeal of his ideas and the profound impact they have had on subsequent generations of thinkers and writers. I highly recommend Chaucer's Translation of Boethius's 'De Consolatione Philosophiae' to anyone interested in exploring the intersections of philosophy and literature, the medieval intellectual tradition, or timeless questions about the human experience. This book offers a rich and thought-provoking reading experience that continues to captivate and inspire readers across centuries.

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Excerpt from Chaucer's Translation of Boethius's "De Consolatione Philosophiæ" Preston, 1695, 1712; W. Causton, 1730; Redpath, 1780 R. Duncan, 1789; anon. 1792 (lowndes). Consolation as 'a beck not known by manv.'l Belgium had her translations - both flemishz and French; Germany hers, ' France hers? Italy hers. The Latin editors are too numerous to be catalogued here, and manuscripts abound in all our great libraries. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

Excerpt from Chaucer's Translation of Boethius's "De Consolatione Philosophiae" Other translations are by John Walton of Osney, in verse, in 1410 (reg. Ms. 18, A first printed at Tavistock in 1525, and to be edited some time or other for the E. E. T. S. An anonymous prose version in the Bodleian. George Coluile, alias Coldewel, 1556; J. T. 1609 H. Conningesbye, 1664; Lord Preston, 1695, 1712; W. Causton, 1730; Redpath, 1785; R. Duncan, 1789; anon. 1792 (lowndes). Consolation as 'a beck not known by manv.'1 Belgium had her tmnslations - both Flemishz and Frenchi'; Germany hers, ' France hers,5 Italy hers. The Latin editors are too numerous to be catalogued here, and manuscripts abound in all our great libraries. No philosopher was so bone of the bone and esh of the esh of Middle-age writers as Boethius. Take up what writer you will. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works."